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On the Natural History of Destruction by W G Sebald (0375756574)
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Artikelmerkmale

Artikelzustand
Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
EAN
9780375756573
UPC
9780375756573
ISBN
9780375756573
MPN
N/A
Recommended Age Range
12+ years
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Random House Publishing Group
ISBN-10
0375756574
ISBN-13
9780375756573
eBay Product ID (ePID)
6037261

Product Key Features

Book Title
On The Natural History of Destruction
Number of Pages
224 Pages
Language
English
Topic
European / German, Military / World War II, Europe / Germany, Personal Memoirs, Subjects & Themes / Historical events, Military / Aviation
Publication Year
2004
Illustrator
Yes
Genre
Literary Criticism, Biography & Autobiography, History
Author
W. G. Sebald
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
6.1 Oz
Item Length
8 in
Item Width
5.2 in

Additional Product Features

Intended Audience
Trade
LCCN
2004-269961
Dewey Edition
21
Reviews
"Most writers, even good ones, write of what can be written. . . . The very greatest write of what cannot be written. . . . I think of Akhmatova and Primo Levi, for example, and of W. G. Sebald." -The New York Times "[Sebald] is writing about what he regards as a disquieting refusal to face facts-not only about what was done to the nation, but by implication, by the nation. . . . No better future for humankind is possible if we do less than look upon the crimes of our past, and their catastrophic results, with 'a steadfast gaze.'" -The Boston Sunday Globe "This may well be the last of Sebald's writing we'll ever have, so how amazing-and fitting-it is that it seems, in a fashion as uncanny as his prose and perceptions could often be, to close the circle of the ruminations that preoccupied his writing life." -The Washington Post "Sebald approaches his subject with sensitivity, yet avoids neither descriptions of horrible carnage nor criticism of writers too preoccupied with absolving themselves of blame to faithfully portray a destroyed Germany. The result is a balanced explication of devastation and denial, and a beautiful coda for Sebald." -Booklist "The secret of Sebald's appeal is that he saw himself in what now seems almost an old-fashioned way as a voice of conscience, someone who remembers injustice, who speaks for those who can no longer speak." -The New York Review of Books, "Most writers, even good ones, write of what can be written. . . . The very greatest write of what cannot be written. . . . I think of Akhmatova and Primo Levi, for example, and of W. G. Sebald." --The New York Times "[Sebald] is writing about what he regards as a disquieting refusal to face facts--not only about what was done to the nation, but by implication, by the nation. . . . No better future for humankind is possible if we do less than look upon the crimes of our past, and their catastrophic results, with 'a steadfast gaze.'" -- The Boston Sunday Globe "This may well be the last of Sebald's writing we'll ever have, so how amazing--and fitting--it is that it seems, in a fashion as uncanny as his prose and perceptions could often be, to close the circle of the ruminations that preoccupied his writing life." -- The Washington Post "Sebald approaches his subject with sensitivity, yet avoids neither descriptions of horrible carnage nor criticism of writers too preoccupied with absolving themselves of blame to faithfully portray a destroyed Germany. The result is a balanced explication of devastation and denial, and a beautiful coda for Sebald." --Booklist "The secret of Sebald's appeal is that he saw himself in what now seems almost an old-fashioned way as a voice of conscience, someone who remembers injustice, who speaks for those who can no longer speak." --The New York Review of Books, "Most writers, even good ones, write of what can be written. . . . The very greatest write of what cannot be written. . . . I think of Akhmatova and Primo Levi, for example, and of W. G. Sebald." -The New York Times "[Sebald] is writing about what he regards as a disquieting refusal to face facts-not only about what was done to the nation, but by implication, by the nation. . . . No better future for humankind is possible if we do less than look upon the crimes of our past, and their catastrophic results, with 'a steadfast gaze.'" - The Boston Sunday Globe "This may well be the last of Sebald's writing we'll ever have, so how amazing-and fitting-it is that it seems, in a fashion as uncanny as his prose and perceptions could often be, to close the circle of the ruminations that preoccupied his writing life." - The Washington Post "Sebald approaches his subject with sensitivity, yet avoids neither descriptions of horrible carnage nor criticism of writers too preoccupied with absolving themselves of blame to faithfully portray a destroyed Germany. The result is a balanced explication of devastation and denial, and a beautiful coda for Sebald." -Booklist "The secret of Sebald's appeal is that he saw himself in what now seems almost an old-fashioned way as a voice of conscience, someone who remembers injustice, who speaks for those who can no longer speak." -The New York Review of Books
Dewey Decimal
833/.91409358
Synopsis
During World War Two, 131 German cities and towns were targeted by Allied bombs, a good number almost entirely flattened. Six hundred thousand German civilians died--a figure twice that of all American war casualties. Seven and a half million Germans were left homeless. Given the astonishing scope of the devastation, W. G. Sebald asks, why does the subject occupy so little space in Germany's cultural memory? On the Natural History of Destruction probes deeply into this ominous silence.
LC Classification Number
PT405.S4313 2004

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