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SÜDLICHE DAMEN UND SFFRAGETTEN: JULIA WARD HOWE AND von Miki Pfeffer - Hardcover-
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eBay-Artikelnr.:203484463116
Artikelmerkmale
- Artikelzustand
- ISBN
- 9781628461343
- EAN
- 9781628461343
Über dieses Produkt
Product Identifiers
Publisher
University Press of Mississippi
ISBN-10
1628461349
ISBN-13
9781628461343
eBay Product ID (ePID)
202782667
Product Key Features
Book Title
Southern Ladies and Suffragists : Julia Ward Howe and Women's Rights at the 1884 New Orleans World's Fair
Number of Pages
268 Pages
Language
English
Publication Year
2014
Topic
Women, United States / State & Local / South (Al, Ar, Fl, Ga, Ky, La, ms, Nc, SC, Tn, VA, WV), United States / 19th Century, Civil Rights, Women's Studies, Literary
Illustrator
Yes
Genre
Political Science, Social Science, Biography & Autobiography, History
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
19.2 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2014-014211
Reviews
Southern Ladies and Suffragists is a splendid addition to the field of women's history and cultural studies. It is a model of scholarly research and critical interpretation. Pfeffer has made brilliant use of the rich archival material in New Orleans, particularly the files of the local newspapers and the letters of many New Orleans women involved with the Cotton Centennial. The unwelcome appointment of Julia Ward Howe to direct the New Orleans Woman's Department in 1884 highlighted deep controversies about 'sectionalism,' and it provided an opportunity for women journalists to campaign openly against her and for local ladies to snipe at her in private. Pfeffer shows better than anyone else precisely how the visit of Howe and her daughter Maud accelerated feminist thinking and organizing in the South and encouraged women's literature as well as social activism and women's higher education., " Southern Ladies and Suffragists is a splendid addition to the field of women's history and cultural studies. It is a model of scholarly research and critical interpretation. Pfeffer has made brilliant use of the rich archival material in New Orleans, particularly the files of the local newspapers and the letters of many New Orleans women involved with the Cotton Centennial. The unwelcome appointment of Julia Ward Howe to direct the New Orleans Woman's Department in 1884 highlighted deep controversies about 'sectionalism,' and it provided an opportunity for women journalists to campaign openly against her and for local ladies to snipe at her in private. Pfeffer shows better than anyone else precisely how the visit of Howe and her daughter Maud accelerated feminist thinking and organizing in the South and encouraged women's literature as well as social activism and women's higher education." --Elaine Showalter, Professor Emerita of English, Princeton University, " Southern Ladies and Suffragists is a splendid addition to the field of women's history and cultural studies. It is a model of scholarly research and critical interpretation. Pfeffer has made brilliant use of the rich archival material in New Orleans, particularly the files of the local newspapers and the letters of many New Orleans women involved with the Cotton Centennial. The unwelcome appointment of Julia Ward Howe to direct the New Orleans Woman's Department in 1884 highlighted deep controversies about 'sectionalism,' and it provided an opportunity for women journalists to campaign openly against her and for local ladies to snipe at her in private. Pfeffer shows better than anyone else precisely how the visit of Howe and her daughter Maud accelerated feminist thinking and organizing in the South and encouraged women's literature as well as social activism and women's higher education." --Elaine Showalter, professor emerita of English, Princeton University, Southern Ladies and Suffragists is a splendid addition to the field of womens history and cultural studies. It is a model of scholarly research and critical interpretation. Pfeffer has made brilliant use of the rich archival material in New Orleans, particularly the files of the local newspapers and the letters of many New Orleans women involved with the Cotton Centennial. The unwelcome appointment of Julia Ward Howe to direct the New Orleans Womans Department in 1884 highlighted deep controversies about sectionalism,and it provided an opportunity for women journalists to campaign openly against her and for local ladies to snipe at her in private. Pfeffer shows better than anyone else precisely how the visit of Howe and her daughter Maud accelerated feminist thinking and organizing in the South and encouraged womens literature as well as social activism and womens higher education.Elaine Showalter, professor emerita of English, Princeton University
Dewey Edition
23
Dewey Decimal
305.420975
Synopsis
Women from all over the country came to New Orleans in 1884 for the Woman's Department of the Cotton Centennial Exposition, that portion of the World's Fair exhibition devoted to the celebration of women's affairs and industry. Their conversations and interactions played out as a drama of personalities and sectionalism at a transitional moment in the history of the nation. These women planted seeds at the Exposition that would have otherwise taken decades to drift southward. This book chronicles the successes and setbacks of a lively cast of postbellum women in the first Woman's Department at a world's fair in the Deep South. From a wide range of primary documents, Miki Pfeffer recreates the sounds and sights of 1884 New Orleans after Civil War and Reconstruction. She focuses on how difficult unity was to achieve, even when diverse women professed a common goal. Such celebrities as Julia Ward Howe and Susan B. Anthony brought national debates on women's issues to the South for the first time, and journalists and ordinary women reacted. At the World's Industrial and Cotton Centennial Exposition, the Woman's Department became a petri dish where cultures clashed but where women from across the country exchanged views on propriety, jobs, education, and suffrage. Pfeffer memorializes women's exhibits of handwork, literary and scientific endeavors, inventions, and professions, but she proposes that the real impact of the six-month-long event was a shift in women's self-conceptions of their public and political lives. For those New Orleans ladies who were ready to seize the opportunity of this uncommon forum, the Woman's Department offered a future that they had barely imagined., Winner of the 2015 Eudora Welty Prize Women from all over the country came to New Orleans in 1884 for the Woman's Department of the Cotton Centennial Exposition, that portion of the World's Fair exhibition devoted to the celebration of women's affairs and industry. Their conversations and interactions played out as a drama of personalities and sectionalism at a transitional moment in the history of the nation. These women planted seeds at the Exposition that would have otherwise taken decades to drift southward. This book chronicles the successes and setbacks of a lively cast of postbellum women in the first Woman's Department at a world's fair in the Deep South. From a wide range of primary documents, Miki Pfeffer recreates the sounds and sights of 1884 New Orleans after Civil War and Reconstruction. She focuses on how difficult unity was to achieve, even when diverse women professed a common goal. Such celebrities as Julia Ward Howe and Susan B. Anthony brought national debates on women's issues to the South for the first time, and journalists and ordinary women reacted. At the World's Industrial and Cotton Centennial Exposition, the Woman's Department became a petri dish where cultures clashed but where women from across the country exchanged views on propriety, jobs, education, and suffrage. Pfeffer memorializes women's exhibits of handwork, literary and scientific endeavors, inventions, and professions, but she proposes that the real impact of the six-month-long event was a shift in women's self-conceptions of their public and political lives. For those New Orleans ladies who were ready to seize the opportunity of this uncommon forum, the Woman's Department offered a future that they had barely imagined., Women from all over the country came to New Orleans in 1884 for the Woman's Department of the Cotton Centennial Exposition, that portion of the World's Fair exhibition devoted to the celebration of women's affairs and industry. Their conversations and interactions played out as a drama of personalities and sectionalism at a transitional moment in the history of the nation. These women planted seeds at the Exposition that would have otherwise taken decades to drift southward. This book chronicles the successes and setbacks of a lively cast of postbellum women in the first Woman's Department at a world's fair in the Deep South. From a wide range of primary documents, Miki Pfeffer recreates the sounds and sights of 1884 New Orleans after Civil War and Reconstruction. She focuses on how difficult unity was to achieve, even when diverse women professed a common goal. Such celebrities as Julia Ward Howe and Susan B. Anthony brought national debates on women's issues to the South for the first time, and journalists and ordinary women reacted. At the World's Industrial and Cotton Centennial Exposition, the Woman's Department became a petri dish where cultures clashed but where women from across the country exchanged views on propriety, jobs, education, and suffrage. Pfeffer memorializes women's exhibits of handwork, literary and scientific endeavors, inventions, and professions, but she proposes that the real impact of the six-month long event was a shift in women's self-conceptions of their public and political lives. For those New Orleans ladies who were ready to seize the opportunity of this uncommon forum, the Woman's Department offered a future that they had barely imagined.
LC Classification Number
HQ1236.5.U6P45 2014
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