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Bild 1 von 7
Dunkle Figuren im ersehnten Land: Blakes Illusion zum Fortschritt des Pilgers 1993-
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Ca.EUR 76,57
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Standort: Assonet, Massachusetts, USA
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eBay-Artikelnr.:154954433164
Artikelmerkmale
- Artikelzustand
- Country/Region of Manufacture
- United States
- Inscribed
- No
- Type
- literature
- Illustrator
- blake
- Features
- Dust Jacket
- Original Language
- English
- Subject
- Literature & Fiction
- Binding
- hardcover + wrapper
- Year Printed
- 1993
- Origin
- English
- Original/Reproduction
- Original
- Special Attributes
- Illustrated
- Edition
- First Edition
- ISBN
- 9780520044715
Über dieses Produkt
Product Identifiers
Publisher
University of California Press
ISBN-10
0520044711
ISBN-13
9780520044715
eBay Product ID (ePID)
450833
Product Key Features
Book Title
Dark Figures in the Desired Country : Blake's Illustrations to the Pilgrim's Progress
Number of Pages
304 Pages
Language
English
Topic
Poetry, European / English, Irish, Scottish, Welsh
Publication Year
1993
Illustrator
Yes
Genre
Literary Criticism
Format
Hardcover
Dimensions
Item Weight
33.8 Oz
Item Length
10.2 in
Item Width
7.2 in
Additional Product Features
LCCN
91-020400
Dewey Edition
20
Dewey Decimal
759.2
Synopsis
Toward the end of his life, William Blake produced a beautiful sequence of 28 watercolor drawings to illustrate Bunyan's Pilgrim's Progress . These rarely seen drawings show him at the peak of his powers, radically reinterpreting one of the central texts of English literature. Gerda Norvig's book, with its stunning color reproductions, offers the first detailed study of these important works of art. Norvig sets the watercolors in the context of Blake's lifelong engagement with Bunyan's myth and in relation to the Puritan writer's own artistic and critical methods. She shows how deeply Blake's love-hate relationship with Bunyan influenced not only these particular drawings but also Blake's revolutionary theories of art and poetics. With judicious use of psychoanalytical and post-structuralist critical theory, she demonstrates that Blake's pictorial interpretation of The Pilgrim's Progress tells a contemporary, self-reflexive tale about interpretation. Blake implicates author, narrator, and reader in a dream-protagonist's never-ending search for a proper stance on the relations of self and other., Toward the end of his life, William Blake produced a beautiful sequence of 28 watercolor drawings to illustrate Bunyan'sPilgrim's Progress. These rarely seen drawings show him at the peak of his powers, radically reinterpreting one of the central texts of English literature. Gerda Norvig's book, with its stunning color reproductions, offers the first detailed study of these important works of art. Norvig sets the watercolors in the context of Blake's lifelong engagement with Bunyan's myth and in relation to the Puritan writer's own artistic and critical methods. She shows how deeply Blake's love-hate relationship with Bunyan influenced not only these particular drawings but also Blake's revolutionary theories of art and poetics. With judicious use of psychoanalytical and post-structuralist critical theory, she demonstrates that Blake's pictorial interpretation ofThe Pilgrim's Progresstells a contemporary, self-reflexive tale about interpretation. Blake implicates author, narrator, and reader in a dream-protagonist's never-ending search for a proper stance on the relations of self and other.
LC Classification Number
NC978.5.B55N67 1993
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