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DIE AUFFÜHRUNG DES NATIONALISMUS: INDIEN, PAKISTAN UND DIE Von Jisha Menon **NEU**-

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THE PERFORMANCE OF NATIONALISM: INDIA, PAKISTAN, AND THE By Jisha Menon **NEW**
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ISBN-10
110846856X
Book Title
The Performance of Nationalism: India, Pakistan, and the Memory
ISBN
9781108468565

Über dieses Produkt

Product Identifiers

Publisher
Cambridge University Press
ISBN-10
110846856X
ISBN-13
9781108468565
eBay Product ID (ePID)
21038709646

Product Key Features

Number of Pages
272 Pages
Publication Name
Performance of Nationalism : India, Pakistan, and the Memory of Partition
Language
English
Subject
General, World / Asian, European / English, Irish, Scottish, Welsh
Publication Year
2018
Type
Textbook
Subject Area
Drama, Political Science, Performing Arts
Author
Jisha Menon
Series
Cambridge Studies in Modern Theatre Ser.
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
14.1 Oz
Item Length
9.1 in
Item Width
5.9 in

Additional Product Features

Intended Audience
Scholarly & Professional
Reviews
'Menon convincingly demonstrates the political power of aesthetics, and goes on to show that film, theatre, music, and literature potentially undo rigid formations of national identity ... The Performance of Nationalism offers a refreshingly interdisciplinary approach to thinking through politics and performance. Menon's book is especially successful in positioning sonic elements of performance as gestures of political critique ... Ultimately, Menon's book reminds us that performance is both a tool of nation-making and a medium to critique and undo dangerous forms of nationalism.' Kareem Khubchandani, Theatre Journal
Dewey Edition
23
TitleLeading
The
Illustrated
Yes
Dewey Decimal
306.4840954
Table Of Content
1. Introduction; 2. Bordering on drama: the performance of politics and the politics of performance; 3. Ghatak's cinema and the discoherence of the Bengal partition; 4. The poetics and politics of accommodation; 5. Somatic texts and the gender of partition; 6. Kashmir: hospitality and the 'unfinished business' of partition.
Synopsis
Imagine the patriotic camaraderie of national day parades. How does performance generate patriotic loyalty? How crucial is performance for the sustenance of the nation? This book offers a fresh analysis of nationalism from the perspective of performance and will appeal to those with an interest in history, culture or politics., Imagine the patriotic camaraderie of national day parades. How crucial is performance for the sustenance of the nation? The Performance of Nationalism considers the formation of the Indian and Pakistani nation, in the wake of the most violent chapter of its history: the partition of the subcontinent. In the process, Jisha Menon offers a fresh analysis of nationalism from the perspective of performance. Menon recuperates the manifold valences of "mimesis" as aesthetic representation, as the constitution of a community of witnesses, and as the mimetic relationality that underlies the encounter between India and Pakistan. The particular performances considered here range from Wagah border ceremonies, to the partition theatre of Asghar Wajahat, Kirti Jain, M. K. Raina, and the cinema of Ritwik Ghatak and M. S. Sathyu. By pointing to the tropes of twins, doubles, and doppelgangers that suffuse these performances, this study troubles the idea of two insular, autonomous nation-states of India and Pakistan. In the process, Menon recovers mimetic modes of thinking that unsettle the reified categories of identity politics., Imagine the patriotic camaraderie of national day parades. How crucial is performance for the sustenance of the nation? The Performance of Nationalism considers the formation of the Indian and Pakistani nation, in the wake of the most violent chapter of its history: the partition of the subcontinent. In the process, Jisha Menon offers a fresh analysis of nationalism from the perspective of performance. Menon recuperates the manifold valences of 'mimesis' as aesthetic representation, as the constitution of a community of witnesses, and as the mimetic relationality that underlies the encounter between India and Pakistan. The particular performances considered here range from Wagah border ceremonies to the partition theatre of Asghar Wajahat, Kirti Jain, M. K. Raina, and the cinema of Ritwik Ghatak and M. S. Sathyu. By pointing to the tropes of twins, doubles, and doppelgängers that suffuse these performances, this study troubles the idea of two insular, autonomous nation-states of India and Pakistan. In the process, Menon recovers mimetic modes of thinking that unsettle the reified categories of identity politics.
LC Classification Number
PN2881

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