Albert Speer: Architektur 1932-1942-

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Albert Speer: Architecture 1932-1942
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Artikelzustand
Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
ISBN
9781580933544
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Monacelli Press, Incorporated
ISBN-10
1580933548
ISBN-13
9781580933544
eBay Product ID (ePID)
122542767

Product Key Features

Book Title
Albert Speer : Architecture 1932-1942
Number of Pages
272 Pages
Language
English
Publication Year
2013
Topic
Urban & Land Use Planning, Individual Architects & Firms / Monographs, General, Good & Evil
Illustrator
Yes
Genre
Philosophy, Architecture
Author
Leon Krier
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
78.2 Oz
Item Length
13 in
Item Width
9.5 in

Additional Product Features

Intended Audience
Trade
Preface by
Stern, Robert A. M.
LCCN
2012-953726
Reviews
"In 1985, Mr. Krier produced a monograph about Speer's designs, which display a cold, grandiose, neoclassical style. . . . The Monacelli Press has reissued it in a lavish edition but this time with the added twist of an introduction by the renowned architect Robert A.M. Stern, the dean of Yale's architecture school." --The Wall Street Journal "As the immense and waxing volume of scholarly and popular work on the Nazis (from Elie Wiesel to Quentin Tarantino) shows, no issue is forbidden territory. The more specific question, however, is whether Speer's architectural oeuvre has any formal merit." --The Nation "Speer, Hitler's architect and also the Third Reich's minister of armaments and war production, manipulated scale, proportion, columns, and entablatures with great facility--not to mention prodigiousness--and the documentation of Speer's output is of interest. There are even moments I dare call sublime, but they are few. It's mostly crushingly heavy and funereal." --Architectural Record, "In 1985, Mr. Krier produced a monograph about Speer's designs, which display a cold, grandiose, neoclassical style.... The Monacelli Press has reissued it in a lavish edition but this time with the added twist of an introduction by the renowned architect Robert A.M. Stern, the dean of Yale's architecture school" - Wall Street Journal, "In 1985, Mr. Krier produced a monograph about Speer's designs, which display a cold, grandiose, neoclassical style. . . . The Monacelli Press has reissued it in a lavish edition but this time with the added twist of an introduction by the renowned architect Robert A.M. Stern, the dean of Yale's architecture school." -- The Wall Street Journal "As the immense and waxing volume of scholarly and popular work on the Nazis (from Elie Wiesel to Quentin Tarantino) shows, no issue is forbidden territory. The more specific question, however, is whether Speer's architectural oeuvre has any formal merit." -- The Nation "Speer, Hitler's architect and also the Third Reich's minister of armaments and war production, manipulated scale, proportion, columns, and entablatures with great facility--not to mention prodigiousness--and the documentation of Speer's output is of interest. There are even moments I dare call sublime, but they are few. It's mostly crushingly heavy and funereal." -- Architectural Record, "In 1985, Mr. Krier produced a monograph about Speer's designs, which display a cold, grandiose, neoclassical style. . . . The Monacelli Press has reissued it in a lavish edition but this time with the added twist of an introduction by the renowned architect Robert A.M. Stern, the dean of Yale's architecture school." - The Wall Street Journal "As the immense and waxing volume of scholarly and popular work on the Nazis (from Elie Wiesel to Quentin Tarantino) shows, no issue is forbidden territory. The more specific question, however, is whether Speer's architectural  oeuvre  has any formal merit." - The Nation "Speer, Hitler's architect and also the Third Reich's minister of armaments and war production, manipulated scale, proportion, columns, and entablatures with great facility-not to mention prodigiousness-and the documentation of Speer's output is of interest. There are even moments I dare call sublime, but they are few. It's mostly crushingly heavy and funereal." - Architectural Record, "In 1985, Mr. Krier produced a monograph about Speer's designs, which display a cold, grandiose, neoclassical style. . . . The Monacelli Press has reissued it in a lavish edition but this time with the added twist of an introduction by the renowned architect Robert A.M. Stern, the dean of Yale's architecture school." -- The Wall Street Journal "As the immense and waxing volume of scholarly and popular work on the Nazis (from Elie Wiesel to Quentin Tarantino) shows, no issue is forbidden territory. The more specific question, however, is whether Speer's architectural  oeuvre  has any formal merit." -- The Nation "Speer, Hitler's architect and also the Third Reich's minister of armaments and war production, manipulated scale, proportion, columns, and entablatures with great facility--not to mention prodigiousness--and the documentation of Speer's output is of interest. There are even moments I dare call sublime, but they are few. It's mostly crushingly heavy and funereal." -- Architectural Record
Dewey Edition
23
Dewey Decimal
724.6
Synopsis
Architect Leon Krier asks, "Can a war criminal be a great artist?" Speer, Adolf Hitler's architect of choice, happens to be responsible for one of the boldest architectural and urban oeuvres of modern times. First published in 1985 to an acute and critical reception, Albert Speer: Architecture 1932-1942 is a lucid, wide-ranging study of an important neoclassical architect. Yet is is simultaneously much more: a philosophical rumination on art and politics, good and evil. With aid from a new introduction by influential American architect Robert A. M. Stern, Krier candidly confronts the great difficulty of disentangling the architecture and urbanism of Albert Speer from its political intentions. Krier bases his study on interviews with Speer just before his death. The projects presented center on his plan for Berlin, an unprecedented modernization of the city intended to be the capital of Europe., First published in 1985 to an acute and critical reception, Albert Speer: Architecture 1932-1942 is a lucid, wide-ranging study of an important neoclassical architect. Yet it is simultaneously much more: a philosophical rumination on art and politics, good and evil., Architect Le?on Krier asks, "Can a war criminal be a great artist?" Speer, Adolf Hitler's architect of choice, happens to be responsible for one of the boldest architectural and urban oeuvres of modern times. First published in 1985 to an acute and critical reception, Albert Speer: Architecture 1932-1942 is a lucid, wide-ranging study of an important neoclassical architect. Yet is is simultaneously much more: a philosophical rumination on art and politics, good and evil. With aid from a new introduction by influential American architect Robert A. M. Stern, Krier candidly confronts the great difficulty of disentangling the architecture and urbanism of Albert Speer from its political intentions. Krier bases his study on interviews with Speer just before his death. The projects presented center on his plan for Berlin, an unprecedented modernization of the city intended to be the capital of Europe.
LC Classification Number
NA1088

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  • von ashelnut87
    15. Nov. 2017

    Highly detailed book, with excellent balance of illustration and explanation

    This is a well-executed review of Albert Speer's work on the proposed Berlin redevelopment as a aspirant capital city of Europe. There is a significant section reviewing whether this work can be considered independently of it's source, which I didn't find as useful, but otherwise, a truly excellent volume

    Bestätigter Kauf: JaZustand: NeuVerkauft von: shoppingmadeeasy2

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