MOMENTAN AUSVERKAUFT

Bag Worth a Pony : The Art of the Ojibwe Bandolier Bag by Marcia G. Anderson (2017, Trade Paperback)

Über dieses Produkt

Product Identifiers

PublisherMinnesota Historical Society Press
ISBN-101681340291
ISBN-139781681340296
eBay Product ID (ePID)234622865

Product Key Features

Book TitleBag Worth a Pony : the Art of the Ojibwe Bandolier Bag
Number of Pages272 Pages
LanguageEnglish
Publication Year2017
TopicEthnic Studies / Native American Studies, Native American
IllustratorYes
GenreSocial Science, History
AuthorMarcia G. Anderson
FormatTrade Paperback

Dimensions

Item Length11 in
Item Width8.5 in

Additional Product Features

Intended AudienceTrade
LCCN2016-047354
TitleLeadingA
SynopsisBandolier bags, or gashkibidaaganag--the large, heavily beaded shoulder bags made and worn by several North American Indian tribes around the Great Lakes--are prized cultural icons here and around the world. From the 1870s to the present day, Ojibwe bead artists of Minnesota have been especially well known for their lively, creative designs. Neighboring Dakota people would trade a pony for a beautiful beaded bag. Over the years, non-Indian collectors and ethnographers, struck by the bags' cultural significance and visual appeal, bought them up. Today, there are hundreds of bags in museums around the world, but not so many in the hands of community members. In A Bag Worth a Pony, Marcia G. Anderson shares the results of thirty years of study, in which she learned from the talented bead artists who keep the form alive, from historical records, and from the bags themselves. Anderson examines the history, forms, structure, and motifs of the bags, giving readers the tools to understand a bag's makeup and meaning. She also offers a tour of Minnesota's seven Ojibwe reservations, showing the beautiful beaded bags associated with each along with the personal insights of seven master beadworkers., Bandolier bags, or gashkibidaaganag--the large, heavily beaded shoulder bags made and worn by several North American Indian tribes around the Great Lakes--are prized cultural icons here and around the world. From the 1870s to the present day, Ojibwe bead artists of Minnesota have been especially well known for their lively, creative designs. Neighboring Dakota people would trade a pony for a beautiful beaded bag. Over the years, non-Indian collectors and ethnographers, struck by the bags' cultural significance and visual appeal, bought them up. Today, there are hundreds of bags in museums around the world, but not so many in the hands of community members. In A Bag Worth a Pony , Marcia G. Anderson shares the results of thirty years of study, in which she learned from the talented bead artists who keep the form alive, from historical records, and from the bags themselves. Anderson examines the history, forms, structure, and motifs of the bags, giving readers the tools to understand a bag's makeup and meaning. She also offers a tour of Minnesota's seven Ojibwe reservations, showing the beautiful beaded bags associated with each along with the personal insights of seven master beadworkers., A celebration, illumination, and study of the spectacular beaded bags made by the Ojibwe of Minnesota., Bandolier bags, or gashkibidaaganag the large, heavily beaded shoulder bags made and worn by several North American Indian tribes around the Great Lakes are prized cultural icons here and around the world. From the 1870s to the present day, Ojibwe bead artists of Minnesota have been especially well known for their lively, creative designs. Neighboring Dakota people would trade a pony for a beautiful beaded bag. Over the years, non-Indian collectors and ethnographers, struck by the bags' cultural significance and visual appeal, bought them up. Today, there are hundreds of bags in museums around the world, but not so many in the hands of community members. In A Bag Worth a Pony, Marcia G. Anderson shares the results of thirty years of study, in which she learned from the talented bead artists who keep the form alive, from historical records, and from the bags themselves. Anderson examines the history, forms, structure, and motifs of the bags, giving readers the tools to understand a bag's makeup and meaning. She also offers a tour of Minnesota's seven Ojibwe reservations, showing the beautiful beaded bags associated with each along with the personal insights of six master beadworkers."
LC Classification NumberE99.C6A446 2017