(NEW) CD LONETONES USEFUL : RARE FOLK Stephanie Gunnoe 2004

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Zuletzt aktualisiert am 05. Sep. 2021 20:24:34 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Neuwertig: Artikel, der aussieht, als ob er gerade erst aus der Einschweißfolie ausgepackt wurde. ...
Type
Album
UPC
0783707991122
EAN
0783707991122
Kategorie

Über dieses Produkt

Product Identifiers

Record Label
CD Baby, Cdb
UPC
0783707991122
eBay Product ID (ePID)
6046068996

Product Key Features

Format
CD
Release Year
2004
Genre
Country
Artist
The Lonetones
Release Title
Useful

Dimensions

Item Weight
0.21 lb

Additional Product Features

Number of Tracks
13
Number of Discs
1
Tracks
Little Thing, Useful, Spend a Little Time, Ugly Down Inside, Fairest Flower, Hillbilly in the City, Glad I Stayed, I'll Study Mine, Mole in the Ground, What Would I Do?, Camp Lejeune, Get It Home, Take It
Notes
Useful is The Lonetones debut album. Some highlights following it's release: • Album was chosen as a DYI top 12 pick by Performing Songwriter Magazine. • The song 'Glad I Stayed' appeared on Shut Eye Records' Americana Sampler The United State of Americana, Vol 2. • Album was featured on NPR's website All Songs Considered. • Tracks from 'Useful' have recieved radio play across the country and internationally. FROM SEATTLE TO DOWN SOUTH, GUNNOE'S LONETONE JOURNEY A HAPPY ONE 2004-10-01 By Steve Wildsmith of The Daily Times Staff But for a few fateful turn of events, Stephanie Gunnoe might be playing electric guitar and screaming into a microphone as part of a riot-grrl group out of the Northwest. Instead, Gunnoe picks sweet acoustic guitar and sings gently as part of The LoneTones, the band she fronts with her husband, singer-songwriter Sean McCollough (who also fronts the local band Evergreen Street). The band plays gentle acoustic music rooted in Gunnoe's Appalachian heritage ... but hearing her story, it's not a stretch to see how she might have ended up signed to Kill Rock Stars along with the label's star band, Sleater-Kinney. ''I was so happy to discover the riot-grrl scene, and it really, really inspired me,'' Gunnoe said recently of the time she spent in Portland, Ore., Sleater-Kinney's hometown. ''I might very well have ended up in one of those types of bands, but I didn't have the riot-grrl kind of voice and the aggression. I just don't have it, but the whole do-it-yourself attitude inspired me.'' Gunnoe's roundabout path to East Tennessee began in West Virginia, where, growing up, she was immersed in music. Her mother sang opera, and her father played the banjo. At the time, she disliked both styles of music, and when she left for college, she chose a place about as far from the West Virginia mountains as she could get -- Washington State. ''I hated bluegrass music, and opera for that matter, until I went to college out there,'' she said. ''I guess seeing all these young people enjoy it made me realize how much I loved it.'' Eventually, she followed a boyfriend and a best friend to Portland, where she began performing with a fellow singer-songwriter named Little Sue. ''We played just kind of raw harmonies, a Hazel-and-Alice type of music,'' she said. At the time, the grunge movement had just exploded out of Seattle, and the riot-grrl movement arose from that scene. But Gunnoe drifted toward the emerging Eastside Sound, an acoustic revival led by former members of the Holy Modal Rounders and The Fugs. ''It was sort of an acoustic revival, and those guys sort of grandfathered a whole scene,'' Gunnoe said. Shortly thereafter, homesickness led her back east -- but she wasn't so overcome with it that she wanted to settle back in West Virginia. She settled on graduate school in Knoxville, based in part on it's proximity to the mountains that she loved. ''I heard WDVX when I was coming down here to visit the college, and just driving through the mountains, listening to some of the songs, was powerful,'' she said. Realizing she'd found a spiritual as well as a geographical connection to her childhood, Gunnoe threw herself into studies at the University of Tennessee and the local roots music scene. Her high, melodic voice seems cut from rough mountain fabric, a thick flannel worn to sweet softness that's warm and comforting at the same time. A chance encounter at Barley's Taproom altered her life when she was introduced to McCollough. ''We came back to our house -- my roommate was his friend, so we came home and played some music that night, and we've been playing ever since,'' she said. That was back in 2000, and the two were soon known as Steph Gunnoe and Sean McCollough. Their first public gig was a wedding at The Palace Theater in downtown Maryville, and eventually, the two added Maria Williams on harmony vocals and bass and McCollough's Evergreen Street bandmate, Phil Pollard, on drums. ''We were kind of hoping

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