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eBay-Artikelnr.:187448580398
Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- “Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
- Book Title
- Riot and Revelry in Early America
- Topic
- Civil War
- Narrative Type
- Civil War
- Genre
- N/A
- Intended Audience
- N/A
- ISBN
- 9780271022192
Über dieses Produkt
Product Identifiers
Publisher
Pennsylvania STATE University Press
ISBN-10
0271022191
ISBN-13
9780271022192
eBay Product ID (ePID)
2156285
Product Key Features
Number of Pages
328 Pages
Publication Name
Riot and Revelry in Early America
Language
English
Publication Year
2003
Subject
United States / Revolutionary Period (1775-1800), United States / Colonial Period (1600-1775), Revolutionary, Customs & Traditions, Holidays (Non-Religious), United States / General, Genres & Styles / Pop Vocal
Type
Textbook
Subject Area
Music, Social Science, History
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
17 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2001-036462
Reviews
"This exciting collection of essays offers a taste of recent scholarship on protest and celebration in early America. In sum, the essays on festive culture in early America serve as models for future study of rough music, with their detailed attention to context and change over time." -Terry Bouton, Journal of American History, &"These twelve essays consider rough music, riots, parades, and festivals in early British North America. The authors explicitly draw on methods that French and British cultural historians pioneered and acknowledge their debt to historian Pauline Mair. . . . Consistently lively and readable, this collection will appeal to general and academic audiences of all levels.&" &-L. Sturtz, Choice, &"Each of these essays has the same depth and subtlety of analysis; each is rich in detail and evocative with fresh ideas. . . . Riot and Revelry is a pleasure to read, and demonstrates, if we need reminding, that the study of American history is still full of surprises&" &-Michael A. Bellesiles, Journal of American Studies, " Riot and Revelry in Early America marks a new level of maturity in our understanding of the popular cultures of early America. The essays clearly demonstrate that early America was an integral part of a broader transatlantic tradition of popular disturbance and celebration. In no small way because of the strength of these essays, after long years in the wings America can now assume its rightful place in the history of transatlantic popular." --Ronald Schultz, University of Wyoming, " Riot and Revelry is an important collection of essays that deserves the attention of the scholarly community." --Gabrielle Gottleib, North Carolina Historical Review, "Riot and Revelry in Early America offers us an engaging reassessment of a well-studied field." -Robert E. Cray, Jr., New York History, "(S)cholars of early America interested in popular culture, popular politics, and festive culture should pick up this stimulating volume. Riot and Revelry in Early America offers detailed case studies with fresh insights into the position of rough music in the colonies, including the nomination of it's appropriate and legitimate uses that involved whole communities and not only the crowds." -Albrecht Koschnik, William and Mary Quarterly, " Riot and Revelry in Early America offers us an engaging reassessment of a well-studied field." --Robert E. Cray, Jr., New York History, " Riot and Revelry in Early America marks a new level of maturity in our understanding of the popular cultures of early America. The essays clearly demonstrate that early America was an integral part of a broader transatlantic tradition of popular disturbance and celebration. In no small way because of the strength of these essays, after long years in the wings America can now assume its rightful place in the history of transatlantic popular." --Ronald Schultz,University of Wyoming, "(S)cholars of early America interested in popular culture, popular politics, and festive culture should pick up this stimulating volume. Riot and Revelry in Early America offers detailed case studies with fresh insights into the position of rough music in the colonies, including the nomination of it's appropriate and legitimate uses that involved whole communities and not only the crowds." --Albrecht Koschnik William and Mary Quarterly, "Riot and Revelry examines the ways in which early Americans used 'rough music,' sometimes called 'skimmington' of 'charivari,' to enforce community standards through vigilante action. The editors . . . have assembled ten outstanding essays that deal with a subject with which most historians have only a passing familiarity." -Andrew McMichael, History: Reviews of New Books, &"(S)cholars of early America interested in popular culture, popular politics, and festive culture should pick up this stimulating volume. Riot and Revelry in Early America offers detailed case studies with fresh insights into the position of rough music in the colonies, including the nomination of it&'s appropriate and legitimate uses that involved whole communities and not only the crowds.&" &-Albrecht Koschnik, William and Mary Quarterly, &"Riot and Revelry in Early America marks a new level of maturity in our understanding of the popular cultures of early America. The essays clearly demonstrate that early America was an integral part of a broader transatlantic tradition of popular disturbance and celebration. In no small way because of the strength of these essays, after long years in the wings America can now assume its rightful place in the history of transatlantic popular.&" &-Ronald Schultz, University of Wyoming, "These twelve essays consider rough music, riots, parades, and festivals in early British North America. The authors explicitly draw on methods that French and British cultural historians pioneered and acknowledge their debt to historian Pauline Mair. . . . Consistently lively and readable, this collection will appeal to general and academic audiences of all levels." --L. Sturtz, Choice, &"Riot and Revelry in Early America offers us an engaging reassessment of a well-studied field.&" &-Robert E. Cray, Jr., New York History, " Riot and Revelry examines the ways in which early Americans used 'rough music,' sometimes called 'skimmington' of 'charivari,' to enforce community standards through vigilante action. The editors . . . have assembled ten outstanding essays that deal with a subject with which most historians have only a passing familiarity." --Andrew McMichael, History: Reviews of New Books, " Riot and Revelry examines the ways in which early Americans used 'rough music,' sometimes called 'skimmington' of 'charivari,' to enforce community standards through vigilante action. The editors . . . have assembled ten outstanding essays that deal with a subject with which most historians have only a passing familiarity." --Andrew McMichael History: Reviews of New Books, "Riot and Revelry examines the ways in which early Americans used 'rough music,' sometimes called 'skimmington' of 'charivari,' to enforce community standards through vigilante action. The editors . . . have assembled ten outstanding essays that deal with a subject with which most historians have only a passing familiarity." --Andrew McMichael, History: Reviews of New Books, "(S)cholars of early America interested in popular culture, popular politics, and festive culture should pick up this stimulating volume. Riot and Revelry in Early America offers detailed case studies with fresh insights into the position of rough music in the colonies, including the nomination of it's appropriate and legitimate uses that involved whole communities and not only the crowds." --Albrecht Koschnik, William and Mary Quarterly, "Each of these essays has the same depth and subtlety of analysis; each is rich in detail and evocative with fresh ideas. . . . Riot and Revelry is a pleasure to read, and demonstrates, if we need reminding, that the study of American history is still full of surprises" -Michael A. Bellesiles, Journal of American Studies, "Riot and Revelry in Early America offers us an engaging reassessment of a well-studied field." --Robert E. Cray, Jr., New York History, " Riot and Revelry in Early America offers us an engaging reassessment of a well-studied field." -Robert E. Cray, Jr., New York History, "These twelve essays consider rough music, riots, parades, and festivals in early British North America. The authors explicitly draw on methods that French and British cultural historians pioneered and acknowledge their debt to historian Pauline Mair. . . . Consistently lively and readable, this collection will appeal to general and academic audiences of all levels." --L. Sturtz Choice, "This exciting collection of essays offers a taste of recent scholarship on protest and celebration in early America. In sum, the essays on festive culture in early America serve as models for future study of rough music, with their detailed attention to context and change over time." --Terry Bouton Journal of American History, " Riot and Revelry examines the ways in which early Americans used 'rough music,' sometimes called 'skimmington' of 'charivari,' to enforce community standards through vigilante action. The editors . . . have assembled ten outstanding essays that deal with a subject with which most historians have only a passing familiarity." -Andrew McMichael, History: Reviews of New Books, "This exciting collection of essays offers a taste of recent scholarship on protest and celebration in early America. In sum, the essays on festive culture in early America serve as models for future study of rough music, with their detailed attention to context and change over time." --Terry Bouton, Journal of American History, "These twelve essays consider rough music, riots, parades, and festivals in early British North America. The authors explicitly draw on methods that French and British cultural historians pioneered and acknowledge their debt to historian Pauline Mair. . . . Consistently lively and readable, this collection will appeal to general and academic audiences of all levels." -L. Sturtz, Choice, "Riot and Revelry is an important collection of essays that deserves the attention of the scholarly community." --Gabrielle Gottleib, North Carolina Historical Review, &"Riot and Revelry examines the ways in which early Americans used 'rough music,&' sometimes called 'skimmington&' of 'charivari,&' to enforce community standards through vigilante action. The editors . . . have assembled ten outstanding essays that deal with a subject with which most historians have only a passing familiarity.&" &-Andrew McMichael, History: Reviews of New Books, "Riot and Revelry is an important collection of essays that deserves the attention of the scholarly community." -Gabrielle Gottleib, North Carolina Historical Review, "Riot and Revelry in Early America marks a new level of maturity in our understanding of the popular cultures of early America. The essays clearly demonstrate that early America was an integral part of a broader transatlantic tradition of popular disturbance and celebration. In no small way because of the strength of these essays, after long years in the wings America can now assume its rightful place in the history of transatlantic popular." -Ronald Schultz, University of Wyoming, "Each of these essays has the same depth and subtlety of analysis; each is rich in detail and evocative with fresh ideas. . . . Riot and Revelry is a pleasure to read, and demonstrates, if we need reminding, that the study of American history is still full of surprises" --Michael A. Bellesiles, Journal of American Studies, "Each of these essays has the same depth and subtlety of analysis; each is rich in detail and evocative with fresh ideas. . . . Riot and Revelry is a pleasure to read, and demonstrates, if we need reminding, that the study of American history is still full of surprises" --Michael A. Bellesiles Journal of American Studies, "Riot and Revelry in Early America marks a new level of maturity in our understanding of the popular cultures of early America. The essays clearly demonstrate that early America was an integral part of a broader transatlantic tradition of popular disturbance and celebration. In no small way because of the strength of these essays, after long years in the wings America can now assume its rightful place in the history of transatlantic popular." --Ronald Schultz, University of Wyoming, " Riot and Revelry in Early America offers us an engaging reassessment of a well-studied field." --Robert E. Cray, Jr. New York History, " Riot and Revelry is an important collection of essays that deserves the attention of the scholarly community." -Gabrielle Gottleib, North Carolina Historical Review, &"Riot and Revelry is an important collection of essays that deserves the attention of the scholarly community.&" &-Gabrielle Gottleib, North Carolina Historical Review, &"This exciting collection of essays offers a taste of recent scholarship on protest and celebration in early America. In sum, the essays on festive culture in early America serve as models for future study of rough music, with their detailed attention to context and change over time.&" &-Terry Bouton, Journal of American History, " Riot and Revelry is an important collection of essays that deserves the attention of the scholarly community." --Gabrielle Gottleib North Carolina Historical Review, " Riot and Revelry in Early America marks a new level of maturity in our understanding of the popular cultures of early America. The essays clearly demonstrate that early America was an integral part of a broader transatlantic tradition of popular disturbance and celebration. In no small way because of the strength of these essays, after long years in the wings America can now assume its rightful place in the history of transatlantic popular." -Ronald Schultz, University of Wyoming
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
394.26973
Synopsis
Riot and revelry have been mainstays of English and European history writing for more than a generation, but they have had a more checkered influence on American scholarship. Despite considerable attention from "new left" historians during the 1970s and early 1980s, and more recently from cultural and "public sphere" historians in the mid-1990s, the idea of America as a colony and nation deeply infused with a culture of public performance has not been widely demonstrated the way it has been in Britain, France, and Italy. In this important volume, leading American historians demonstrate that early America was in fact an integral part of a broader transatlantic tradition of popular disturbance and celebration. The first half of the collection focuses on "rough music" and "skimmington"--forms of protest whereby communities publicly regulated the moral order. The second half considers the use of parades and public celebrations to create national unity and overcome divisions in the young republic. Contributors include Roger D. Abrahams, Susan Branson, Thomas J. Humphrey, Susan E. Klepp, Brendan McConville, William D. Piersen, Steven J. Stewart, and Len Travers. Together the essays in this volume offer the best introduction to the full range of protest and celebration in America from the Revolution to the Civil War.
LC Classification Number
GT4803
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