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Walt Kelly's Pogo Ser.: Through the Wild Blue Wonder : The Complete...
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ISBN
9781560978695

Über dieses Produkt

Product Identifiers

Publisher
Fantagraphics Books
ISBN-10
1560978694
ISBN-13
9781560978695
eBay Product ID (ePID)
60301601

Product Key Features

Book Title
Pogo : the Complete Comic Strips Through the Wild Blue Wonder
Number of Pages
308 Pages
Language
English
Publication Year
2011
Topic
Form / Comic Strips & Cartoons
Illustrator
Yes
Genre
Humor
Author
Walt Kelly
Book Series
Walt Kelly's Pogo Ser.
Format
Hardcover

Dimensions

Item Height
0.1 in
Item Weight
53.2 Oz
Item Length
0.9 in
Item Width
1.1 in

Additional Product Features

Intended Audience
Trade
LCCN
2014-381732
Reviews
Walt Kelly's Pogo... is justifiably hailed as one of the great achievements of the postwar comic strip.... This wonderful first volume of a projected 12-volume series contains the strip's first two official years... I salute this launch... [Rating] 9/10, Kelly's drawings are just magnificent, and his sophisticated writing style was far ahead of its time. Its time has come - and Fantagraphics has gone out of its way to ensure the best possible copies of these rare strips were found, restored and preserved perfectly here for all time... A great gift for anyone - especially you., This strip is funny, well-drawn, and features a huge mass of likeable characters doing entertaining things. Put it together with Fantagraphics' excellent presentation, and you have a definite must-buy., It's a hefty volume, and will leave even the most dyspeptic Pogo fan wide-eyed with wonder and gratitude., ...[A]bsolutely beautiful, a big comic book with real heft and majesty.... This isn't a book you read so much as sink into: Kelly's brilliant ear for dialect and voice lulls you along, and then you're lost in his beautiful artwork.... If I had to make one complaint about this Pogo collection, it'd be that it ends too soon., The congenial Pogo Possum and his swampland friends... spring to life in this collection of daily and Sunday comics, filled with Kelly's characteristic wordplay. One hopes this will introduce a new generation to this comic, satiric masterwork., Walt Kelly's seminal, satirical, exquisitely rendered, hugely influential (and, not for nothing, actually funny) comic strip is getting a deluxe treatment by Fantagraphics. Crisply reproduced at a generous size that makes it easier than ever to marvel over Kelly's marvelous linework, this book is everything fans and comics historians were hoping for., (Starred Review) This exceptional first volume of the collected adventures of Pogo Possum should remind readers of the substantial legacy left behind by Kelly.... The volume is beautifully put together, including excellent insights into Kelly and his work ... Kelly was able to blend hilarious humor, exceptional storytelling, keen political satire, and brilliant wordplay into a strip that could be appreciated both by children and adults., [Pogo  Vol. 1] is the first book that gives a full sense of what it was like to read Kelly's pioneering strip from the beginning.... And it helps that because of the book format, ...Kelly's 'love of high-flown language' is more legible than it often was in newspapers., The good news: it's here, it's real. The better news: it's incredible. Walt Kelly's lively, robust, and poetic world is faithfully and lovingly produced... Fantagraphics knew this first volume would be scrutinized by hardcore Pogo fans, and they've outdone expectations..., It's hard to think of another newspaper cartoonist who equalled [Kelly's] talents.... The design is impeccable and the quality of the line art reproduction is superb., If Walt Kelly had written 'regular' books, he might be recognized today as one of the finestsatirists of the 20th Century. As a wizard of wordplay he might well be mentioned, if not in thesame breath with Lewis Carroll and Edward Lear, then in the very next., Walt Kelly's wit and charm is unmatched in the history of sequential storytelling, and is in evidence here fully developed. I'd get this book for Jimmy Breslin's introduction alone. Go. Read this. You'll charm the pants off of yourself., The biggest revelation of reading the first two years of Pogo is how polished and funny the strip was right from the start, and also how nearly every Pogo panel is a delight unto itself. ...[T]here's a classic Pogo moment on just about every page of this book., Timeless and magical, Pogo is a giant of world literature, not simply comics, and this magnificent edition should be the pride of every home's bookshelf., ...[An] essential purchase for any collection that values comic-strip reprints is finally available. ...[T]he inventive wordplay, idiosyncratic swamp patter, and goofy slapstick are all in full effect right from the start, as is the broad cast of loony critters... Due to run 12 volumes, this collection completes the holy trifecta, along with Charles Schulz' Peanuts and George Herriman's Krazy Kat, of comic strips whose influence cannot be overstated., The book is lovingly made and the strips presented with care and pleasure. But is it any good? Oh yes. It's funny and charming, bursting with witty wordplay and vivid characters you love immediately., Kelly's art isn't just a collection of animation quality lines; it's like the lines embody the ideal of great animation art; just stunning.
Dewey Edition
23
Series Volume Number
0
Dewey Decimal
741.5/973
Table Of Content
Summary and Exercises end each chapter. 1. Reviewing Basic Concepts. Looking at Paragraphs. Introducing Unity and Development. 2. Finding Topics. Considering Audience and Purpose. Moving from Brainstorming to Drafting. 3. Writing Topic Sentences. Understanding the Topic Sentence. Developing Clarity and Exactness. 4. Building Support. Balancing General and Specific Statements. Using Details, Examples, Facts, and Quotations. 5. Providing Coherence. Understanding Coherence. Using Devices to Ensure Coherence. Transitional Words, Phrases, and Clauses Pronoun Reference Parallelism Repetition of Key Words. 6. Writing Narrative Paragraphs. Understanding Narrative Writing. Using Techniques of Narrative Writing. Selecting a Topic Selecting Details Organizing the Information. 7. Writing Descriptive Paragraphs. Looking at Descriptive Paragraphs. Choosing and Organizing Details. 8. Writing Expository Paragraphs. Defining Expository Writing. Using Common Patterns. Comparison/Contrast Process Classification Cause and Effect Definition. 9. Writing Persuasive Paragraphs. Defining Persuasive Writing. Using Techniques to Persuade. Establish Credibility Develop a Narrow, Workable Topic Focus Attention on the Topic Idea Provide Concrete, Relevant Support Organize in a Logical Way. 10. Revising and Proofreading. Revising to Serve Audience and Purpose. Proofreading for Accuracy. 11. Writing Multiparagraph Units. Carrying Paragraph Principles into Longer Units. Creating Opening and Ending Paragraphs. Appendix A: Manuscript Form. Appendix B: Correction Symbols. Index.
Synopsis
Walt Kelly started his career at age 13 in Connecticut as a cartoonist and reporter for the Bridgeport Post. In 1935, he moved to Los Angeles and joined the Walt Disney Studio, where he worked on classic animated films, including Pinocchio, Dumbo, and Fantasia. Rather than take sides in a bitter labor strike, he moved back east in 1941 and began drawing comic books. It was during this time that Kelly created Pogo Possum. The character first appeared in Animal Comics as a secondary player in the "Albert the Alligator" feature. It didn't take long until Pogo became the comic's leading character. After WWII, Kelly became artistic director at the New York Star, where he turned Pogo into a daily strip. By late 1949, Pogo appeared in hundreds of newspapers. Until his death in 1973, Kelly produced a feature that has become widely cherished among casual readers and aficionados alike. Kelly blended nonsense language, poetry, and political and social satire to make Pogo an essential contribution to American "intellectual" comics. As the strip progressed, it became a hilarious platform for Kelly's scathing political views in which he skewered national bogeymen like J. Edgar Hoover, Joseph McCarthy, George Wallace, and Richard Nixon. Walt Kelly started when newspaper strips shied away from politics - Pogo was ahead of its time and ahead of later strips (such as Doonesbury and The Boondocks) that tackled political issues. Our first (of 12) volume reprints approximately the first two years of Pogo - dailies and (for the first time) full-color Sundays. This first volume also introduces such enduring supporting characters as Porkypine, Churchy LaFemme, Beauregard Bugleboy, Seminole Sam, Howland Owl, and many others. And for Christmas, 1949, Kelly started his tradition of regaling his readers with his infamously and gloriously mangled Christmas carols. Special features in this sumptuous premiere volume, which is produced with the full cooperation of Kelly's heirs, include a biographical introduction by Kelly biographer Steve Thompson, an extensive section by comics historian R. C. Harvey explaining some of the more obscure current references of the time, a foreword by legendary columnist Jimmy Breslin, and more., It was during this time that Kelly created Pogo Possum. The character first appeared in Animal Comics as a secondary player in the "Albert the Alligator" feature. It didn't take long until Pogo became the comic's leading character. After WWII, Kelly became artistic director at the New York Star , where he turned Pogo into a daily strip. By late 1949, Pogo appeared in hundreds of newspapers. Until his death in 1973, Kelly produced a feature that has become widely cherished among casual readers and aficionados alike. Kelly blended nonsense language, poetry, and political and social satire to make Pogo an essential contribution to American "intellectual" comics. As the strip progressed, it became a hilarious platform for Kelly's scathing political views in which he skewered national bogeymen like J. Edgar Hoover, Joseph McCarthy, George Wallace, and Richard Nixon. Walt Kelly started when newspaper strips shied away from politics -- Pogo was ahead of its time and ahead of later strips (such as Doonesbury and The Boondocks ) that tackled political issues. Our first (of 12) volume reprints approximately the first two years of Pogo -- dailies and (for the first time) full-color Sundays. This first volume also introduces such enduring supporting characters as Porkypine, Churchy LaFemme, Beauregard Bugleboy, Seminole Sam, Howland Owl, and many others. And for Christmas, 1949, Kelly started his tradition of regaling his readers with his infamously and gloriously mangled Christmas carols. Special features in this sumptuous premiere volume, which is produced with the full cooperation of Kelly's heirs, include a biographical introduction by Kelly biographer Steve Thompson, an extensive section by comics historian R. C. Harvey explaining some of the more obscure current references of the time, a foreword by legendary columnist Jimmy Breslin, and more., Walt Kelly started his career at age 13 in Connecticut as a cartoonist and reporter for the Bridgeport Post . In 1935, he moved to Los Angeles and joined the Walt Disney Studio, where he worked on classic animated films, including Pinocchio, Dumbo , and Fantasia . Rather than take sides in a bitter labor strike, he moved back east in 1941 and began drawing comic books. It was during this time that Kelly created Pogo Possum. The character first appeared in Animal Comics as a secondary player in the "Albert the Alligator" feature. It didn't take long until Pogo became the comic's leading character. After WWII, Kelly became artistic director at the New York Star , where he turned Pogo into a daily strip. By late 1949, Pogo appeared in hundreds of newspapers. Until his death in 1973, Kelly produced a feature that has become widely cherished among casual readers and aficionados alike. Kelly blended nonsense language, poetry, and political and social satire to make Pogo an essential contribution to American "intellectual" comics. As the strip progressed, it became a hilarious platform for Kelly's scathing political views in which he skewered national bogeymen like J. Edgar Hoover, Joseph McCarthy, George Wallace, and Richard Nixon. Walt Kelly started when newspaper strips shied away from politics -- Pogo was ahead of its time and ahead of later strips (such as Doonesbury and The Boondocks ) that tackled political issues. Our first (of 12) volume reprints approximately the first two years of Pogo -- dailies and (for the first time) full-color Sundays. This first volume also introduces such enduring supporting characters as Porkypine, Churchy LaFemme, Beauregard Bugleboy, Seminole Sam, Howland Owl, and many others. And for Christmas, 1949, Kelly started his tradition of regaling his readers with his infamously and gloriously mangled Christmas carols. Special features in this sumptuous premiere volume, which is produced with the full cooperation of Kelly's heirs, include a biographical introduction by Kelly biographer Steve Thompson, an extensive section by comics historian R. C. Harvey explaining some of the more obscure current references of the time, a foreword by legendary columnist Jimmy Breslin, and more., Walt Kelly started his career at age 13 in Connecticut as a cartoonist and reporter for the Bridgeport Post. In 1935, he moved to Los Angeles and joined the Walt Disney Studio, where he worked on classic animated films, including Pinocchio, Dumbo, and Fantasia. Rather than take sides in a bitter labor strike, he moved back east in 1941 and began drawing comic books. It was during this time that Kelly created Pogo Possum. The character first appeared in Animal Comics as a secondary player in the "Albert the Alligator" feature. It didn't take long until "Pogo" became the comic's leading character. After the WWII, Kelly became artistic director at the New York Star, where he turned Pogo into a daily strip. By late 1949, Pogo appeared in hundreds of newspapers. Until his death in 1973, Kelly produced a feature that has become widely cherished among casual readers and aficionados alike. Kelly blended nonsense language, poetry, and political and social satire to make Pogo an essential contribution to American "intellectual" comics. As the strip progressed, it became a hilarious platform for Kelly's scathing political views in which he skewered national bogeymen like J. Edgar Hoover, Joseph McCarthy, George Wallace, and Richard Nixon. Walt Kelly started when newspaper strips shied away from politics - Pogo was ahead of its time and ahead of later strips (such as Doonesbury and The Boondocks) that tackled political issues. Our first (of 12) volume reprints approximately the first two years of Pogo - dailies and (for the first time) full-color Sundays. This first volume also introduces such enduring supporting characters as Porkypine, Churchy LaFemme, Beauregard Bugleboy, Seminole Sam, Howland Owl, and many others. And for Christmas, 1949, Kelly started his tradition of regaling his readers with his infamously and gloriously mangled Christmas carols. Special features in this sumptuous premiere volume (the first of 12), which is produced with the full cooperation of Kelly's heirs, include an extensive biographical introduction by Kelly biographer Steve Thompson, a section explaining some of the more obscure current references, and more.
LC Classification Number
PN6727

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  • Walt Kelly's Pogo, volume 1, 2 years worth of daily and Sunday strips in color.

    The first series in Welsh Kelly's complete compilation of daily and Sunday strips for 2 years. Fascinating look at American culture in the late forties and early 50s. Glad to have it.

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  • Wife loves it, she followed POGO when she was a young girl.

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  • The title says it all.

    Relive political humor in a simpler time yet somehow relevant today.

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