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Ikonen der modernen Kunst: Die Shchukin-Sammlung, Taschenbuch von Baldassari, Anne,...-
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Abholung:
Kostenlose Abholung in 43551 Perrysburg, United States
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Standort: Perrysburg, Ohio, USA
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eBay-Artikelnr.:166659934039
Artikelmerkmale
- Artikelzustand
- ISBN
- 9782072760778
Über dieses Produkt
Product Identifiers
Publisher
Gallimard, Editions
ISBN-10
2072760771
ISBN-13
9782072760778
eBay Product ID (ePID)
21057280795
Product Key Features
Book Title
Icons of Modern Art : the Shchukin Collection
Number of Pages
456 Pages
Language
English
Topic
Collections, Catalogs, Exhibitions / Group Shows, History / Modern (Late 19th Century to 1945), Individual Artists / General, General
Publication Year
2022
Illustrator
Yes
Genre
Art
Format
Trade Paperback
Dimensions
Item Height
1.7 in
Item Weight
57.4 Oz
Item Length
8.6 in
Item Width
9.1 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Dewey Decimal
759.4090407444361
Synopsis
* An exceptional exhibition catalog, a dive into the 19th and 20th century painting * Gathers 130 masterpieces together The Fondation Louis Vuitton's unprecedented 2016 exhibition brought together 130 masterpieces, among the most iconic of the collection created in Moscow by the great Russian art patron, Sergei Shchukin. From Le Déjeuner sur l'herbe (1866) by Claude Monet, the Mardi gras (1888-90) by Paul Cézanne, Paul Gauguin's Tahitian odalisque Eh quoi, tu es jalouse? (1892), the luminescent panel L'Atelier du peintre (1911) by Henri Matisse, to conclude with Pablo Picasso's Trois femmes (1908), the magnificence of Shchukin's collection is exhibited here. Extended by a group of some 30 major works from the Russian avant-gardes, including Counter Relief (1916) by Vladimir Tatlin, Green Stripe (1917) by Olga Rozanova, and Kazimir Malevich's monochrome painting, Black Suprematie Square (1929), Icons of Modern Art covers the extreme breadth of this journey through 19th- and 20th-century creation. The presentation of these exceptional works, where our collective gaze comes together, constitutes an exemplary "painting lesson.", - An exceptional exhibition catalog, a dive into the 19th and 20th century painting - Gathers 130 masterpieces together The Fondation Louis Vuitton's unprecedented 2016 exhibition brought together 130 masterpieces, among the most iconic of the collection created in Moscow by the great Russian art patron, Sergei Shchukin. From Le Déjeuner sur l'herbe (1866) by Claude Monet, the Mardi gras (1888-90) by Paul Cézanne, Paul Gauguin's Tahitian odalisque Eh quoi, tu es jalouse? (1892), the luminescent panel L'Atelier du peintre (1911) by Henri Matisse, to conclude with Pablo Picasso's Trois femmes (1908), the magnificence of Shchukin's collection is exhibited here. Extended by a group of some 30 major works from the Russian avant-gardes, including Counter Relief (1916) by Vladimir Tatlin, Green Stripe (1917) by Olga Rozanova, and Kazimir Malevich's monochrome painting, Black Suprematie Square (1929), Icons of Modern Art covers the extreme breadth of this journey through 19th- and 20th-century creation. The presentation of these exceptional works, where our collective gaze comes together, constitutes an exemplary "painting lesson.", * An exceptional exhibition catalog, a dive into the 19th and 20th century painting* Gathers 130 masterpieces togetherThe Fondation Louis Vuitton's unprecedented 2016 exhibition brought together 130 masterpieces, among the most iconic of the collection created in Moscow by the great Russian art patron, Sergei Shchukin. From Le Déjeuner sur l'herbe (1866) by Claude Monet, the Mardi gras (1888-90) by Paul Cézanne, Paul Gauguin's Tahitian odalisque Eh quoi, tu es jalouse? (1892), the luminescent panel L'Atelier du peintre (1911) by Henri Matisse, to conclude with Pablo Picasso's Trois femmes (1908), the magnificence of Shchukin's collection is exhibited here. Extended by a group of some 30 major works from the Russian avant-gardes, including Counter Relief (1916) by Vladimir Tatlin, Green Stripe (1917) by Olga Rozanova, and Kazimir Malevich's monochrome painting, Black Suprematie Square (1929), Icons of Modern Art covers the extreme breadth of this journey through 19th- and 20th-century creation. The presentation of these exceptional works, where our collective gaze comes together, constitutes an exemplary "painting lesson."
LC Classification Number
N6848.5.M63
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Verkäuferbewertungen (261)
- o***e (1071)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThis record album (LP) recently arrived in my mail 📬 📫 📭 📮 📪 , and I can say that it at least LOOKS to be in respectable condition; its appearance is good 👍. Let's hope that it plays ▶️ as well as it looks! Thanks for getting this item out to me in the mail 📬 📫 📭 📮 📪, seller(s)! If I DO experience any problems with this item -- which I hope WON'T happen -- I'll be sure to contact you, so that together we can hopefully resolve those problems. But for right now, thanks a million!
- a***t (297)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufEven though the package didn’t have far to travel it had a rough trip. One of the packing corners was ripped open. Might have a little frame damage but nothing I can’t touch up. The corners covered in double cardboard were fine. Only telling you this for future packing. The paintings are just what I expected. Thanks
- *****- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufShipping,packaging,description ,and value were all perfect.
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