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Casablanca: Filme und Erinnerung von Marc Auge & Professor Tom Conley **NEU**-

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CASABLANCA: MOVIES AND MEMORY By Marc Auge & Professor Tom Conley **BRAND NEW**
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ISBN-10
081665641X
Publication Name
Univ Of Minnesota Press
Type
Paperback
ISBN
9780816656417

Über dieses Produkt

Product Identifiers

Publisher
University of Minnesota Press
ISBN-10
081665641X
ISBN-13
9780816656417
eBay Product ID (ePID)
24038725048

Product Key Features

Book Title
Casablanca : Movies and Memory
Number of Pages
120 Pages
Language
English
Publication Year
2009
Topic
Film / General, Personal Memoirs, Film / History & Criticism
Illustrator
Yes
Genre
Performing Arts, Biography & Autobiography
Author
Marc Augé
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
7.9 in
Item Width
5 in

Additional Product Features

Intended Audience
Trade
LCCN
2009-009379
Dewey Edition
22
Dewey Decimal
791.43//72
Table Of Content
Sometimes the idea strikes me . . . I don't know exactly when . . . Every film we have enjoyed . . . Montage . . . The exodus marked my childhood . . . Why is Rick (Humphrey Bogart) so bitter . . . Two or three years ago . . . When I went to say hello to my mother . . . What I love in old films . . . The source of Casablanca . . . Like those of tragedy, movie heroes . . . Nothing contrasts more than the opposition of black and white . . . When an individual's story crosses through history . . . I was very young . . . I love the Montparnasse station . . . At the beginning of Casablanca a voice-over . . . My mother was walking with difficulty. . . I'll let some time go by . . . Translator's Afterword: A Writer and His Movie, Tom Conley
Synopsis
Marc Aug was eleven or twelve years old when he first saw Casablanca . Made in 1942 but not released in France until 1947, the film had a profound effect on him. Like cinephiles everywhere, Aug was instantly drawn to Rick Blaine's mysterious past, his friendship with Sam and Captain Renault, and Ilsa's stirring, seductive beauty. The film-with its recurring scenes of waiting, menace, and flight-occupies a significant place in Aug 's own memory of his uprooted childhood and the wartime exploits of his family. Marc Aug 's elegant and thoughtful essay on film and the nature of both personal and collective memory contends that some of our most haunting memories are deeply embedded in the cinema. His own recollections of the hurried, often chaotic embarkations of his childhood, he writes, are become intertwined with scenes from Casablanca that have become bigger in his memory through repeated viewings in the movie houses of Paris's Latin Quarter. Seamlessly weaving together film criticism and memoir, Casablanca moves between Aug 's insights into the filmgoing experience and his reflections on his own life, the collective trauma of France's wartime history, and how such events as the fall of Paris, the exodus of refugees, and the Occupation-all depicted in the film-were lived and are remembered., Marc Augé was eleven or twelve years old when he first saw Casablanca . Made in 1942 but not released in France until 1947, the film had a profound effect on him. Like cinephiles everywhere, Augé was instantly drawn to Rick Blaine's mysterious past, his friendship with Sam and Captain Renault, and Ilsa's stirring, seductive beauty. The film--with its recurring scenes of waiting, menace, and flight--occupies a significant place in Augé's own memory of his uprooted childhood and the wartime exploits of his family. Marc Augé's elegant and thoughtful essay on film and the nature of both personal and collective memory contends that some of our most haunting memories are deeply embedded in the cinema., Marc Augé was eleven or twelve years old when he first saw Casablanca . Made in 1942 but not released in France until 1947, the film had a profound effect on him. Like cinephiles everywhere, Augé was instantly drawn to Rick Blaine's mysterious past, his friendship with Sam and Captain Renault, and Ilsa's stirring, seductive beauty. The film-with its recurring scenes of waiting, menace, and flight-occupies a significant place in Augé's own memory of his uprooted childhood and the wartime exploits of his family. Marc Augé's elegant and thoughtful essay on film and the nature of both personal and collective memory contends that some of our most haunting memories are deeply embedded in the cinema. His own recollections of the hurried, often chaotic embarkations of his childhood, he writes, are become intertwined with scenes from Casablanca that have become bigger in his memory through repeated viewings in the movie houses of Paris's Latin Quarter. Seamlessly weaving together film criticism and memoir, Casablanca moves between Augé's insights into the filmgoing experience and his reflections on his own life, the collective trauma of France's wartime history, and how such events as the fall of Paris, the exodus of refugees, and the Occupation-all depicted in the film-were lived and are remembered.
LC Classification Number
PN1997.C352A9413

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