Bild 1 von 1
Galerie
Bild 1 von 1
Egge von Williams, Joy-
by Williams, Joy | HC | VeryGood
US $5,96
Ca.EUR 5,08
Artikelzustand:
“May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend ”... Mehr erfahrenÜber den Artikelzustand
Sehr gut
Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand befindet. Der Einband weist keine offensichtlichen Beschädigungen auf. Bei gebundenen Büchern ist der Schutzumschlag vorhanden (sofern zutreffend). Alle Seiten sind vollständig vorhanden, es gibt keine zerknitterten oder eingerissenen Seiten und im Text oder im Randbereich wurden keine Unterstreichungen, Markierungen oder Notizen vorgenommen. Der Inneneinband kann minimale Gebrauchsspuren aufweisen. Minimale Gebrauchsspuren. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers.
Nicht mehr vorrätig2 verkauft
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Versand:
Kostenlos Economy Shipping.
Lieferung zwischen Sa, 4. Okt und Fr, 10. Okt nach 94104 bei heutigem Zahlungseingang
Standort: Aurora, Illinois, USA
Rücknahme:
30 Tage Rückgabe. Kostenloser Rückversand.
Zahlungen:
Sicher einkaufen
- Gratis Rückversand im Inland
- Punkte für jeden Kauf und Verkauf
- Exklusive Plus-Deals
Der Verkäufer ist für dieses Angebot verantwortlich.
eBay-Artikelnr.:146705358973
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- Binding
- Hardcover
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780525657569
Über dieses Produkt
Product Identifiers
Publisher
Knopf Doubleday Publishing Group
ISBN-10
0525657568
ISBN-13
9780525657569
eBay Product ID (ePID)
17050068875
Product Key Features
Book Title
Harrow : a Novel
Number of Pages
224 Pages
Language
English
Publication Year
2021
Topic
Psychological, Science Fiction / Apocalyptic & Post-Apocalyptic, Literary
Illustrator
Yes
Genre
Fiction
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
14 Oz
Item Length
8.5 in
Item Width
5.8 in
Additional Product Features
Intended Audience
Trade
LCCN
2020-050338
Reviews
PEN/JEAN STEIN BOOK AWARD NOMINEE * Los Angeles Times Book Prize Finalist * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker , Wall Street Journal, Vogue, and more "A magnificent and moving novel [that excavates] the middle distance between silence and experience . . . Harrow is a piece of writing in the vein of Samuel Beckett or Franz Kafka, its humor weaponized by rage." --David L. Ulin, Los Angeles Times " Harrow belongs at the front of the pack of recent climate fiction . . . A crabby, craggy, comfortless, arid, erudite, obtuse, perfect novel, a singular entry in a singular body of work by an artist of uncompromised originality and vision . . . To read this novel is to know and to be known (Galatians 4:9) by a profound and comfortless alterity, to encounter the cosmic otherness at the very core of the self. What else do you want me to tell you? As I''ve said, it''s also funny. I really did laugh a lot. Five stars." --Justin Taylor, Bookforum "Death-haunted and perfectly indescribable fiction . . . To read Williams is to look into the abyss . . . [She] remains our great prophet of nothingness." --Anthony Domestico, The Atlantic "The ridiculous, pigheaded, bemused, endlessly distracted and continuously self-sabotaging state of the future is the subject of this wonderfully goading satire . . . A blackly comic portrait of futility . . . This is sarcasm of a high, artistic order, reminiscent of no one quite so much as William Gaddis." -- Sam Sacks, The Wall Street Journal "Elegantly deranged . . . A hypnotizing novel, funny in places and chilling in others, filled with wacky and tragic characters, that unspools the absurdity in just one of our many very possible bad futures." -- Emily Temple, Literary Hub "Williams''s tone achiev[es] a new, perfectly hostile register . . . [Her] vision of an annihilated earth seems to have flown from the brain of Francisco Goya . . . As the novel continues, it plumbs ever-deeper zones of dystopian weirdness . . . She practices a kind of hallucinogenic realism, which takes at face value the psychological flights of characters deranged by loss . . . Williams has long written to the side of conventional English, pursuing a form that feels more commensurate with actual experience--with the terror, comedy, and mystery of moving through the world." --Katy Waldman, The New Yorker "Williams''s voice is unique and spectacular. She describes things in ways you never knew you needed to hear." --Erin Lyndal Martin, BookBrowse "Who better than Williams to capture pure-hearted but absurd efforts to retrieve paradise lost?" -- The Millions "Balancing creeping despair with mordant humor and piquant strangeness . . . Williams asks if hope and compassion, reason and responsibility can survive once the wonders of wild and flourishing nature have been utterly destroyed. Brilliantly and exquisitely shrewd and unnerving." --Donna Seaman, Booklist (starred review) "An enigmatic, elegant meditation on the end of civilization--if end it truly is . . . As the clock ticks away, Williams seeds her story with allusions to Kafka, bits of Greek mythology, philosophical notes on the nature of tragedy, and gemlike description, and all along with subtly sardonic humor . . . A memorable return for renowned storyteller Williams after a lengthy absence from long form fiction." -- Kirkus Reviews (starred review) "Williams is a writer for our times: both visionary and caustic, knowing yet also full of wonder. Harrow''s short, dense pages unfold into a world of Kafkaesque distortion, its sharp wit and cruelty pierced with dreamlike language and imagery, and moments of almost unbearable poignancy. As the book draws to its dark conclusion, a hint of something miraculous, borne out from its opening chapter, flutters over the final paragraphs. In Williams''s shattered world, destruction appears almost like the possibility of renewal." --Catherine Taylor, The Financial Times, PEN/JEAN STEIN BOOK AWARD NOMINEE * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker , Wall Street Journal, Vogue, and more "A magnificent and moving novel [that excavates] the middle distance between silence and experience . . . Harrow is a piece of writing in the vein of Samuel Beckett or Franz Kafka, its humor weaponized by rage." --David L. Ulin, Los Angeles Times " Harrow belongs at the front of the pack of recent climate fiction . . . A crabby, craggy, comfortless, arid, erudite, obtuse, perfect novel, a singular entry in a singular body of work by an artist of uncompromised originality and vision . . . To read this novel is to know and to be known (Galatians 4:9) by a profound and comfortless alterity, to encounter the cosmic otherness at the very core of the self. What else do you want me to tell you? As I've said, it's also funny. I really did laugh a lot. Five stars." --Justin Taylor, Bookforum "Death-haunted and perfectly indescribable fiction . . . To read Williams is to look into the abyss . . . [She] remains our great prophet of nothingness." --Anthony Domestico, The Atlantic "The ridiculous, pigheaded, bemused, endlessly distracted and continuously self-sabotaging state of the future is the subject of this wonderfully goading satire . . . A blackly comic portrait of futility . . . This is sarcasm of a high, artistic order, reminiscent of no one quite so much as William Gaddis." -- Sam Sacks, The Wall Street Journal "Elegantly deranged . . . A hypnotizing novel, funny in places and chilling in others, filled with wacky and tragic characters, that unspools the absurdity in just one of our many very possible bad futures." -- Emily Temple, Literary Hub "Williams's tone achiev[es] a new, perfectly hostile register . . . [Her] vision of an annihilated earth seems to have flown from the brain of Francisco Goya . . . As the novel continues, it plumbs ever-deeper zones of dystopian weirdness . . . She practices a kind of hallucinogenic realism, which takes at face value the psychological flights of characters deranged by loss . . . Williams has long written to the side of conventional English, pursuing a form that feels more commensurate with actual experience--with the terror, comedy, and mystery of moving through the world." --Katy Waldman, The New Yorker "Williams's voice is unique and spectacular. She describes things in ways you never knew you needed to hear." --Erin Lyndal Martin, BookBrowse "Who better than Williams to capture pure-hearted but absurd efforts to retrieve paradise lost?" -- The Millions "Balancing creeping despair with mordant humor and piquant strangeness . . . Williams asks if hope and compassion, reason and responsibility can survive once the wonders of wild and flourishing nature have been utterly destroyed. Brilliantly and exquisitely shrewd and unnerving." --Donna Seaman, Booklist (starred review) "An enigmatic, elegant meditation on the end of civilization--if end it truly is . . . As the clock ticks away, Williams seeds her story with allusions to Kafka, bits of Greek mythology, philosophical notes on the nature of tragedy, and gemlike description, and all along with subtly sardonic humor . . . A memorable return for renowned storyteller Williams after a lengthy absence from long form fiction." -- Kirkus Reviews (starred review), "A magnificent and moving novel [that excavates] the middle distance between silence and experience . . . Harrow is a piece of writing in the vein of Samuel Beckett or Franz Kafka, its humor weaponized by rage." --David L. Ulin, Los Angeles Times " Harrow belongs at the front of the pack of recent climate fiction . . . A crabby, craggy, comfortless, arid, erudite, obtuse, perfect novel, a singular entry in a singular body of work by an artist of uncompromised originality and vision . . . To read this novel is to know and to be known (Galatians 4:9) by a profound and comfortless alterity, to encounter the cosmic otherness at the very core of the self. What else do you want me to tell you? As I've said, it's also funny. I really did laugh a lot. Five stars." --Justin Taylor, Bookforum "Death-haunted and perfectly indescribable fiction . . . To read Williams is to look into the abyss . . . [She] remains our great prophet of nothingness." --Anthony Domestico, The Atlantic "The ridiculous, pigheaded, bemused, endlessly distracted and continuously self-sabotaging state of the future is the subject of this wonderfully goading satire . . . A blackly comic portrait of futility . . . This is sarcasm of a high, artistic order, reminiscent of no one quite so much as William Gaddis." -- Sam Sacks, The Wall Street Journal "Elegantly deranged . . . A hypnotizing novel, funny in places and chilling in others, filled with wacky and tragic characters, that unspools the absurdity in just one of our many very possible bad futures." -- Emily Temple, Literary Hub "Williams's tone achiev[es] a new, perfectly hostile register . . . [Her] vision of an annihilated earth seems to have flown from the brain of Francisco Goya . . . As the novel continues, it plumbs ever-deeper zones of dystopian weirdness . . . She practices a kind of hallucinogenic realism, which takes at face value the psychological flights of characters deranged by loss . . . Williams has long written to the side of conventional English, pursuing a form that feels more commensurate with actual experience--with the terror, comedy, and mystery of moving through the world." --Katy Waldman, The New Yorker "Williams's voice is unique and spectacular. She describes things in ways you never knew you needed to hear." --Erin Lyndal Martin, BookBrowse "Who better than Williams to capture pure-hearted but absurd efforts to retrieve paradise lost?" -- The Millions "Balancing creeping despair with mordant humor and piquant strangeness . . . Williams asks if hope and compassion, reason and responsibility can survive once the wonders of wild and flourishing nature have been utterly destroyed. Brilliantly and exquisitely shrewd and unnerving." --Donna Seaman, Booklist (starred review) "An enigmatic, elegant meditation on the end of civilization--if end it truly is . . . As the clock ticks away, Williams seeds her story with allusions to Kafka, bits of Greek mythology, philosophical notes on the nature of tragedy, and gemlike description, and all along with subtly sardonic humor . . . A memorable return for renowned storyteller Williams after a lengthy absence from long form fiction." -- Kirkus Reviews (starred review), "A magnificent and moving novel [that excavates] the middle distance between silence and experience . . . Harrow is a piece of writing in the vein of Samuel Beckett or Franz Kafka, its humor weaponized by rage." --David L. Ulin, Los Angeles Times " Harrow belongs at the front of the pack of recent climate fiction . . . A crabby, craggy, comfortless, arid, erudite, obtuse, perfect novel, a singular entry in a singular body of work by an artist of uncompromised originality and vision . . . To read this novel is to know and to be known (Galatians 4:9) by a profound and comfortless alterity, to encounter the cosmic otherness at the very core of the self. What else do you want me to tell you? As I've said, it's also funny. I really did laugh a lot. Five stars." --Justin Taylor, Bookforum "Death-haunted and perfectly indescribable fiction . . . To read Williams is to look into the abyss . . . [She] remains our great prophet of nothingness." --Anthony Domestico, The Atlantic "The ridiculous, pigheaded, bemused, endlessly distracted and continuously self-sabotaging state of the future is the subject of this wonderfully goading satire . . . A blackly comic portrait of futility . . . This is sarcasm of a high, artistic order, reminiscent of no one quite so much as William Gaddis." -- Sam Sacks, The Wall Street Journal "Elegantly deranged . . . A hypnotizing novel, funny in places and chilling in others, filled with wacky and tragic characters, that unspools the absurdity in just one of our many very possible bad futures." -- Emily Temple, Literary Hub "Williams's tone achiev[es] a new, perfectly hostile register . . . [Her] vision of an annihilated earth seems to have flown from the brain of Francisco Goya . . . As the novel continues, it plumbs ever-deeper zones of dystopian weirdness . . . She practices a kind of hallucinogenic realism, which takes at face value the psychological flights of characters deranged by loss . . . Williams has long written to the side of conventional English, pursuing a form that feels more commensurate with actual experience--with the terror, comedy, and mystery of moving through the world." --Katy Waldman, The New Yorker "Who better than Williams to capture pure-hearted but absurd efforts to retrieve paradise lost?" -- The Millions "Balancing creeping despair with mordant humor and piquant strangeness . . . Williams asks if hope and compassion, reason and responsibility can survive once the wonders of wild and flourishing nature have been utterly destroyed. Brilliantly and exquisitely shrewd and unnerving." --Donna Seaman, Booklist (starred review) "An enigmatic, elegant meditation on the end of civilization--if end it truly is . . . As the clock ticks away, Williams seeds her story with allusions to Kafka, bits of Greek mythology, philosophical notes on the nature of tragedy, and gemlike description, and all along with subtly sardonic humor . . . A memorable return for renowned storyteller Williams after a lengthy absence from long form fiction." -- Kirkus Reviews (starred review), PEN/JEAN STEIN BOOK AWARD FINALIST * Los Angeles Times Book Prize Finalist * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker , Wall Street Journal, Vogue, and more "A magnificent and moving novel [that excavates] the middle distance between silence and experience . . . Harrow is a piece of writing in the vein of Samuel Beckett or Franz Kafka, its humor weaponized by rage." --David L. Ulin, Los Angeles Times "Death-haunted and perfectly indescribable fiction . . . To read Williams is to look into the abyss . . . [She] remains our great prophet of nothingness." --Anthony Domestico, The Atlantic "The ridiculous, pigheaded, bemused, endlessly distracted and continuously self-sabotaging state of the future is the subject of this wonderfully goading satire . . . A blackly comic portrait of futility . . . This is sarcasm of a high, artistic order, reminiscent of no one quite so much as William Gaddis." -- Sam Sacks, The Wall Street Journal "Elegantly deranged . . . A hypnotizing novel, funny in places and chilling in others, filled with wacky and tragic characters, that unspools the absurdity in just one of our many very possible bad futures." -- Emily Temple, Literary Hub "Williams''s tone achiev[es] a new, perfectly hostile register . . . [Her] vision of an annihilated earth seems to have flown from the brain of Francisco Goya . . . As the novel continues, it plumbs ever-deeper zones of dystopian weirdness . . . She practices a kind of hallucinogenic realism, which takes at face value the psychological flights of characters deranged by loss . . . Williams has long written to the side of conventional English, pursuing a form that feels more commensurate with actual experience--with the terror, comedy, and mystery of moving through the world." --Katy Waldman, The New Yorker "Williams is a writer for our times: both visionary and caustic, knowing yet also full of wonder. Harrow''s short, dense pages unfold into a world of Kafkaesque distortion, its sharp wit and cruelty pierced with dreamlike language and imagery, and moments of almost unbearable poignancy. As the book draws to its dark conclusion, a hint of something miraculous, borne out from its opening chapter, flutters over the final paragraphs. In Williams''s shattered world, destruction appears almost like the possibility of renewal." --Catherine Taylor, The Financial Times " Harrow belongs at the front of the pack of recent climate fiction . . . A crabby, craggy, comfortless, arid, erudite, obtuse, perfect novel, a singular entry in a singular body of work by an artist of uncompromised originality and vision . . . To read this novel is to know and to be known (Galatians 4:9) by a profound and comfortless alterity, to encounter the cosmic otherness at the very core of the self. What else do you want me to tell you? As I''ve said, it''s also funny. I really did laugh a lot. Five stars." --Justin Taylor, Bookforum "Williams''s voice is unique and spectacular. She describes things in ways you never knew you needed to hear." --Erin Lyndal Martin, BookBrowse "Who better than Williams to capture pure-hearted but absurd efforts to retrieve paradise lost?" -- The Millions "Balancing creeping despair with mordant humor and piquant strangeness . . . Williams asks if hope and compassion, reason and responsibility can survive once the wonders of wild and flourishing nature have been utterly destroyed. Brilliantly and exquisitely shrewd and unnerving." --Donna Seaman, Booklist (starred review) "An enigmatic, elegant meditation on the end of civilization--if end it truly is . . . As the clock ticks away, Williams seeds her story with allusions to Kafka, bits of Greek mythology, philosophical notes on the nature of tragedy, and gemlike description, and all along with subtly sardonic humor . . . A memorable return for renowned storyteller Williams after a lengthy absence from long form fiction." -- Kirkus Reviews (starred review), "A magnificent and moving novel [that excavates] the middle distance between silence and experience . . . Harrow is a piece of writing in the vein of Samuel Beckett or Franz Kafka, its humor weaponized by rage." --David L. Ulin, Los Angeles Times " Harrow belongs at the front of the pack of recent climate fiction . . . A crabby, craggy, comfortless, arid, erudite, obtuse, perfect novel, a singular entry in a singular body of work by an artist of uncompromised originality and vision . . . To read this novel is to know and to be known (Galatians 4:9) by a profound and comfortless alterity, to encounter the cosmic otherness at the very core of the self. What else do you want me to tell you? As I've said, it's also funny. I really did laugh a lot. Five stars." --Justin Taylor, Bookforum "Death-haunted and perfectly indescribable fiction . . . To read Williams is to look into the abyss . . . [She] remains our great prophet of nothingness." --Anthony Domestico, The Atlantic "The ridiculous, pigheaded, bemused, endlessly distracted and continuously self-sabotaging state of the future is the subject of this wonderfully goading satire . . . A blackly comic portrait of futility . . . This is sarcasm of a high, artistic order, reminiscent of no one quite so much as William Gaddis." -- Sam Sacks, The Wall Street Journal "Elegantly deranged . . . A hypnotizing novel, funny in places and chilling in others, filled with wacky and tragic characters, that unspools the absurdity in just one of our many very possible bad futures." -- Emily Temple, Literary Hub "Who better than Williams to capture pure-hearted but absurd efforts to retrieve paradise lost?" -- The Millions "Balancing creeping despair with mordant humor and piquant strangeness . . . Williams asks if hope and compassion, reason and responsibility can survive once the wonders of wild and flourishing nature have been utterly destroyed. Brilliantly and exquisitely shrewd and unnerving." --Donna Seaman, Booklist (starred review) "An enigmatic, elegant meditation on the end of civilization--if end it truly is . . . As the clock ticks away, Williams seeds her story with allusions to Kafka, bits of Greek mythology, philosophical notes on the nature of tragedy, and gemlike description, and all along with subtly sardonic humor . . . A memorable return for renowned storyteller Williams after a lengthy absence from long form fiction." -- Kirkus Reviews (starred review), "A magnificent and moving novel [that excavates] the middle distance between silence and experience . . . Harrow is a piece of writing in the vein of Samuel Beckett or Franz Kafka, its humor weaponized by rage." --David L. Ulin, Los Angeles Times " Harrow belongs at the front of the pack of recent climate fiction . . . A crabby, craggy, comfortless, arid, erudite, obtuse, perfect novel, a singular entry in a singular body of work by an artist of uncompromised originality and vision . . . To read this novel is to know and to be known (Galatians 4:9) by a profound and comfortless alterity, to encounter the cosmic otherness at the very core of the self. What else do you want me to tell you? As I've said, it's also funny. I really did laugh a lot. Five stars." --Justin Taylor, Bookforum "Elegantly deranged . . . A hypnotizing novel, funny in places and chilling in others, filled with wacky and tragic characters, that unspools the absurdity in just one of our many very possible bad futures." -- Emily Temple, Literary Hub "Who better than Williams to capture pure-hearted but absurd efforts to retrieve paradise lost?" -- The Millions "Balancing creeping despair with mordant humor and piquant strangeness . . . Williams asks if hope and compassion, reason and responsibility can survive once the wonders of wild and flourishing nature have been utterly destroyed. Brilliantly and exquisitely shrewd and unnerving." --Donna Seaman, Booklist (starred review) "An enigmatic, elegant meditation on the end of civilization--if end it truly is . . . As the clock ticks away, Williams seeds her story with allusions to Kafka, bits of Greek mythology, philosophical notes on the nature of tragedy, and gemlike description, and all along with subtly sardonic humor . . . A memorable return for renowned storyteller Williams after a lengthy absence from long form fiction." -- Kirkus Reviews (starred review), ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker , Wall Street Journal, Vogue, and more * NOMINATED FOR THE PEN/JEAN STEIN BOOK AWARD "A magnificent and moving novel [that excavates] the middle distance between silence and experience . . . Harrow is a piece of writing in the vein of Samuel Beckett or Franz Kafka, its humor weaponized by rage." --David L. Ulin, Los Angeles Times " Harrow belongs at the front of the pack of recent climate fiction . . . A crabby, craggy, comfortless, arid, erudite, obtuse, perfect novel, a singular entry in a singular body of work by an artist of uncompromised originality and vision . . . To read this novel is to know and to be known (Galatians 4:9) by a profound and comfortless alterity, to encounter the cosmic otherness at the very core of the self. What else do you want me to tell you? As I've said, it's also funny. I really did laugh a lot. Five stars." --Justin Taylor, Bookforum "Death-haunted and perfectly indescribable fiction . . . To read Williams is to look into the abyss . . . [She] remains our great prophet of nothingness." --Anthony Domestico, The Atlantic "The ridiculous, pigheaded, bemused, endlessly distracted and continuously self-sabotaging state of the future is the subject of this wonderfully goading satire . . . A blackly comic portrait of futility . . . This is sarcasm of a high, artistic order, reminiscent of no one quite so much as William Gaddis." -- Sam Sacks, The Wall Street Journal "Elegantly deranged . . . A hypnotizing novel, funny in places and chilling in others, filled with wacky and tragic characters, that unspools the absurdity in just one of our many very possible bad futures." -- Emily Temple, Literary Hub "Williams's tone achiev[es] a new, perfectly hostile register . . . [Her] vision of an annihilated earth seems to have flown from the brain of Francisco Goya . . . As the novel continues, it plumbs ever-deeper zones of dystopian weirdness . . . She practices a kind of hallucinogenic realism, which takes at face value the psychological flights of characters deranged by loss . . . Williams has long written to the side of conventional English, pursuing a form that feels more commensurate with actual experience--with the terror, comedy, and mystery of moving through the world." --Katy Waldman, The New Yorker "Williams's voice is unique and spectacular. She describes things in ways you never knew you needed to hear." --Erin Lyndal Martin, BookBrowse "Who better than Williams to capture pure-hearted but absurd efforts to retrieve paradise lost?" -- The Millions "Balancing creeping despair with mordant humor and piquant strangeness . . . Williams asks if hope and compassion, reason and responsibility can survive once the wonders of wild and flourishing nature have been utterly destroyed. Brilliantly and exquisitely shrewd and unnerving." --Donna Seaman, Booklist (starred review) "An enigmatic, elegant meditation on the end of civilization--if end it truly is . . . As the clock ticks away, Williams seeds her story with allusions to Kafka, bits of Greek mythology, philosophical notes on the nature of tragedy, and gemlike description, and all along with subtly sardonic humor . . . A memorable return for renowned storyteller Williams after a lengthy absence from long form fiction." -- Kirkus Reviews (starred review), "Balancing creeping despair with mordant humor and piquant strangeness . . . Williams asks if hope and compassion, reason and responsibility can survive once the wonders of wild and flourishing nature have been utterly destroyed. Brilliantly and exquisitely shrewd and unnerving." --Donna Seaman, Booklist (starred review) "An enigmatic, elegant meditation on the end of civilization--if end it truly is . . . As the clock ticks away, Williams seeds her story with allusions to Kafka, bits of Greek mythology, philosophical notes on the nature of tragedy, and gemlike description, and all along with subtly sardonic humor . . . A memorable return for renowned storyteller Williams after a lengthy absence from long form fiction." -- Kirkus Reviews (starred review)
Synopsis
In her first novel since the Pulitzer Prize-nominated The Quick and the Dead , the legendary writer takes us into an uncertain landscape after an environmental apocalypse, a world in which only the man-made has value, but some still wish to salvage the authentic. "She practices ... camouflage, except that instead of adapting to its environment, Williams's imagination, by remaining true to itself, reveals new colorations in the ecology around her." --A.O. Scott, The New York Times Book Review Khristen is a teenager who, her mother believes, was marked by greatness as a baby when she died for a moment and then came back to life. After Khristen's failing boarding school for gifted teens closes its doors, and she finds that her mother has disappeared, she ranges across the dead landscape and washes up at a "resort" on the shores of a mysterious, putrid lake the elderly residents there call "Big Girl." In a rotting honeycomb of rooms, these old ones plot actions to punish corporations and people they consider culpable in the destruction of the final scraps of nature's beauty. What will Khristen and Jeffrey, the precocious ten-year-old boy she meets there, learn from this "gabby seditious lot, in the worst of health but with kamikaze hearts, an army of the aged and ill, determined to refresh, through crackpot violence, a plundered earth"? Rivetingly strange and beautiful, and delivered with Williams's searing, deadpan wit, Harrow is their intertwined tale of paradise lost and of their reasons--against all reasonableness--to try and recover something of it.
LC Classification Number
PS3573.I4496H37 2021
Artikelbeschreibung des Verkäufers
Rechtliche Informationen des Verkäufers
Info zu diesem Verkäufer
ThriftBooks
99% positive Bewertungen•19,9 Mio. Artikel verkauft
Angemeldet als gewerblicher Verkäufer
Beliebte Kategorien in diesem Shop
Verkäuferbewertungen (5.813.405)
Dieser Artikel (1)
Alle Artikel (5.813.405)
- Automatische Bewertung von eBay- Bewertung vom Käufer.Letzter MonatBestellung erfolgreich durchgeführt - mit Sendungsverfolgung und fristgerecht
- v***v (2098)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufAlthough this book was not as described, with no picture of it in the listing, the seller communicated well and quickly gave me a full refund while letting me keep it. The minimal packaging left the book a bit vulnerable (typical for ThriftBooks), but it did arrive safely and timely. As usual, it’s hit or miss with this seller, but often times you can get great values, and their customer service is always very good. Many other sellers with millions of transactions don’t even communicate.How to chalk talk, by Harlan Tarbell (Nr. 197064259889)
- 7***j (846)- Bewertung vom Käufer.Letzter MonatBestätigter KaufI recently purchased an item from this eBay seller, and I couldn't be happier with the experience. From the prompt communication to the fast shipping, everything was handled with utmost professionalism. The item arrived exactly as described and was well-packaged to ensure its safety during transit. The seller was courteous and responsive, making the entire transaction smooth and hassle-free. I highly recommend this seller to anyone looking for quality products and excellent service.
- c***m (441)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufWOW!; I cannot believe this 3 Days to Hawaii! ; AAA+++; Excellent Service; Great Pricing; Fast Delivery-Faster Than Expected to Hawaii!; Shipped 05/05, Mon, Received 05/08, Thu to Hawaii using free shipping; USPS Ground Mail, Book in Excellent Condition--Better Than Described ; TLC Packaging; Excellent Seller Communication, Sends updates . Highly Recommended!, Thank you very much!The Internment of Japanese Americans During World War II (Nr. 146005407795)
Produktbewertungen & Rezensionen
Relevanteste Rezensionen
- 12. Okt. 2021
It's a book
Bestätigter Kauf: JaZustand: NeuVerkauft von: IucLFdTlT8G@Deleted
Noch mehr entdecken:
- Belletristik-Bücher von Joy Fielding,
- Joy Fielding Belletristik Romane,
- Hörbücher Joy Fielding,
- Joy Fielding Hörbücher auf Deutsch,
- Ungekürzte Hörbücher Joy Fielding,
- Bücher von Joy Fielding Thriller Belletristik,
- Frauenliteratur Belletristik-Bücher von Joy Fielding,
- Bücher von Joy Fielding Belletristik Literatur,
- Joy Fielding Belletristik im Taschenbuch-Bücher,
- Joy Fielding Belletristik im Taschenbuch-Literatur Bücher
ThriftBooks
99% positive Bewertungen•19,9 Mio. Artikel verkauft
Angemeldet als gewerblicher Verkäufer
Beliebte Kategorien in diesem Shop
Verkäuferbewertungen (5.813.405)
Dieser Artikel (1)
Alle Artikel (5.813.405)
- Automatische Bewertung von eBay- Bewertung vom Käufer.Letzter MonatBestellung erfolgreich durchgeführt - mit Sendungsverfolgung und fristgerecht
- v***v (2098)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufAlthough this book was not as described, with no picture of it in the listing, the seller communicated well and quickly gave me a full refund while letting me keep it. The minimal packaging left the book a bit vulnerable (typical for ThriftBooks), but it did arrive safely and timely. As usual, it’s hit or miss with this seller, but often times you can get great values, and their customer service is always very good. Many other sellers with millions of transactions don’t even communicate.How to chalk talk, by Harlan Tarbell (Nr. 197064259889)
- 7***j (846)- Bewertung vom Käufer.Letzter MonatBestätigter KaufI recently purchased an item from this eBay seller, and I couldn't be happier with the experience. From the prompt communication to the fast shipping, everything was handled with utmost professionalism. The item arrived exactly as described and was well-packaged to ensure its safety during transit. The seller was courteous and responsive, making the entire transaction smooth and hassle-free. I highly recommend this seller to anyone looking for quality products and excellent service.
- c***m (441)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufWOW!; I cannot believe this 3 Days to Hawaii! ; AAA+++; Excellent Service; Great Pricing; Fast Delivery-Faster Than Expected to Hawaii!; Shipped 05/05, Mon, Received 05/08, Thu to Hawaii using free shipping; USPS Ground Mail, Book in Excellent Condition--Better Than Described ; TLC Packaging; Excellent Seller Communication, Sends updates . Highly Recommended!, Thank you very much!The Internment of Japanese Americans During World War II (Nr. 146005407795)