Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde...

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Artikelmerkmale

Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Binding
Paperback
Product Group
Book
Weight
1 lbs
IsTextBook
No
ISBN
9780472069316
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
University of Michigan Press
ISBN-10
0472069314
ISBN-13
9780472069316
eBay Product ID (ePID)
47840040

Product Key Features

Number of Pages
312 Pages
Language
English
Publication Name
Not the Other Avantgarde : the Transnational Foundations of Avantgarde Performance
Subject
Theater / History & Criticism, Anthologies (Multiple Authors)
Publication Year
2006
Type
Textbook
Subject Area
Drama, Performing Arts
Author
John Rouse
Series
Theater: Theory/Text/Performance Ser.
Format
Perfect

Dimensions

Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2005-033818
Reviews
Joins the growing field of critical and transnational theories on the arts... its grounding in live performance and its foregrounding of the performative human body presents a new theoretical paradigm that is pathbreaking. - Haiping Yan, University of California, Los Angeles
Illustrated
Yes
Dewey Decimal
792.02/23
Synopsis
Almost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for Not the Other Avant-Garde , forge a radically new conception of the avant-garde by demonstrating the many ways in which the first- and second-wave avant-gardes were always already a transnational phenomenon, an amalgam of often contradictory performance traditions and practices developed in various cultural locations around the world, including Africa, the Middle East, Mexico, Argentina, India, and Japan. Essays from leading scholars and critics-including Marvin Carlson, Sudipto Chatterjee, John Conteh-Morgan, Peter Eckersall, Harry J. Elam Jr., Joachim Fiebach, David G. Goodman, Jean Graham-Jones, Hannah Higgins, and Adam Versényi-suggest collectively that the very concept of the avant-garde is possible only if conceptualized beyond the limitations of Eurocentric paradigms. Not the Other Avant-Garde is groundbreaking in both avant-garde studies and performance studies and will be a valuable contribution to the fields of theater studies, modernist studies, art history, literature, and music history. "Joins the growing field of critical and transnational theories on the arts. . . its grounding in live performance and its foregrounding of the performative human body presents a new theoretical paradigm that is pathbreaking." --Haiping Yan, University of California, Los Angeles James M. Harding is Associate Professor of English at Mary Washington University. He is author of Adorno and "A Writing of the Ruins": Essays on Modern Aesthetics and Anglo-American Literature and Culture and editor of Contours of the Theatrical Avant-Garde: Performance and Textuality . John Rouse is Associate Professor of Theater at the University of California, San Diego. He is author of Brecht and the West German Theatre., Almost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for Not the Other Avant-Garde , forge a radically new conception of the avant-garde by demonstrating the many ways in which the first- and second-wave avant-gardes were always already a transnational phenomenon, an amalgam of often contradictory performance traditions and practices developed in various cultural locations around the world, including Africa, the Middle East, Mexico, Argentina, India, and Japan. Essays from leading scholars and critics-including Marvin Carlson, Sudipto Chatterjee, John Conteh-Morgan, Peter Eckersall, Harry J. Elam Jr., Joachim Fiebach, David G. Goodman, Jean Graham-Jones, Hannah Higgins, and Adam Versényi-suggest collectively that the very concept of the avant-garde is possible only if conceptualized beyond the limitations of Eurocentric paradigms. Not the Other Avant-Garde is groundbreaking in both avant-garde studies and performance studies and will be a valuable contribution to the fields of theater studies, modernist studies, art history, literature, and music history. "Joins the growing field of critical and transnational theories on the arts. . . its grounding in live performance and its foregrounding of the performative human body presents a new theoretical paradigm that is pathbreaking." --Haiping Yan, University of California, Los Angeles James M. Harding is Associate Professor of English at Mary Washington University. He is author of Adorno and "A Writing of the Ruins" Essays on Modern Aesthetics and Anglo-American Literature and Culture and editor of Contours of the Theatrical Avant-Garde: Performance and Textuality . John Rouse is Associate Professor of Theater at the University of California, San Diego. He is author of Brecht and the West German Theatre., The essays in this collection offer a radical reappraisal of the avant-garde by placing it within a much broader global context. The book questions the very assumptions that underlie the generally accepted chronology and theory of the avant-garde, and offer a bold new performance-based theory that moves beyond Eurocentric presup-positions. In ten essays especially commissioned for this volume, leading scholars and critics including Marvin Carlson, Supito Chatterjee, John Conteh-Morgan, Harry J. Elam, Jr., Joachim Fiebach, David G. Goodman, Jean Graham-Jones, Hanna Higgins, and Adam Versenyi discuss avant-garde performances in Africa, the Middle East, Mexico, Argentina, India, and Japan.
LC Classification Number
PN2193.E86N68 2006

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