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Product Identifiers
PublisherDuke University Press
ISBN-100822319381
ISBN-139780822319382
eBay Product ID (ePID)319641
Product Key Features
Book TitleRefiguring Spain : Cinema/Media/Representation
Number of Pages383 Pages
LanguageEnglish
TopicFilm / General, Media Studies, Television / History & Criticism, Europe / Spain & Portugal, Film / History & Criticism
Publication Year1997
IllustratorYes
GenrePerforming Arts, Social Science, History
AuthorMarsha Kinder
FormatTrade Paperback
Dimensions
Item Height0.6 in
Item Weight25.5 Oz
Item Length9.8 in
Item Width5.9 in
Additional Product Features
LCCN96-039967
Reviews"The relationships between history, sexuality, and economy as offered by Marsha Kinder in Refiguring Spain are dynamic and mobile. The vision and the implementation of her study are impeccable. She at once configures an order of meaning in the recent past and offers a predictive model for what will continue to happen in the future."--Tom Conley, Harvard University, “The relationships between history, sexuality, and economy as offered by Marsha Kinder in Refiguring Spain are dynamic and mobile. The vision and the implementation of her study are impeccable. She at once configures an order of meaning in the recent past and offers a predictive model for what will continue to happen in the future.�-Tom Conley, Harvard University, “With its original and stimulating theoretical framework, Refiguring Spain complements other recent work dealing with Spanish cinema and media while giving new impetus to these studies.�- Victor Fuentes, University of California, Santa Barbara, "With its original and stimulating theoretical framework, Refiguring Spain complements other recent work dealing with Spanish cinema and media while giving new impetus to these studies."- Victor Fuentes, University of California, Santa Barbara, "With its original and stimulating theoretical framework, Refiguring Spain complements other recent work dealing with Spanish cinema and media while giving new impetus to these studies." - Victor Fuentes, University of California, Santa Barbara "The relationships between history, sexuality, and economy as offered by Marsha Kinder in Refiguring Spain are dynamic and mobile. The vision and the implementation of her study are impeccable. She at once configures an order of meaning in the recent past and offers a predictive model for what will continue to happen in the future." - Tom Conley, Harvard University, "The relationships between history, sexuality, and economy as offered by Marsha Kinder in Refiguring Spain are dynamic and mobile. The vision and the implementation of her study are impeccable. She at once configures an order of meaning in the recent past and offers a predictive model for what will continue to happen in the future."--Tom Conley, Harvard University "With its original and stimulating theoretical framework, Refiguring Spain complements other recent work dealing with Spanish cinema and media while giving new impetus to these studies."-- Victor Fuentes, University of California, Santa Barbara, "With its original and stimulating theoretical framework, Refiguring Spain complements other recent work dealing with Spanish cinema and media while giving new impetus to these studies."-- Victor Fuentes, University of California, Santa Barbara, "With its original and stimulating theoretical framework, Refiguring Spain complements other recent work dealing with Spanish cinema and media while giving new impetus to these studies." - Victor Fuentes, University of California, Santa Barbara"The relationships between history, sexuality, and economy as offered by Marsha Kinder in Refiguring Spain are dynamic and mobile. The vision and the implementation of her study are impeccable. She at once configures an order of meaning in the recent past and offers a predictive model for what will continue to happen in the future." - Tom Conley, Harvard University, "The relationships between history, sexuality, and economy as offered by Marsha Kinder in Refiguring Spain are dynamic and mobile. The vision and the implementation of her study are impeccable. She at once configures an order of meaning in the recent past and offers a predictive model for what will continue to happen in the future."-Tom Conley, Harvard University
Dewey Edition21
Dewey Decimal791.45/0946
Table Of ContentAcknowledgments ix Refiguring Socialist Spain: An Introduction / Marsha Kinder 1 Part 1: Historical Recuperation 33 Reading Hollywood in/and Spanish Cinema: From Trade Wars to Transculturation / Kathleen M. Vernon 35 Documenting the National and Its Subversion in a Democratic Spain / Marsha Kinder 65 The Marketing of Cervantine Magic for a New Global Image of Spain / Dona M. Kercher 99 Nations, Nationalisms, and Los últimos de Filipinas : An Imperialist Desire for Colonialist Nostalgia / Roland B. Tolentino 133 Part 2: Sexual Reinscription 155 Out of the Cinematic Closet: Homosexuality in the Films of Eloy de la Iglesia / Stephen Tropiano 157 Pornography, Masculinity, Homosexuality: Almodóvar's Matador and La ley del deseo / Paul Julian Smith 178 La teta i la lluna : The Form of Transnational Cinema in Spain / Marvin D'Lugo 196 Regendering Spain's Political Bodies: Nationality and Gender in the Films of Pilar Miró and Arantxa Lazcano / Jaume Martí-Olivella 215 Part 3: Marketing Transfiguration: Money/Politics/Regionalism 239 The Financial Structure of Spanish Cinema / Peter Besas 241 Spatial Eruptions, Global Grids: Regionalist TV in Spain and Dialectics of Identity Politics / Richard Maxwell 260 Private Commercial Television versus Political Diversity: The Case of Spain's 1993 General Elections / Iñaki Zabaleta 284 The Art Museum as a Means of Refiguring Regional Identity in Democratic Spain / Selma Reuben Holo 301 Annotated Bibliography of English-Language Works on Spanish Films / Hilary L. Neroni 327 Contributors 347 Index 351
SynopsisIn Refiguring Spain, Marsha Kinder has gathered a collection of new essays that explore the central role played by film, television, newspapers, and art museums in redefining Spain's national/cultural identity and its position in the world economy during the post-Franco era. By emphasising issues of historical recuperation, gender and sexuality, and the marketing of Spain's peaceful political transformation, the contributors demonstrate that Spanish cinema and other forms of Spanish media culture created new national stereotypes and strengthened the nation's place in the global market and on the global stage. These essays consider a diverse array of texts, ranging from recent films by Almod-var, Saura, Erice, Mir-, Bigas Luna, Gutirrez Arag-n, and Eloy de la Iglesia to media coverage of the 1993 elections. Francoist cinema and other popular media are examined in light of strategies used to redefine Spain's cultural identity. The importance of the documentary, the appropriation of Hollywood film, and the significance of gender and sexuality in Spanish cinema are also discussed, as is the discourse of the Spanish media star - whether involving film celebrities like Rita Hayworth and Antonio Banderas or historical figures such as Cervantes. The volume concludes with an investigation of larger issues of government policy in relation to film and media, including a discussion of the financing of Spanish cinema and an exploration of the political dynamics of regional television and art museums. Drawing on a wide range of critical discourses, including feminist, postcolonial, and queer theory, political economy, cultural history, and museum studies, Refiguring Spain is the first comprehensive anthology on Spanish cinema in the English language. It will expand the possibilities of intellectual discourse on Spanish cultural production and will appeal to all students and scholars of world cinema. Contributors. Peter Besas, Marvin D'Lugo, Selma Reuben Holo, Dona M. Kercher, Marsha Kinder, Jaume Mart'-Olivella, Richard Maxwell, Hilary L. Neroni, Paul Julian Smith, Roland B. Tolentino, Stephen Tropiano, Kathleen M. Vernon, I-aki Zabaleta, In Refiguring Spain , Marsha Kinder has gathered a collection of new essays that explore the central role played by film, television, newspapers, and art museums in redefining Spain's national/cultural identity and its position in the world economy during the post-Franco era. By emphasizing issues of historical recuperation, gender and sexuality, and the marketing of Spain's peaceful political transformation, the contributors demonstrate that Spanish cinema and other forms of Spanish media culture created new national stereotypes and strengthened the nation's place in the global market and on the global stage. These essays consider a diverse array of texts, ranging from recent films by Almodóvar, Saura, Erice, Miró, Bigas Luna, Gutiérrez Aragón, and Eloy de la Iglesia to media coverage of the 1993 elections. Francoist cinema and other popular media are examined in light of strategies used to redefine Spain's cultural identity. The importance of the documentary, the appropriation of Hollywood film, and the significance of gender and sexuality in Spanish cinema are also discussed, as is the discourse of the Spanish media star--whether involving film celebrities like Rita Hayworth and Antonio Banderas or historical figures such as Cervantes. The volume concludes with an investigation of larger issues of government policy in relation to film and media, including a discussion of the financing of Spanish cinema and an exploration of the political dynamics of regional television and art museums. Drawing on a wide range of critical discourses, including feminist, postcolonial, and queer theory, political economy, cultural history, and museum studies, Refiguring Spain is the first comprehensive anthology on Spanish cinema in the English language. Contributors. Peter Besas, Marvin D'Lugo, Selma Reuben Holo, Dona M. Kercher, Marsha Kinder, Jaume Martí-Olivella, Richard Maxwell, Hilary L. Neroni, Paul Julian Smith, Roland B. Tolentino, Stephen Tropiano, Kathleen M. Vernon, Iñaki Zabaleta, In Refiguring Spain , Marsha Kinder has gathered a collection of new essays that explore the central role played by film, television, newspapers, and art museums in redefining Spain's national/cultural identity and its position in the world economy during the post-Franco era. By emphasizing issues of historical recuperation, gender and sexuality, and the marketing of Spain's peaceful political transformation, the contributors demonstrate that Spanish cinema and other forms of Spanish media culture created new national stereotypes and strengthened the nation's place in the global market and on the global stage. These essays consider a diverse array of texts, ranging from recent films by Almod var, Saura, Erice, Mir , Bigas Luna, Guti rrez Arag n, and Eloy de la Iglesia to media coverage of the 1993 elections. Francoist cinema and other popular media are examined in light of strategies used to redefine Spain's cultural identity. The importance of the documentary, the appropriation of Hollywood film, and the significance of gender and sexuality in Spanish cinema are also discussed, as is the discourse of the Spanish media star--whether involving film celebrities like Rita Hayworth and Antonio Banderas or historical figures such as Cervantes. The volume concludes with an investigation of larger issues of government policy in relation to film and media, including a discussion of the financing of Spanish cinema and an exploration of the political dynamics of regional television and art museums. Drawing on a wide range of critical discourses, including feminist, postcolonial, and queer theory, political economy, cultural history, and museum studies, Refiguring Spain is the first comprehensive anthology on Spanish cinema in the English language. Contributors. Peter Besas, Marvin D'Lugo, Selma Reuben Holo, Dona M. Kercher, Marsha Kinder, Jaume Mart -Olivella, Richard Maxwell, Hilary L. Neroni, Paul Julian Smith, Roland B. Tolentino, Stephen Tropiano, Kathleen M. Vernon, I aki Zabaleta, In Refiguring Spain , Marsha Kinder has gathered a collection of new essays that explore the central role played by film, television, newspapers, and art museums in redefining Spain's national/cultural identity and its position in the world economy during the post-Franco era. By emphasizing issues of historical recuperation, gender and sexuality, and the marketing of Spain's peaceful political transformation, the contributors demonstrate that Spanish cinema and other forms of Spanish media culture created new national stereotypes and strengthened the nation's place in the global market and on the global stage. These essays consider a diverse array of texts, ranging from recent films by Almodóvar, Saura, Erice, Miró, Bigas Luna, Gutiérrez Aragón, and Eloy de la Iglesia to media coverage of the 1993 elections. Francoist cinema and other popular media are examined in light of strategies used to redefine Spain's cultural identity. The importance of the documentary, the appropriation of Hollywood film, and the significance of gender and sexuality in Spanish cinema are also discussed, as is the discourse of the Spanish media star-whether involving film celebrities like Rita Hayworth and Antonio Banderas or historical figures such as Cervantes. The volume concludes with an investigation of larger issues of government policy in relation to film and media, including a discussion of the financing of Spanish cinema and an exploration of the political dynamics of regional television and art museums. Drawing on a wide range of critical discourses, including feminist, postcolonial, and queer theory, political economy, cultural history, and museum studies, Refiguring Spain is the first comprehensive anthology on Spanish cinema in the English language. Contributors. Peter Besas, Marvin D'Lugo, Selma Reuben Holo, Dona M. Kercher, Marsha Kinder, Jaume Martí-Olivella, Richard Maxwell, Hilary L. Neroni, Paul Julian Smith, Roland B. Tolentino, Stephen Tropiano, Kathleen M. Vernon, Iñaki Zabaleta
LC Classification NumberPN1993
