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WET on Painting, Feminism, and Art Culture by Mira Schor
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Standort: Lillington, North Carolina, USA
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Artikelmerkmale
- Artikelzustand
- Vintage
- Yes
- ISBN
- 9780822319153
Über dieses Produkt
Product Identifiers
Publisher
Duke University Press
ISBN-10
0822319152
ISBN-13
9780822319153
eBay Product ID (ePID)
298629
Product Key Features
Book Title
Wet : on Painting, Feminism, and Art Culture
Number of Pages
280 Pages
Language
English
Publication Year
1997
Topic
Feminism & Feminist Theory, Criticism & Theory, History / General
Illustrator
Yes
Genre
Art, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
13.6 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
LCCN
96-029410
Reviews
"Mira Schor's collected critical art essays are witty, insightful, incisive. As artist, writer, and magazine editor, she shows us cracks in the art world's walls. She is up-to-date, on target. In a controversial field, she is a bold and confrontational critic." Nancy Spero, artist"Far more than a collection of random essays, Schor's deliciously titled Wet is a cohesive and lively group of writings addressing issues central to the practice and theory of postmodern art. One is compelled to respect her passion and eloquence and to enjoy her rhetorical flair. Wet is a "must" for all scholars, critics, and artists interested in the contemporary art scene." Amelia Jones, author of Postmodernism and the En-gendering of Marcel Duchamp, “Mira Schor’s collected critical art essays are witty, insightful, incisive. As artist, writer, and magazine editor, she shows us cracks in the art world’s walls. She is up-to-date, on target. In a controversial field, she is a bold and confrontational critic.�- Nancy Spero , artist, "Mira Schor's collected critical art essays are witty, insightful, incisive. As artist, writer, and magazine editor, she shows us cracks in the art world's walls. She is up-to-date, on target. In a controversial field, she is a bold and confrontational critic."- Nancy Spero , artist, Wet is a great read. Schor is gloriously fierce, often hilarious, and has boldly trod on powerful, or at least fashionably clad toes., “Far more than a collection of random essays, Schor’s deliciously titled Wet is a cohesive and lively group of writings addressing issues central to the practice and theory of postmodern art. One is compelled to respect her passion and eloquence and to enjoy her rhetorical flair. Wet is a ‘must’ for all scholars, critics, and artists interested in the contemporary art scene.�- Amelia Jones , author of Postmodernism and the En-gendering of Marcel Duchamp, "Far more than a collection of random essays, Schor's deliciously titled Wet is a cohesive and lively group of writings addressing issues central to the practice and theory of postmodern art. One is compelled to respect her passion and eloquence and to enjoy her rhetorical flair. Wet is a 'must' for all scholars, critics, and artists interested in the contemporary art scene."-- Amelia Jones , author of Postmodernism and the En-gendering of Marcel Duchamp "Mira Schor's collected critical art essays are witty, insightful, incisive. As artist, writer, and magazine editor, she shows us cracks in the art world's walls. She is up-to-date, on target. In a controversial field, she is a bold and confrontational critic."-- Nancy Spero , artist " Wet is a great read. Schor is gloriously fierce, often hilarious, and has boldly trod on powerful, or at least fashionably clad toes." -- Erica Rand Bookforum "Where have all the feminists gone? Let us hope they are all putting together collections like this one by Schor, a painter, writer and teacher at the Parsons School of Design.... Feminist, artists and other keepers of our subversives fires will certainly find a home in this inspiring collection." -- Publishers Weekly, "Mira Schor's collected critical art essays are witty, insightful, incisive. As artist, writer, and magazine editor, she shows us cracks in the art world's walls. She is up-to-date, on target. In a controversial field, she is a bold and confrontational critic."-- Nancy Spero , artist, Where have all the feminists gone? Let us hope they are all putting together collections like this one by Schor, a painter, writer and teacher at the Parsons School of Design.... Feminist, artists and other keepers of our subversives fires will certainly find a home in this inspiring collection., "Far more than a collection of random essays, Schor's deliciously titled Wet is a cohesive and lively group of writings addressing issues central to the practice and theory of postmodern art. One is compelled to respect her passion and eloquence and to enjoy her rhetorical flair. Wet is a 'must' for all scholars, critics, and artists interested in the contemporary art scene."-- Amelia Jones , author of Postmodernism and the En-gendering of Marcel Duchamp, "Far more than a collection of random essays, Schor's deliciously titled Wet is a cohesive and lively group of writings addressing issues central to the practice and theory of postmodern art. One is compelled to respect her passion and eloquence and to enjoy her rhetorical flair. Wet is a 'must' for all scholars, critics, and artists interested in the contemporary art scene."- Amelia Jones , author of Postmodernism and the En-gendering of Marcel Duchamp
Dewey Edition
21
Dewey Decimal
704.042
Table Of Content
Contents Preface I. Masculinity Appropriated Sexuality (1986) Representations of the Penis (1988) Forensics: The Part for the Hole (1992) "The Bitter Tea of General Yen": Paintings by David Diao (1995) II. Feminity and Feminism From Liberation to Lack (1987) Ana Mendieta (1988) Medusa Redux: Ida Applebroog and the Spaces of Postmodernity (1990-93) The Return of the Same (1990) "Just the Facts, Ma'am" (1990-96) Patrilineage (1991-92) III. Teaching On Failure and Anonymity (1985) Authority and Learning (1990) IV. Painting Bonnard's Ants (1987) Figure/Ground (1989) Researching Visual Pleasure (1991) The Erotics of Visuality (1992) Course Proposal (1993) Painting as Manual (1995) V. You Can't Leave Home without It (1991) Afterword: Painting and Language / Painting Language Notes Bibliography Acknowledgments Index
Synopsis
Brings a maverick perspective and provocative voice to the issues of contemporary painting, gender representation, and feminist art, Taking aim at the mostly male bastion of art theory and criticism, Mira Schor brings a maverick perspective and provocative voice to the issues of contemporary painting, gender representation, and feminist art. Writing from her dual perspective of a practicing painter and art critic, Schor's writing has been widely read over the past fifteen years in Artforum , Art Journal , Heresies , and M/E/A/N/I/N/G , a journal she coedited. Collected here, these essays challenge established hierarchies of the art world of the 1980s and 1990s and document the intellectual and artistic development that have marked Schor's own progress as a critic. Bridging the gap between art practice, artwork, and critical theory, Wet includes some of Schor's most influential essays that have made a significant contribution to debates over essentialism. Articles range from discussions of contemporary women artists Ida Applebroog, Mary Kelly, and the Guerrilla Girls, to "Figure/Ground," an examination of utopian modernism's fear of the "goo" of painting and femininity. From the provocative "Representations of the Penis," which suggests novel readings of familiar images of masculinity and introduces new ones, to "Appropriated Sexuality," a trenchant analysis of David Salle's depiction of women, Wet is a fascinating and informative collection. Complemented by over twenty illustrations, the essays in Wet reveal Schor's remarkable ability to see and to make others see art in a radically new light.
LC Classification Number
N72
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