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Sprechende Musik: Gespräche mit John Cage, Philip Glass, Laurie Anderson...-
by Duckworth, William | PB | Acceptable
US $4,50
Ca.EUR 3,87
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“Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend ”... Mehr erfahrenÜber den Artikelzustand
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Buch mit deutlichen Gebrauchsspuren. Der Einband kann einige Beschädigungen aufweisen, ist aber in seiner Gesamtheit noch intakt. Die Bindung ist möglicherweise leicht beschädigt, in ihrer Gesamtheit aber noch intakt. In den Randbereichen wurden evtl. Notizen gemacht, der Text kann Unterstreichungen und Markierungen enthalten, es fehlen aber keine Seiten und es ist alles vorhanden, was für die Lesbarkeit oder das Verständnis des Textes notwendig ist. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers.
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Lieferung zwischen Sa, 30. Aug und Sa, 6. Sep nach 94104 bei heutigem Zahlungseingang
Standort: Aurora, Illinois, USA
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eBay-Artikelnr.:146692973010
Artikelmerkmale
- Artikelzustand
- Akzeptabel
- Hinweise des Verkäufers
- Binding
- Paperback
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780306808937
Über dieses Produkt
Product Identifiers
Publisher
Hachette Books
ISBN-10
0306808935
ISBN-13
9780306808937
eBay Product ID (ePID)
25821
Product Key Features
Book Title
Talking Music : Conversations with John Cage, Philip Glass, Laurie Anderson, and 5 Generations of American Experimental Composers
Number of Pages
504 Pages
Language
English
Topic
Composers & Musicians, General, Individual Composer & Musician
Publication Year
1999
Illustrator
Yes
Features
Reprint
Genre
Music, Biography & Autobiography
Format
Trade Paperback
Dimensions
Item Height
1.1 in
Item Weight
24.6 Oz
Item Length
8.9 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
LCCN
98-043425
Edition Description
Reprint
Synopsis
Talking Music is comprised of substantial original conversations with seventeen American experimental composers and musicians--including Milton Babbitt, Pauline Oliveros, Steve Reich, Meredith Monk, and John Zorn--many of whom rarely grant interviews.The author skillfully elicits candid dialogues that encompass technical explorations; questions of method, style, and influence; their personal lives and struggles to create; and their aesthetic goals and artistic declarations. Herein, John Cage recalls the turning point in his career; Ben Johnston criticizes the operas of his teacher Harry Partch; La Monte Young attributes his creative discipline to a Morman childhood; and much more. The results are revelatory conversations with some of America's most radical musical innovators., Talking Music is comprised of substantial original conversations with seventeen American experimental composers and musicians-including Milton Babbitt, Pauline Oliveros, Steve Reich, Meredith Monk, and John Zorn-many of whom rarely grant interviews. The author skillfully elicits candid dialogues that encompass technical explorations; questions of method, style, and influence; their personal lives and struggles to create; and their aesthetic goals and artistic declarations. Herein, John Cage recalls the turning point in his career; Ben Johnston criticizes the operas of his teacher Harry Partch; La Monte Young attributes his creative discipline to a Morman childhood; and much more. The results are revelatory conversations with some of America's most radical musical innovators., Talking Music is comprised of substantial original conversations with seventeen American experimental composers and musicians,including Milton Babbitt, Pauline Oliveros, Steve Reich, Meredith Monk, and John Zorn,many of whom rarely grant interviews.The author skillfully elicits candid dialogues that encompass technical explorations questions of method, style, and influence their personal lives and struggles to create and their aesthetic goals and artistic declarations. Herein, John Cage recalls the turning point in his career Ben Johnston criticizes the operas of his teacher Harry Partch La Monte Young attributes his creative discipline to a Morman childhood and much more. The results are revelatory conversations with some of America's most radical musical innovators.
LC Classification Number
ML390.D79 1999
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