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SUNY Series Manly Leaders in 19TH Century Bristish Lit HD DANIEL GAROFALO SIGNED
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eBay-Artikelnr.:173869419977
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- “VERY SLIGHT SHELF WEAR & A SCUFF OR TWO ON BOTH BOARDS”
- Special Attributes
- Signed
- Subject
- 19TH CENTURY BRITISH LITERATURE
- ISBN
- 9780791473573
Über dieses Produkt
Product Identifiers
Publisher
STATE University of New York Press
ISBN-10
0791473570
ISBN-13
9780791473573
eBay Product ID (ePID)
63877348
Product Key Features
Number of Pages
224 Pages
Publication Name
Manly Leaders in Nineteenth-Century British Literature
Language
English
Publication Year
2008
Subject
Gender Studies, European / English, Irish, Scottish, Welsh
Type
Textbook
Subject Area
Literary Criticism, Social Science
Series
Suny Series, Studies in the Long Nineteenth Century Ser.
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
16 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2007-024994
Reviews
"Garofalo reveals a persistent anxiety in nineteenth-century British writing--a fear that the conditions of modern life would undermine both national and individual will. She shows how a series of writers responded to that threat by constructing a 'manly leader' appropriate to an age of capitalism and political liberalism." -- Ted Underwood, author of The Work of the Sun: Literature, Science, and Political Economy, 1760-1860 "The body chapters--especially those on Byron and Hazlitt--work through unfamiliar material with lucidity and verve, connecting ideas and texts not often put in juxtaposition with one another." -- John Plotz, author of The Crowd: British Literature and Public Politics
Dewey Edition
22
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
820.9/353
Table Of Content
Acknowledgments 1. Introduction: Fantasies of National Virility and William Wordsworth's Poet Leader 2. "A Left-Handed Way": Modern Masters in William Godwin's Caleb Williams 3. Political Seductions: The Show of War in Lord Byron's Sardanapalus 4. Sublime Democracy and the Theater of Violence: Authoritarianism in William Hazlitt's The Life of Napoleon Buonaparte 5. Communities in Mourning: Making Capital Out of Loss in Thomas Carlyle's Past and Present and Heroes 6. "To Please a Woman Worthy of Being Pleased": Darcymania in Jane Austen's Pride and Prejudice 7. Dependent Masters and Independent Servants: The Gothic Pleasures of British Homes in Charlotte Brontë's Jane Eyre Notes Bibliography Index
Synopsis
Examines fantasies of charismatic, virile leaders in British literature from the 1790s to the 1840s., From the 1790s to the 1840s, the fear that Britain had become too effeminate to protect itself against the anarchic forces unleashed by the French Revolution produced in many British writers of the period a desire to portray strong leaders who could control the democratic and commercial forces of modernization. While it is commonplace in Romantic studies to emphasize that Romantic writers are interested in the solitary genius or hero who separates himself from the community to pursue his own creative visions, Daniela Garofalo argues instead that Romantic and early Victorian writers are interested in charismatic males--military heroes, tyrants, kings, and captains of industry--who organize modern political and economic communities, sometimes by example, and sometimes by direct engagement. Reading works by William Godwin, William Wordsworth, Jane Austen, Lord Byron, William Hazlitt, Thomas Carlyle, and Charlotte Brontë, Garofalo shows how these leaders, endowed with an inherent virility rather than simply inherited rank, legitimize hierarchy anew for an age suffering from a crisis of authority., Examines fantasies of charismatic, virile leaders in British literature from the 1790s to the 1840s. From the 1790s to the 1840s, the fear that Britain had become too effeminate to protect itself against the anarchic forces unleashed by the French Revolution produced in many British writers of the period a desire to portray strong leaders who could control the democratic and commercial forces of modernization. While it is commonplace in Romantic studies to emphasize that Romantic writers are interested in the solitary genius or hero who separates himself from the community to pursue his own creative visions, Daniela Garofalo argues instead that Romantic and early Victorian writers are interested in charismatic males-military heroes, tyrants, kings, and captains of industry-who organize modern political and economic communities, sometimes by example, and sometimes by direct engagement. Reading works by William Godwin, William Wordsworth, Jane Austen, Lord Byron, William Hazlitt, Thomas Carlyle, and Charlotte Brontë, Garofalo shows how these leaders, endowed with an inherent virility rather than simply inherited rank, legitimize hierarchy anew for an age suffering from a crisis of authority., From the 1790s to the 1840s, the fear that Britain had become too effeminate to protect itself against the anarchic forces unleashed by the French Revolution produced in many British writers of the period a desire to portray strong leaders who could control the democratic and commercial forces of modernization. While it is commonplace in Romantic studies to emphasize that Romantic writers are interested in the solitary genius or hero who separates himself from the community to pursue his own creative visions, Daniela Garofalo argues instead that Romantic and early Victorian writers are interested in charismatic males--military heroes, tyrants, kings, and captains of industry--who organize modern political and economic communities, sometimes by example, and sometimes by direct engagement. Reading works by William Godwin, William Wordsworth, Jane Austen, Lord Byron, William Hazlitt, Thomas Carlyle, and Charlotte Bront , Garofalo shows how these leaders, endowed with an inherent virility rather than simply inherited rank, legitimize hierarchy anew for an age suffering from a crisis of authority.
LC Classification Number
PR468.M38G37 2007
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