MOMENTAN AUSVERKAUFT
Über dieses Produkt
Product Identifiers
Record LabelCrr, Cherry Red
UPC5013929553705
eBay Product ID (ePID)23053078936
Product Key Features
Release Year2017
FormatCD
GenreSoul/R&B & Soul
ArtistOne Way Glass: Dancefloor Prog Brit Jazz & Funky
Release TitleOne Way Glass: Dancefloor Prog Brit Jazz & Funky Folk 1968-1975
Dimensions
Item Height0.69 in
Item Weight0.33 lb
Item Length5.33 in
Item Width5.15 in
Additional Product Features
Number of Tracks58
Number of Discs3
Tracks1.1 One Way Glass - Trifle 1.2 Elegy - Colosseum 1.3 Man from Afghanistan - Curtiss Maldoon 1.4 3D Mona Lisa - Paul Brett Sage 1.5 Home Is Where I Belong - Quicksand 1.6 Somethin? You Got - Second Hand 1.7 Get One Together - Paladin 1.8 Cold Wall of Stone - Fat Mattress 1.9 Libel - Hard Stuff 1.10 Sanctuary - Gravy Train 1.11 City of Darkness - the Web 1.12 Out of Nowhere - Patrick Campbell-Lyons 1.13 The Bitch - Gasoline Band 1.14 I Saw An Angel - Pentangle 1.15 Ricochet - Jonesy 1.16 Revolution?S Death Man - Edwards Hand 1.17 MacUmbe - Bond ; Brown 1.18 Henry - Cmu 1.19 Sunburnt Virgin Trousers - Knocker Jungle 1.20 Cubano Chant - Climax Chicago Blues Band - Climax Chicago Blues Band 1.21 She?S My Sister - Open Road 1.22 The Lord Doesn't Want You - Crazy World of Arthur Brown 2.1 I?Ve Got My Mojo Working - Melanie 2.2 Eyeballs - Blue Mink 2.3 Celebration - Chillum 2.4 Confusions About a Goldfish - John Kongos 2.5 Skin Valley Serenade - Skin Alley 2.6 Little Message - Jody Grind 2.7 Weren?T Born a Man - Dana Gillespie 2.8 Drinking My Wine - Hardin ; York 2.9 She?S Mine, She?S Yours - Juicy Lucy 2.10 Avez-Vous Kaskelainen? - Burnin Red Ivanhoe 2.11 Message to Mankind - Demon Fuzz 2.12 Closer to the Truth - Alan James Eastwood 2.13 Wake Up My Children - Siren 2.14 The Devil Made Me Do It - Curtis Knight Zeus 2.15 Hilary Dickson - Atlantic Bridge 2.16 Sly Willy - Blue Beard 2.17 Mean Old Man - Joan Armatrading 2.18 Funky - Spencer Davis Group 2.19 In the Beginning - the Foundations 3.1 He?S Gonna Step on You Again - John Kongos 3.2 Bad Times - Bad Times - Paladin 3.3 Instant Whip - the Tremeloes 3.4 The Rock - Atomic Rooster 3.5 Margarita - Fat Mattress 3.6 Gesolreut (Live) - Soft Machine 3.7 Some Kind of Beautiful - Bridget St. John 3.8 House on the Hill - Audience 3.9 Indian Rope Man - Noir 3.10 So Many People - Skin Alley 3.11 Alibi Annie - Trifle 3.12 I?M a Thief - Juicy Lucy 3.13 Travelling Like a Gypsy - Hanson 3.14 Looking for the Red Label - Fair Weather 3.15 I?M a Man - the Web 3.16 Pigs Foot - Pesky Gee 3.17 One Way Glass - John Schroeder Orchestra
NotesUK three CD set. One Way Glass is a very different kind of RPM compilation. Instead of the usual cross-section of '60s collectables, this unique release takes a fresh look at British music from the late '60s through to the mid-'70s, with an eye on overlooked dancefloor-friendly finds. The rhythmic backbone of One Way Glass lies in progressive rock outfits who - every so often - would emulate their jazz heroes and record funky sides tucked away on albums or B-sides. Many of these tracks (Jonesy, Hardin & York) have been known to collectors of Funky Breaks for years. In addition, One Way Glass boasts some excellent funky Folk tracks which lighten the load for the listener - tracks by Alan James Eastwood, Bridget St. John, Dana Gillespie, Joan Armatrading and Melanie, for example. More typical funk rock selections come from Hanson (featuring future Bob Marley & The Wailers mainstay Junior Marvin on guitar) and Curtis Knight Zeus (fronted by Jimi Hendrix's old bandmate and featuring future Motorhead guitarist Fast Eddie Clarke). Maybe it all started - in terms of breaks and hip hop culture, at least - with DJ Kool Herc, who would spin key segments from old rock records to create the funky break. Ever since, fans of funky music have been crate digging to find any tunes which have that infectious shuffle, regardless of their musical heritage or background. In some ways, One Way Glass is the next chapter in the musical story told on previous RPM box sets, Looking Back, Keep Lookin' and Night Comes Down, which documented British artists who made music inspired by black America, aimed squarely at the clubs. Now, instead of borrowing from R&B and Soul, the prog-era bands took a leaf from American jazz and funk artists
