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Im Sonnenschein der Vernachlässigung - Douglas McCulloh - Taschenbuch - Brandneu 9781732403222-
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Standort: Momence, Illinois, USA
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eBay-Artikelnr.:226451459897
Artikelmerkmale
- Artikelzustand
- Number of Pages
- 258 Pages
- ISBN
- 9781732403222
Über dieses Produkt
Product Identifiers
Publisher
Inlandia Institute
ISBN-10
1732403228
ISBN-13
9781732403222
eBay Product ID (ePID)
9038744788
Product Key Features
Subject
General
Publication Year
2018
Language
English
Publication Name
In the Sunshine of Neglect : Defining Photographs and Radical Experiments in Inland Southern California, 1950 to the Present
Type
Textbook
Subject Area
Photography
Format
Trade Paperback
Additional Product Features
Intended Audience
Scholarly & Professional
Photographed by
Various
Illustrated
Yes
Synopsis
From the title essay:Inland Southern California occupies the margin between two mythical landscapes of the American West--the wide-open spaces of the Basin and Range and the strange dream of Los Angeles. It is set between L.A.'s distillation of golden structures on hardscrabble streets and 500,000 square miles of saltbush, sage, and aspiration. It contains a little of both, and a lot of nothing at all.At its core, In the Sunshine of Neglect is [a book] about place and experiment. It is about artists using the rapidly developing spaces of Inland Southern California as a tabula rasa, a laboratory to dissect new subjects and deploy new approaches. In these interstitial spaces, this zone of neglect on the periphery of Los Angeles, artists have transformed extremity into new practice, banality into discovery. Some have been engaged here for long durations--even lifetimes, while others have cycled through like grad students visiting a research lab down the hall. But the entire current generation is influenced by the new avenues of photography established several of the artists--Robert Adams, Lewis Baltz, Joe Deal, Judy Fiskin, Anthony Hernandez, Sant Khalsa, Laurie Brown, and others--not long ago in the West, this part of the West.In Inland Southern California, photographers criss-cross a landscape so stripped down, so newly manufactured that treasures can be found right at the surface, every surface. Most of [the] artists do not define their task as delving into development, decay, or decline. For the most part, they seek to simply look at the wide range of what is, as if looking can ever be simple. But it's fruitful to undertake the task in a place especially exposed and revealing. A place founded on faith in constant expansion, regardless of cultural or ecological consequences. A place willing to consistently erase the present for a stake in an imagined future. In short, a place that nakedly stands in for the Western World.
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