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St Andrews Studien in Reformationsgeschichte Ser.: Musik als Propaganda im...-
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eBay-Artikelnr.:156586272705
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780754603634
Über dieses Produkt
Product Identifiers
Publisher
Routledge
ISBN-10
0754603636
ISBN-13
9780754603634
eBay Product ID (ePID)
1950538
Product Key Features
Number of Pages
450 Pages
Language
English
Publication Name
Music As Propaganda in the German Reformation
Publication Year
2017
Subject
History & Criticism, Europe / Germany, General, Religious / Christian
Type
Textbook
Subject Area
Music, History
Series
St Andrews Studies in Reformation History Ser.
Format
Hardcover
Dimensions
Item Height
1.3 in
Item Weight
28 Oz
Item Length
9.4 in
Item Width
6.3 in
Additional Product Features
Intended Audience
College Audience
LCCN
2001-033585
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
264/.23/094309031
Table Of Content
Contents: Introduction; Music as Propaganda: Popular song as a source for Reformation History; Luther, Lieder, and the power of song; Song and sanctity: the struggle for ownership of devotional music; The making of a contrafactum: music and mockery in the Reformation; Popular song as resistance: the role of music in the 1548 interim; Songs for the end of time: The Antichrist in Reformation polemical song; The significance of Reformation-era song; Songs of the Reformation: Catalogue of songs; Bibliography; Indexes.
Synopsis
This study of the role of popular song in the Protestant Reformation in Germany reveals that, like woodcuts, songs were a significant means of spreading Reformation ideas to the illiterate, up to 90 per cent of the population., Over the first four decades of the Reformation, hundreds of songs written in popular styles and set to well-known tunes appeared across the German territories. These polemical songs included satires on the pope or on Martin Luther, ballads retelling historical events, translations of psalms and musical sermons. They ranged from ditties of one strophe to didactic Lieder of fifty or more. Luther wrote many such songs and this book contends that these songs, and the propagandist ballads they inspired, had a greater effect on the German people than Luther's writings or his sermons. Music was a major force of propaganda in the German Reformation.Rebecca Wagner Oettinger examines a wide selection of songs and the role they played in disseminating Luther's teachings to a largely non-literate population, while simultaneously spreading subversive criticism of Catholicism. These songs formed an intersection for several forces: the comfortable familiarity of popular music, historical theories on the power of music, the educational beliefs of sixteenth-century theologians and the need for sense of community and identity during troubled times. As Oettinger demonstrates, this music, while in itself simple, provides us with a new understanding of what most people in sixteenth-century Germany knew of the Reformation, how they acquired their knowledge and the ways in which they expressed their views about it. With full details of nearly 200 Lieder from this period provided in the second half of the book, Music as Propaganda in the German Reformation is both a valuable investigation of music as a political and religious agent and a useful resource for future research., Over the first four decades of the Reformation, hundreds of songs written in popular styles and set to well-known tunes appeared across the German territories. These polemical songs included satires on the pope or on Martin Luther, ballads retelling historical events, translations of psalms and musical sermons. They ranged from ditties of one strophe to didactic Lieder of fifty or more. Luther wrote many such songs and this book contends that these songs, and the propagandist ballads they inspired, had a greater effect on the German people than Luther's writings or his sermons. Music was a major force of propaganda in the German Reformation. Rebecca Wagner Oettinger examines a wide selection of songs and the role they played in disseminating Luther's teachings to a largely non-literate population, while simultaneously spreading subversive criticism of Catholicism. These songs formed an intersection for several forces: the comfortable familiarity of popular music, historical theories on the power of music, the educational beliefs of sixteenth-century theologians and the need for sense of community and identity during troubled times. As Oettinger demonstrates, this music, while in itself simple, provides us with a new understanding of what most people in sixteenth-century Germany knew of the Reformation, how they acquired their knowledge and the ways in which they expressed their views about it. With full details of nearly 200 Lieder from this period provided in the second half of the book, Music as Propaganda in the German Reformation is both a valuable investigation of music as a political and religious agent and a useful resource for future research.
LC Classification Number
ML3168.O37 2001
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