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Edward Elgar und Adrian Boult von Simeone-
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Standort: Multiple Locations, USA
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eBay-Artikelnr.:146739385610
Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- “Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
- Book Title
- Edward Elgar and Adrian Boult
- Topic
- History & Criticism
- Narrative Type
- History & Criticism
- Genre
- N/A
- Intended Audience
- N/A
- ISBN
- 9781837652204
Über dieses Produkt
Product Identifiers
Publisher
Boydell & Brewer, The Limited
ISBN-10
1837652201
ISBN-13
9781837652204
eBay Product ID (ePID)
11071765406
Product Key Features
Educational Level
High School, Elementary School
Number of Pages
340 Pages
Language
English
Publication Name
Edward Elgar and Adrian Boult
Subject
Genres & Styles / Classical, Composers & Musicians, Instruction & Study / Conducting
Publication Year
2025
Type
Study Guide
Subject Area
Music, Biography & Autobiography
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
26.5 Oz
Item Length
9.5 in
Item Width
6.5 in
Additional Product Features
Intended Audience
Elementary/High School
Dewey Edition
23
Reviews
This new study of the relationship between Elgar and Boult is an essential purchase for anyone interested in one of England's greatest composers. Whether you regard Elgar or Ralph Vaughan Williams as topmost in the echelons of British composers, it's essential reading. And if it's the latter composer, you should also have Simeone's book on RVW on your shelves.
Illustrated
Yes
Dewey Decimal
780.922
Table Of Content
List of Illustrations Preface and Acknowledgements Editorial Conventions List of Abbreviations Introduction 1. Elgar and Boult: from Frank Schuster to the BBC 2. Boult's Elgar after 1934 3. Symphony No. 1 4. Symphony No. 2 5. Enigma Variations, Falstaff, Introduction and Allegro 6. The Concertos 7. Three Choral Works 8. Carrying the Torch: Boult, Barbirolli and others Appendix 1: A Producer's Perspective: Christopher Bishop on Boult's EMI recordings Appendix 2: Elgar scores in Boult's library Appendix 3: Chronology of Boult's Elgar performances Appendix 4: Discography Select Bibliography Index
Synopsis
Considers Boult's interpretations of Elgar's major works by drawing on their correspondence, Boult's annotated scores, broadcast performances, commercial recordings and press reviews, ranging from the composer's lifetime to Boult's final public appearances., Considers Boult's interpretations of Elgar's major works by drawing on their correspondence, Boult's annotated scores, broadcast performances, commercial recordings and press reviews, ranging from the composer's lifetime to Boult's final public appearances. Edward Elgar (1857-1934) and Adrian Boult (1889-1983) first met in 1904 and they saw each other frequently over the next thirty years. This book documents how Boult's Elgar interpretations evolved and the ways in which Boult drew on his experience of Elgar's own performances as well as their personal contacts. It provides fascinating biographical context, with a particular focus on the role played by the charismatic music patron Frank Schuster. A misunderstanding led to Elgar and Boult falling out in 1924 and it was not until 1931 that Elgar sought to restore their friendship. The book considers Boult's interpretations of Elgar's major works, drawing on a variety of sources including Boult's annotated scores as well as his broadcasts and commercial recordings of Elgar's music, ranging from those made in the composer's last years to Boult's final public appearances in 1978. The view of contemporary critics provides further evidence. All the works with which Boult was closely associated are considered in detail: the two symphonies, The Dream of Gerontius, The Kingdom and The Apostles and orchestral works including the Enigma Variations, Falstaff and the Violin and Cello Concertos. The text is complemented by appendices including a chronology of performances and a discography. These provide invaluable information for anyone interested in this fascinating composer-conductor relationship, and in Boult's advocacy of Elgar's music throughout his long career., Considers Boult's interpretations of Elgar's major works by drawing on their correspondence, Boult's annotated scores, broadcast performances, commercial recordings and press reviews, ranging from the composer's lifetime to Boult's final public appearances. Edward Elgar (1857-1934) and Adrian Boult (1889-1983) first met in 1904 and they saw each other frequently over the next thirty years. This book documents how Boult's Elgar interpretations evolved and the ways in which Boult drew on his experience of Elgar's own performances as well as their personal contacts. It provides fascinating biographical context, with a particular focus on the role played by the charismatic music patron Frank Schuster. A misunderstanding led to Elgar and Boult falling out in 1924 and it was not until 1931 that Elgar sought to restore their friendship. The book considers Boult's interpretations of Elgar's major works, drawing on a variety of sources including Boult's annotated scores as well as his broadcasts and commercial recordings of Elgar's music, ranging from those made in the composer's last years to Boult's final public appearances in 1978. The view of contemporary critics provides further evidence. All the works with which Boult was closely associated are considered in detail: the two symphonies, The Dream of Gerontius , The Kingdom and The Apostles and orchestral works including the Enigma Variations, Falstaff and the Violin and Cello Concertos. The text is complemented by appendices including a chronology of performances and a discography. These provide invaluable information for anyone interested in this fascinating composer-conductor relationship, and in Boult's advocacy of Elgar's music throughout his long career.
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