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DIE GOTIK IN DER KINDERLITERATUR, DIE DIE GRENZEN VERFOLGT VON ANNA JACKSON 2008-
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eBay-Artikelnr.:165779205535
Artikelmerkmale
- Artikelzustand
- Neuwertig
- Hinweise des Verkäufers
- “First edition”
- ISBN
- 9780415960366
Über dieses Produkt
Product Identifiers
Publisher
Taylor & Francis Group
ISBN-10
0415960363
ISBN-13
9780415960366
eBay Product ID (ePID)
59071504
Product Key Features
Number of Pages
264 Pages
Publication Name
Gothic in Children's Literature : Haunting the Borders
Language
English
Publication Year
2007
Subject
Horror & Supernatural, Children's & Young Adult Literature, General, Gothic & Romance, European / English, Irish, Scottish, Welsh
Type
Textbook
Subject Area
Literary Criticism
Series
Children's Literature and Culture Ser.
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
16.9 Oz
Item Length
9.3 in
Item Width
7.2 in
Additional Product Features
Intended Audience
College Audience
LCCN
2006-101148
TitleLeading
The
Reviews
The prevalence of Gothic themes in literature for young readers is the impetus for this collection, which fills a void in children's literature criticism. This timely collection presents a variety of perspectives and discusses a variety of texts, and so is a valuable addition to the literature. Recommended. -- P. J. Kurtz, Minot State University, Choice "Aside from the fact that this book is both compelling and interesting, it fills a necessary gap in recent children's literature criticism." - Bookbird, Vol. 48, No. 1, January 2010
Dewey Edition
22
Series Volume Number
43
Illustrated
Yes
Dewey Decimal
823/.08729099282
Table Of Content
Introduction 1. The Haunted Nursery: 1764-1830 2. Cyberspace and the Gothic Novel 3. Frightening and Funny: Humor in Children's Gothic Fiction 4. Between Horror, Humor, and Hope: Neil Gaiman and the Psychic Work of the Gothic 5. On the Gothic Beach: A New Zealand Reading of House and Landscape in Margaret Mahy's 'The Tricksters' 6. High Winds and Broken Bridges: The Gothic and the West Indies in Twentieth Century British Fiction for Children 7. The Scary Tale Looks for a Family: Gary Crew's 'Gothic Hospital' and Sonya Hartnett's 'The Devil Latch' 8. Haunting the Borders of Sword and Sorcery: Garth Nix's 'The Seventh Tower' 9. Uncanny Ghosts, Canny Children 10. Hermione in the Bathroom: Menarche, the Grotesque, and Female Development in 'Harry Potter and the Philosopher's Stone' 11. Fantastic Books: The Gothic Architecture of Children's Books 12. The Night Side of Nature: Gothic Spaces, Fearful Times
Synopsis
From creepy picture books to Harry Potter, Lemony Snicket , the Spiderwick Chronicles , and countless vampire series for young adult readers, fear has become a dominant mode of entertainment for young readers. The last two decades have seen an enormous growth in the critical study of two very different genres, the Gothic and children's literature. The Gothic, concerned with the perverse and the forbidden, with adult sexuality and religious or metaphysical doubts and heresies, seems to represent everything that children's literature, as a genre, was designed to keep out. Indeed, this does seem to be very much the way that children's literature was marketed in the late eighteenth century, at exactly the same time that the Gothic was really taking off, written by the same women novelists who were responsible for the promotion of a safe and segregated children's literature. This collection examines the early intersection of the Gothic and children's literature and the contemporary manifestations of the gothic impulse, revealing that Gothic elements can, in fact, be traced in children's literature for as long as children have been reading., From creepy picture books to Harry Potter, Lemony Snicket, the Spiderwick Chronicles, and countless vampire series for young adult readers, fear has become a dominant mode of entertainment for young readers. The last two decades have seen an enormous growth in the critical study of two very different genres, the Gothic and children's literature. The Gothic, concerned with the perverse and the forbidden, with adult sexuality and religious or metaphysical doubts and heresies, seems to represent everything that children's literature, as a genre, was designed to keep out. Indeed, this does seem to be very much the way that children's literature was marketed in the late eighteenth century, at exactly the same time that the Gothic was really taking off, written by the same women novelists who were responsible for the promotion of a safe and segregated children's literature. This collection examines the early intersection of the Gothic and children's literature and the contemporary manifestations of the gothic impulse, revealing that Gothic elements can, in fact, be traced in children's literature for as long as children have been reading., From creepy picture books to Harry Potter to Lemony Snicket to the Spiderwick Chronicles to countless vampire series for young adult readers, fear has become a dominant mode of entertainment for young readers. The last two decades have seen an enormous growth in the critical study of two very different genres, the Gothic and childrens literature.The Gothic, concerned with the perverse and the forbidden, with adult sexuality and religious or metaphysical doubts and heresies, seems to represent everything that childrens literature, as a genre, was designed to keep out. Indeed, this does seem to be very much the way that childrens literature was marketed in the late eighteenth century, at exactly the same time that the Gothic was really taking off, written by the same women novelists who were responsible for the promotion of a safe and segregated childrens literature.Gothic elements can, in fact, be traced in childrens literature for as long as children have been reading. This collection examines the early intersection of the Gothic and childrens literature and the contemporary manifestations of the gothic impulse., The last two decades have seen an enormous growth in the critical study of two very different genres, the Gothic and children's literature. This collection examines the early intersection of the Gothic and children's literature and the contemporary manifestations of the gothic impulse.
LC Classification Number
PR830.C513G67 2007
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99,1% positive Bewertungen•18.575 Artikel verkauft
Angemeldet als privater VerkäuferDaher finden verbraucherschützende Vorschriften, die sich aus dem EU-Verbraucherrecht ergeben, keine Anwendung. Der eBay-Käuferschutz gilt dennoch für die meisten Käufe. Mehr erfahrenMehr erfahren
Verkäuferbewertungen (10.900)
- o***d (23)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufItem precisely as described. Very carefully packaged. Excellent value. Item was shipped right away, but delivery was substantially delayed by USPS. Glad it finally arrived. Extremely satisfied with this seller. Thanks!NOS POR CASTELAO 1999 ISBN 8471544687 (Nr. 400860946293)
- s***6 (85)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufQuickly shipped. Great packaging so appreciate the extra do not bend and fragile labels. Unfortunately, Postal still managed to put in small mailbox and is not considerate with care of package. Thankfully the book was bubble wrap! I appreciate all the Sellers efforts-5 stars!MY LIFE AND MY ART AUTOBIOGRAPHICAL SKETCH BY PETER LIPMAN-WULF 1982 (Nr. 165560431052)
- b***b (1022)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufVery fast shipping, well packaged, and item just as described. Great Seller!!LIFE LIBERTY AND THE PURSUIT OF HAPPINESS BY PEGGY NOONAN EASTON PRESS SIGNED (Nr. 167419200771)