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Spektrales Musikdesign: Ein computergestützter Ansatz von Victor Lazzarini (2021, Ox...-
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eBay-Artikelnr.:186311755712
Artikelmerkmale
- Artikelzustand
- Neuwertig
- Hinweise des Verkäufers
- “very light wear”
- ISBN
- 9780197524022
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0197524028
ISBN-13
9780197524022
eBay Product ID (ePID)
13050025317
Product Key Features
Book Title
Spectral Music Design : a Computational Approach
Number of Pages
512 Pages
Language
English
Topic
General, Acoustics & Sound
Publication Year
2021
Illustrator
Yes
Genre
Music, Technology & Engineering
Format
Trade Paperback
Dimensions
Item Height
1.2 in
Item Weight
43.2 Oz
Item Length
8.6 in
Item Width
11 in
Additional Product Features
Intended Audience
Trade
LCCN
2021-937269
Reviews
"Victor Lazzarini has condensed thirty years of experience of into a dazzlingly lucid resource that will inform and delight all those studying and making spectral music with computers. The book covers both the fundamental and creative aspects of spectral music design, leading through detailed accounts of computer synthesis and digital signal processing to illuminating discussions of how composers and musicians have developed their approaches. This is anindispensable book that provides an excellent technical and artistic foundation for any digital musician." -- Andrew Hugill, School of Informatics, University of Leicester"Spectral Music Design: A Computational Approach will prove a vast and deep source of insight, inspiration, enlightenment, and understanding for the innovative composer, producer, sound designer, and developer. Drawing on a lifetime of experience in the classroom in the studio, on the stage, and in the lab, the 'Leonardo da Vinci' of DSP - Victor Lazzarini - illustrates, demonstrates, explains and shares his masterpieces of code and music in thisincredibly inspiring book. For years to come, Spectral Music Design will be a go-to resource for teachers and students of computer music, acoustics, digital signal processing, and computer science, as well ascutting-edge electronic music producers, innovative sound designers, and audio app developers." -- Dr. Richard Boulanger, Professor of Electronic Production and Design - Berklee College of Music, Victor Lazzarini has condensed thirty years of experience of into a dazzlingly lucid resource that will inform and delight all those studying and making spectral music with computers. The book covers both the fundamental and creative aspects of spectral music design, leading through detailed accounts of computer synthesis and digital signal processing to illuminating discussions of how composers and musicians have developed their approaches. This is an indispensablebook that provides an excellent technical and artistic foundation for any digital musician., "Victor Lazzarini has condensed thirty years of experience of into a dazzlingly lucid resource that will inform and delight all those studying and making spectral music with computers. The book covers both the fundamental and creative aspects of spectral music design, leading through detailed accounts of computer synthesis and digital signal processing to illuminating discussions of how composers and musicians have developed their approaches. This is an indispensable book that provides an excellent technical and artistic foundation for any digital musician." -- Andrew Hugill, School of Informatics, University of Leicester "Spectral Music Design: A Computational Approach will prove a vast and deep source of insight, inspiration, enlightenment, and understanding for the innovative composer, producer, sound designer, and developer. Drawing on a lifetime of experience in the classroom in the studio, on the stage, and in the lab, the 'Leonardo da Vinci' of DSP - Victor Lazzarini - illustrates, demonstrates, explains and shares his masterpieces of code and music in this incredibly inspiring book. For years to come, Spectral Music Design will be a go-to resource for teachers and students of computer music, acoustics, digital signal processing, and computer science, as well as cutting-edge electronic music producers, innovative sound designers, and audio app developers." -- Dr. Richard Boulanger, Professor of Electronic Production and Design - Berklee College of Music, "Victor Lazzarini has condensed thirty years of experience of into a dazzlingly lucid resource that will inform and delight all those studying and making spectral music with computers. The book covers both the fundamental and creative aspects of spectral music design, leading through detailed accounts of computer synthesis and digital signal processing to illuminating discussions of how composers and musicians have developed their approaches. This is an indispensable book that provides an excellent technical and artistic foundation for any digital musician." -- Andrew Hugill, School of Informatics, University of Leicester"Spectral Music Design: A Computational Approach will prove a vast and deep source of insight, inspiration, enlightenment, and understanding for the innovative composer, producer, sound designer, and developer. Drawing on a lifetime of experience in the classroom in the studio, on the stage, and in the lab, the 'Leonardo da Vinci' of DSP - Victor Lazzarini - illustrates, demonstrates, explains and shares his masterpieces of code and music in this incredibly inspiring book. For years to come, Spectral Music Design will be a go-to resource for teachers and students of computer music, acoustics, digital signal processing, and computer science, as well as cutting-edge electronic music producers, innovative sound designers, and audio app developers." -- Dr. Richard Boulanger, Professor of Electronic Production and Design - Berklee College of Music
Dewey Edition
23
Dewey Decimal
780.285
Table Of Content
Foreword Preface Acknowledgements Part 1: Background Chapter 1: What is Spectrum? Chapter 2: A HIstory of Spectrum Chapter 3: Fundamental Aspects of Audio and Music Signals Part 2: Techniques Chapter 4: Continuous and Discrete Spectra Chapter 5. Discrete Time, Discrete Frequency Chapter 6. Time -- Frequency Processing Chapter 7. The Spectra of Filters Chapter 8. Non-Linear Synthesis of Spectra Chapter 9. Noise Part 3. Design Chapter 10. Spectral Design in Music Chapter 11. Computer Sound Design Chapter 12. Composing the Spectrum Notes Bibliography Index
Synopsis
In Spectral Sound Design: A Computational Approach, author Victor Lazzarini offers a practical set of tools to implement processing techniques and algorithms in a balanced way, covering application aspects as well the fundamental theory that underpins them within the context of contemporary electronic music practice., Processing audio in the spectral domain has become a practical proposition for a variety of applications in computer music, composition, and sound design, making it an area of significant interest for musicians, programmers, sound designers, and researchers. While spectral processing has been explored already from a variety of perspectives, previous approaches tended to be piecemeal: some dealt with signal processing details, others with a high-level music technology discussion of techniques, some more compositionally focused, and others at music/audio programming concerns. As author Victor Lazzarini argues, the existing literature has made a good footprint in the area but has failed to integrate these various approaches within spectral audio. In Spectral Sound Design: A Computational Approach , Lazzarini provides an antidote. Spectral Sound Design: A Computational Approach gives authors a set of practical tools to implement processing techniques and algorithms in a balanced way, covering application aspects as well the fundamental theory that underpins them, within the context of contemporary and electronic music practice. The book employs a mix of Python for prototyping and Csound for deployment and music programming. The tight integration of these three languages as well as the wide scope offered by the combination (going from embedded to supercomputing, and including web-based and mobile applications) makes it the go-to resource to deal with the practical aspects of the subject., Processing audio in the spectral domain has become a practical proposition for a variety of applications in computer music, composition, and sound design, making it an area of significant interest for musicians, programmers, sound designers, and researchers. While spectral processing has been explored already from a variety of perspectives, previous approaches tended to be piecemeal: some dealt with signal processing details, others with a high-level music technology discussion of techniques, some more compositionally focused, and others at music/audio programming concerns. As author Victor Lazzarini argues, the existing literature has made a good footprint in the area but has failed to integrate these various approaches within spectral audio. In Spectral Sound Design: A Computational Approach, Lazzarini provides an antidote. Spectral Sound Design: A Computational Approach gives authors a set of practical tools to implement processing techniques and algorithms in a balanced way, covering application aspects as well the fundamental theory that underpins them, within the context of contemporary and electronic music practice. The book employs a mix of C++ for implementation, Python for prototyping, and Csound for deployment and music programming. The tight integration of these three languages as well as the wide scope offered by the combination (going from embedded to supercomputing, and including web-based and mobile applications) makes it the go-to resource to deal with the practical aspects of the subject., Processing audio in the spectral domain has become a practical proposition for a variety of applications in computer music, composition, and sound design, making it an area of significant interest for musicians, programmers, sound designers, and researchers. While spectral processing has been explored already from a variety of perspectives, previous approaches tended to be piecemeal: some dealt with signal processing details, others with a high-level music technology discussion of techniques, some more compositionally focused, and others at music/audio programming concerns. As author Victor Lazzarini argues, the existing literature has made a good footprint in the area but has failed to integrate these various approaches within spectral audio. In Spectral Sound Design: A Computational Approach, Lazzarini provides an antidote. Spectral Sound Design: A Computational Approach gives authors a set of practical tools to implement processing techniques and algorithms in a balanced way, covering application aspects as well the fundamental theory that underpins them, within the context of contemporary and electronic music practice. The book employs a mix of Python for prototyping and Csound for deployment and music programming. The tight integration of these three languages as well as the wide scope offered by the combination (going from embedded to supercomputing, and including web-based and mobile applications) makes it the go-to resource to deal with the practical aspects of the subject.
LC Classification Number
M1473
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