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Oxford Hispanic Studies: Laws of Desire : Questions of Homosexuality in Spanish
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- Sofort-KaufenOxford Hispanic Studies: Laws of Desire : Questions of Homosexuality in Spanish
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Standort: Cumberland, Ohio, USA
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eBay-Artikelnr.:174802925426
Artikelmerkmale
- Artikelzustand
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- Hinweise des Verkäufers
- Book Title
- Laws of Desire
- ISBN
- 9780198122753
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0198122756
ISBN-13
9780198122753
eBay Product ID (ePID)
2028224
Product Key Features
Number of Pages
256 Pages
Language
English
Publication Name
Laws of Desire : Questions of Homosexuality in Spanish Writing and Film 1960-1990
Subject
European / Spanish & Portuguese, LGBT, Linguistics / General, Film / History & Criticism
Publication Year
1992
Type
Textbook
Subject Area
Literary Criticism, Performing Arts, Language Arts & Disciplines
Series
Oxford Hispanic Studies
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
12.6 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
92-013021
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
860.9/353
Synopsis
Homosexuality has been treated only in a fragmentary way in Hispanic studies, and this is the first full-length study of the subject in contemporary Spanish writing and film. Introducing the book with a brief account of some medical, legal, and polemical texts, Paul Julian Smith, an established authority on Hispanic studies, charts the varying representations of the feminist or gay "self" in autobiographical texts by Chacel, Goytisolo, and Terenci Moixs. He goes on to offer radically new readings of trilogies by Goytisolo and Tusquets, the major novelists of homosexual desire in Spain, in the light of influential French theorists Hocquenghem and Wittig. Finally, Smith draws on archival research at the Filmoteca Nacional to offer a broadly historical account of Eloy de la Iglesia and Pedro Almodovar, the two major gay auteurs of post-Franco film. Particular attention is paid to their use of cinematic form, and the book ends with an analysis of Almodovar's "!Atame!" ("Tie me up! Tie me down!")--a film which exemplifies the main argument of the book: that homosexuality is no unitary phenomenon, but rather a historical and libidinal construct inevitably inflected by gender, class, and regional identity., Homosexuality has been treated only in a fragmentary way in Hispanic studies, and this is the first full-length study of the subject in contemporary Spanish writing and film. Introducing the book with a brief account of some medical, legal, and polemical texts, Paul Julian Smith, an established authority on Hispanic studies, charts the varying representations of the feminist or gay "self" in autobiographical texts by Chacel, Goytisolo, and Terenci Moixs. He goes on to offer radically new readings of trilogies by Goytisolo and Tusquets, the major novelists of homosexual desire in Spain, in the light of influential French theorists Hocquenghem and Wittig. Finally, Smith draws on archival research at the Filmoteca Nacional to offer a broadly historical account of Eloy de la Iglesia and Pedro Almodovar, the two major gay auteurs of post-Franco film. Particular attention is paid to their use of cinematic form, and the book ends with an analysis of Almodovar's " Atame " ("Tie me up Tie me down ")--a film which exemplifies the main argument of the book: that homosexuality is no unitary phenomenon, but rather a historical and libidinal construct inevitably inflected by gender, class, and regional identity.", Homosexuality has been treated only in a fragmentary way in Hispanic studies, and this is the first full-length study of the subject in contemporary Spanish writing and film. Introducing the book with a brief account of some medical, legal, and polemical texts, Paul Julian Smith, an established authority on Hispanic studies, charts the varying representations of the feminist or gay "self" in autobiographical texts by Chacel, Goytisolo, and Terenci Moixs. He goes on to offer radically new readings of trilogies by Goytisolo and Tusquets, the major novelists of homosexual desire in Spain, in the light of influential French theorists Hocquenghem and Wittig. Finally, Smith draws on archival research at the Filmoteca Nacional to offer a broadly historical account of Eloy de la Iglesia and Pedro Almodóvar, the two major gay auteurs of post-Franco film. Particular attention is paid to their use of cinematic form, and the book ends with an analysis of Almodóvar's " Atame!" ("Tie me up! Tie me down!")--a film which exemplifies the main argument of the book: that homosexuality is no unitary phenomenon, but rather a historical and libidinal construct inevitably inflected by gender, class, and regional identity., Homosexuality has been treated only in a fragmentary way in Hispanic studies, and this is the first full-length study of the subject in contemporary Spanish writing and film. Introducing the book with a brief account of some medical, legal, and polemical texts, Paul Julian Smith, an established authority on Hispanic studies, charts the varying representations of the feminist or gay "self" in autobiographical texts by Chacel, Goytisolo, and Terenci Moixs. He goes on to offer radically new readings of trilogies by Goytisolo and Tusquets, the major novelists of homosexual desire in Spain, in the light of influential French theorists Hocquenghem and Wittig. Finally, Smith draws on archival research at the Filmoteca Nacional to offer a broadly historical account of Eloy de la Iglesia and Pedro Almodóvar, the two major gay auteurs of post-Franco film. Particular attention is paid to their use of cinematic form, and the book ends with an analysis of Almodóvar's "¡Atame!" ("Tie me up! Tie me down!")--a film which exemplifies the main argument of the book: that homosexuality is no unitary phenomenon, but rather a historical and libidinal construct inevitably inflected by gender, class, and regional identity.
LC Classification Number
PQ6073.H65S45 1992
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