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Dreaming the Present Time Aesthetics and Black Cooperative Movement Irvin Hunt
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eBay-Artikelnr.:175464654282
Artikelmerkmale
- Artikelzustand
- Subject Area
- Aesthetics
- ISBN
- 9781469667935
- EAN
- 9781469667935
Über dieses Produkt
Product Identifiers
Publisher
University of North Carolina Press
ISBN-10
1469667932
ISBN-13
9781469667935
eBay Product ID (ePID)
13050424414
Product Key Features
Number of Pages
280 Pages
Language
English
Publication Name
Dreaming the Present : Time, Aesthetics, and the Black Cooperative Movement
Subject
American / African American, Economics / General, Labor, Ethnic Studies / African American Studies
Publication Year
2022
Type
Textbook
Subject Area
Literary Criticism, Social Science, Business & Economics
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
14.8 Oz
Item Length
9.1 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2021-041569
Reviews
An engaging analysis. . . . Hunt calls forth a new way of looking at the Black cooperative movement and an alternative method for assessing its meaning and impact. . . . [I]ncisive and compelling."-- Journal of Southern History, "[ Dreaming the Present ] engages critically with a debate that remains pivotal in utopian and communal studies--what are the parameters by which to determine if utopian practices are 'successful'? . . . Hunt successfully brings together Black studies and critical theory on temporalities and on activism to highlight how these cooperatives cannot and should not be evaluated by longevity, membership numbers, turnover, amassed capital, etc., and that we, as scholars in utopian studies, need to consider how breaking with these logics of racist capitalism, as epitomized in Antiblackness, is a disruption of time that is possibly utopian in itself."-- Utopian Studies, An engaging analysis. . . . Hunt calls forth a new way of looking at the Black cooperative movement and an alternative method for assessing its meaning and impact. . . . [I]ncisive and compelling.-- Journal of Southern History, An engaging analysis. . . . Hunt calls forth a new way of looking at the Black cooperative movement and an alternative method for assessing its meaning and impact. . . . [I]ncisive and compelling."--Journal of Southern History, [ Dreaming the Present ] engages critically with a debate that remains pivotal in utopian and communal studies--what are the parameters by which to determine if utopian practices are 'successful'? . . . Hunt successfully brings together Black studies and critical theory on temporalities and on activism to highlight how these cooperatives cannot and should not be evaluated by longevity, membership numbers, turnover, amassed capital, etc., and that we, as scholars in utopian studies, need to consider how breaking with these logics of racist capitalism, as epitomized in Antiblackness, is a disruption of time that is possibly utopian in itself.-- Utopian Studies, "An engaging analysis. . . . Hunt calls forth a new way of looking at the Black cooperative movement and an alternative method for assessing its meaning and impact. . . . [I]ncisive and compelling."-- Journal of Southern History, A unique and thought-provoking perspective on Black cooperatives, time, and social movements. . . . Dreaming the Present [is a] well-researched [work] that significantly deepen[s] our understanding of 20th-century social movements. . . . [W]ill appeal to those fascinated by the temporal dynamics and aesthetics of Black cooperatives.-- American Historical Review
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
334.0973
Synopsis
This is a story of art and movement building at the limits of imagination. In their darkest hours, W. E. B. Du Bois, Ella Baker, George Schuyler, and Fannie Lou Hamer gathered hundreds across the United States and beyond to build vast, but forgotten, networks of mutual aid: farms, shops, schools, banks, daycares, homes, health clinics, and burial grounds. They called these spaces cooperatives, local challenges to global capital, where people pooled all they had to meet their needs. By reading their activism as an artistic practice, Irvin Hunt argues that their primary need was to free their movement from the logic of progress. From a remarkably diverse archive, Hunt extrapolates three new ways to describe the time of a movement: a continual beginning, a deliberate falling apart, and a simultaneity, a kind of all-at-once-ness. These temporalities reflect how a people maneuvered the law, reappropriated property, built autonomous communities, and fundamentally reimagined what a movement can be. Their movement was not the dream of a brighter day; it was the making of today out of the stuff of dreams. Hunt offers both an original account of Black mutual aid and, in a world of diminishing futures, a moving meditation on the possibilities of the present., This is a story of art and movement building at the limits of imagination. In their darkest hours, W. E. B. Du Bois, Ella Baker, George Schuyler, and Fannie Lou Hamer gathered hundreds across the United States and beyond to build vast, but forgotten, networks of mutual aid: farms, shops, schools, banks, daycares, homes, health clinics, and burial grounds. They called these spaces "cooperatives," local challenges to global capital, where people pooled all they had to meet their needs. By reading their activism as an artistic practice, Irvin Hunt argues that their primary need was to free their movement from the logic of progress. From a remarkably diverse archive, Hunt extrapolates three new ways to describe the time of a movement: a continual beginning, a deliberate falling apart, and a simultaneity, a kind of all-at-once-ness. These temporalities reflect how a people maneuvered the law, reappropriated property, built autonomous communities, and fundamentally reimagined what a movement can be. Their movement was not the dream of a brighter day; it was the making of today out of the stuff of dreams. Hunt offers both an original account of Black mutual aid and, in a world of diminishing futures, a moving meditation on the possibilities of the present., In their darkest hours over the course of the twentieth century, W. E. B. Du Bois, Ella Baker, George Schuyler, and Fannie Lou Hamer gathered hundreds across the United States and beyond to build vast, now forgotten, networks of mutual aid: farms, shops, schools, banks, daycares, homes, health clinics, and burial grounds. They called these spaces "cooperatives," local challenges to global capital, where people pooled all they had to meet all their needs. By reading their activism as an artistic practice, Irvin J. Hunt argues that their overarching need was to free their movement from the logic of progress. Steeped in the wonders of this movement's material afterlife, Hunt extrapolates three non-progressive forms of movement time: a continual beginning, a deliberate falling apart, and a kind of all-at-once simultaneity. These temporalities describe how these leaders, along with their circles, maneuvered the law, reappropriated property, expressed the pleasures of resistance, challenged the value of longevity, built autonomous communities, and fundamentally reimagined what a movement can be. Hunt offers both an original account of Black mutual aid and, in a world of diminishing of futures, a moving meditation on the possibilities of the present., In their darkest hours over the course of the twentieth century, W. E. B. Du Bois, Ella Baker, George Schuyler, and Fannie Lou Hamer gathered hundreds across the United States and beyond to build vast, now forgotten, networks of mutual aid: farms, shops, schools, banks, daycares, homes, health clinics, and burial grounds. They called these spaces ......
LC Classification Number
HD3444.H86 2022
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