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INSZENIERUNG DES WILDEN GOTTES: DIE GROTESKE IN PERFORMANCE von Ralf Remshardt **Neuwertig**-
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eBay-Artikelnr.:187585122694
Artikelmerkmale
- Artikelzustand
- Neuwertig
- Hinweise des Verkäufers
- ISBN-10
- 0809325764
- Book Title
- Staging the Savage God: The Grotesque in Performance
- ISBN
- 9780809325764
Über dieses Produkt
Product Identifiers
Publisher
Southern Illinois University Press
ISBN-10
0809325764
ISBN-13
9780809325764
eBay Product ID (ePID)
6051971
Product Key Features
Number of Pages
272 Pages
Publication Name
Staging the Savage God : the Grotesque in Performance
Language
English
Publication Year
2004
Subject
Theater / General, Drama, Theater / History & Criticism
Type
Textbook
Subject Area
Literary Criticism, Performing Arts
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
19.3 Oz
Item Length
9.3 in
Item Width
6.4 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2003-022965
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
809.2/915
Synopsis
In this broadly conceived study, Ralf Remshardt delineates the theatre's deep connection with the grotesque and traces the historically extensive and theoretically intensive relationship between performance and its "other," the grotesque. Staging the Savage God: The Grotesque in Performance examines the aesthetic complicity shared by the two in both art and theatre and presents a general theory of the grotesque. Performing the grotesque is both a challenge to a culture's order and the affirmation of certain ethical principles that it recognizes as its own. Remshardt investigates the aesthetics and ideology of grotesque theatre from antiquity--in works such as The Bacchae and Thyestes --to modernity--in Ubu Roi and Hamletmachine --and opens up new critical possibilities for the analysis of both classical and avant-gardetheatre. Divided into three sections, Staging the Savage God first interrogates the grotesque as primarily a visual artistic and theatrical mode and then inventories various critical approaches to the grotesque, establishing the outlines of a theory with regard to drama. In the most extensive part of the study, Remshardt shifts his emphasis to the theatre of the grotesque, from self-consuming tragedies and the modernist trope of the artificial human figure to the characterology of the grotesque. Remshardt's conclusion takes bold steps toward unraveling the paradox inherent in the grotesque theatre. Written in an engaging style and aided by nine illustrations, Staging the Savage God is a comprehensive and rigorous study that incorporates critical approaches from disciplines such as philosophy, psychoanalysis, art history, literature, and theatre to fully investigate the historical function of the grotesque in performance., In this broadly conceived study, Ralf Remshardt delineates the theatre's deep connection with the grotesque and traces the historically extensive relationship between performance and its 'other', the grotesque., In this broadly conceived study, Ralf E. Remshardt delineates the theatre's deep connection with the grotesque and traces the historically extensive and theoretically intensive relationship between performance and its "other," the grotesque. Staging the Savage God: The Grotesque in Performance examines the aesthetic complicity shared by the two in both art and theatre and presents a general theory of the grotesque. Performing the grotesque is both a challenge to a culture's order and the affirmation of certain ethical principles that it recognizes as its own. Remshardt investigates the aesthetics and ideology of grotesque theatre from antiquity--in works such as The Bacchae and Thyestes --to modernity--in Ubu Roi and Hamletmachine -- and opens up new critical possibilities for the analysis of both classical and avant-garde theatre. Divided into three sections, Staging the Savage God first interrogates the grotesque as primarily a visual artistic and theatrical mode and then inventories various critical approaches to the grotesque, establishing the outlines of a theory with regard to drama. In the most extensive part of the study, Remshardt shifts his emphasis to the theatre of the grotesque, from self-consuming tragedies and the modernist trope of the artificial human figure to the characterology of the grotesque. Remshardt's conclusion takes bold steps towards unraveling the paradox inherent in the grotesque theatre. Written in an engaging and frequently polemical style and aided by nine illustrations, Staging the Savage God is a comprehensive and rigorous study that incorporates critical approaches from disciplines such as philosophy, psychoanalysis, art history, literature, and theatre to fully investigate the historical function of the grotesque in performance.
LC Classification Number
PN1650.G7R46 2004
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