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Lipstick Traces: A Secret History of the Twentieth Century by Marcus, Greil, Goo
US $15,00
Ca.EUR 13,03
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Standort: Aptos, California, USA
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eBay-Artikelnr.:205692975388
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780674535817
Über dieses Produkt
Product Identifiers
Publisher
Harvard University Press
ISBN-10
0674535812
ISBN-13
9780674535817
eBay Product ID (ePID)
981227
Product Key Features
Book Title
Lipstick Traces : a Secret History of the Twentieth Century
Number of Pages
512 Pages
Language
English
Publication Year
1990
Topic
Civilization, Modern / 20th Century, Popular Culture
Illustrator
Yes
Genre
Art, Social Science, History
Format
Trade Paperback
Dimensions
Item Height
1.4 in
Item Weight
30.2 Oz
Item Length
9.2 in
Item Width
7.5 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
21
Reviews
Greil Marcus's absorbing new study...dips in and out of the history of the Great Refusal, all the way from the medieval Lollards and Brethren of the Free Spirit to the Dadaists, the French Situationists, the Children of the May 1968 uprising in France and British punk rockers. Lipstick Traces, however, is no sedate academic record of libertarian revolt but a bold blending of anecdote, personal confession and cultural analysis, cutting backward and forward from Sid Vicious of the Sex Pistols to the Surrealists, from Alexander Trocchi of the 1950's avant-garde group know as Lettrist International to George Grosz, from the Anabaptists in the 16th century to Daniel Cohn-Bendit, Danny the Red of the French student rebellion...[Marcus's] book is impressively adept at bringing alive some of the dramatic moments of the history it charts...A coruscatingly original piece of work, vibrant with the energy of the bizarre happenings it maps out., A book about the twilight zone of art and revolution...[that] displays an intellectual confidence, or nerve, that more than convinces the reader to follow its unmarked trails., [A] seminal work...The impact of Marcus' work is undeniable...Though his imagination may overreach, his sentences may befuddle, his aims may elude his means (but not often), Marcus as a critic, historian and essayist continues to be at the vanguard of his field precisely because of his ability to find the balance between these approaches, between mystery and proposition, between a yarn and an epic, between yearning and compromise--an equilibrium which gives voice to the present moment of our looking back., Lipstick Traces has the energy of its obsessions, and it snares you in the manner of those intense, questing and often stoned sessions of intellectual debate you may have experienced in your college years. It was destined, in other words, to achieve cult status., Greil Marcus's absorbing new study...dips in and out of the history of the Great Refusal, all the way from the medieval Lollards and Brethren of the Free Spirit to the Dadaists, the French Situationists, the Children of the May 1968 uprising in France and British punk rockers. Lipstick Traces , however, is no sedate academic record of libertarian revolt but a bold blending of anecdote, personal confession and cultural analysis, cutting backward and forward from Sid Vicious of the Sex Pistols to the Surrealists, from Alexander Trocchi of the 1950's avant-garde group know as Lettrist International to George Grosz, from the Anabaptists in the 16th century to Daniel Cohn-Bendit, Danny the Red of the French student rebellion...[Marcus's] book is impressively adept at bringing alive some of the dramatic moments of the history it charts...A coruscatingly original piece of work, vibrant with the energy of the bizarre happenings it maps out., Lipstick Traces...is a highly subjective account of rebellious gestures that recur from decade to decade, often in remarkably similar incarnations. Marcus doesn't belabor the division between high and low--he just ignores it, fluidly shifting from (sometimes obscure) source to source. Dada leads to punk leads to Police Academy, and Elvis movies prompt analyses of the Left Bank. Natch! That Marcus can kick off and end his exhaustive, but always clear-headed, cross-epochal trek with the Sex Pistols--and make it all cohere--is but one indication of how fully he meshes the academy and the gutter., Lipstick Traces ...is a highly subjective account of rebellious gestures that recur from decade to decade, often in remarkably similar incarnations. Marcus doesn't belabor the division between high and low--he just ignores it, fluidly shifting from (sometimes obscure) source to source. Dada leads to punk leads to Police Academy, and Elvis movies prompt analyses of the Left Bank. Natch! That Marcus can kick off and end his exhaustive, but always clear-headed, cross-epochal trek with the Sex Pistols--and make it all cohere--is but one indication of how fully he meshes the academy and the gutter.
Dewey Decimal
700.9/04
Table Of Content
Prologue Version One: The Last Sex Pistols Concert Version Two: A Secret History Of A Time That Passed Faces Legends of Freedom The Art of Yesterday's Crash The Crash of Yesterday's Art The Assault on Notre-Dame The Attack on Charlie Chaplin Lipstick Traces (on a Cigarette) Epilogue Works Cited Sources and Credits Acknowledgments Index
Synopsis
This is a secret history of modern times, told by way of what conventional history tries to exclude. Lipstick Traces tells a story as disruptive and compelling as the century itself. Hip, metaphorical and allusive...--Gail Caldwell, Boston Sunday Globe. Full-color illustrations and halftones.
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