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Inside Peyton Place : The Life of Grace Metalious by Emily Toth (2000, Trade Paperback)

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Product Identifiers

PublisherUniversity Press of Mississippi
ISBN-101578062683
ISBN-139781578062683
eBay Product ID (ePID)1661708

Product Key Features

Book TitleInside Peyton Place : the Life of Grace Metalious
Number of Pages278 Pages
LanguageEnglish
TopicWomen, Entertainment & Performing Arts, Literary, American / General
Publication Year2000
IllustratorYes
FeaturesReprint
GenreLiterary Criticism, Biography & Autobiography
AuthorEmily Toth
Book SeriesBanner Bks.
FormatTrade Paperback

Dimensions

Item Height1.2 in
Item Weight18.9 Oz
Item Length8.2 in
Item Width5.5 in

Additional Product Features

Intended AudienceTrade
LCCN00-024660
Dewey Decimal813/.54
Edition DescriptionReprint
Synopsis?Indian summer is like a woman. Ripe, hotly passionate, but fickle, she comes and goes as she pleases so that one is never sure whether she will come at all, nor for how long she will stay.? So begins Peyton Place by Grace Metalious (1924?1964). In September 1956, it burst onto the American scene as the most controversial novel of the century. Its publication was also an extraordinary story of personal triumph. Metalious, an unpretentious housewife from the wrong side of the tracks, had written an explosive bestseller. From a ramshackle cottage in a small New England mill town, she zoomed to national stardom. She met movie stars, famous writers, and the hangers-on who gravitate to those who achieve sudden wealth. She partied with the glamorous; she traveled; always a generous friend, she entertained lavishly. It was a Cinderella dream. But it did not last. Metalious refused to be confined by the fifties' notions of a woman's place. In her struggle to find herself, she lifted the lid off sex and violence, power and powerlessness, truth and hypocrisy, and became known as the Pandora in Blue Jeans. ?If I'm a lousy writer,? she said, ?then an awful lot of people have got lousy taste.? Reporters could not resist the story: A wife and mother of three had written this sensational exposé. Her own affairs, her personal excesses, her outspokenness, continually shocked and fascinated America. Emily Toth has given us a complete and sympathetic portrait of Metalious: the idealistic young scribbler, the partier, the sometimes-reluctant wife and mother. Tracing the television shows, the films, the Peyton Place sequels and later novels, Toth shows Metalious plagued by periods of self-doubt and loneliness, striving desperately and feeling pressured to create another ?hit.? Grace Metalious's life is the material modern novels are made of. Inside ?Peyton Place? is the story of a woman out of step with her times, a poignant tale of a strong yet vulnerable individual who dreamed of having everything?and then unfortunately found it., The juicy biography of the scandalous novelist who lifted the lid off a New England town Indian summer is like a woman. Ripe, hotly passionate, but fickle, she comes and goes as she pleases so that one is never sure whether she will come at all, nor for how long she will stay. . . . So begins Peyton Place by Grace Metalious (1924-1964). In September, 1956, it burst onto the American scene as the most controversial novel of the century. Its publication was also an extraordinary story of personal triumph. Grace Metalious, an unpretentious housewife from the wrong side of the tracks, had written an explosive bestseller. From a ramshackle cottage in a small New England milltown, she zoomed to national stardom. She met movie stars, famous writers, and the hangers-on who gravitate to those who achieve sudden wealth. She partied with the glamorous; she traveled; always a generous friend, she entertained lavishly. It was a Cinderella dream. But it did not last. Grace refused to be confined by the fifties' notions of a woman's place. In her struggle to find herself, she lifted the lid off sex and violence, power and powerlessness, truth and hypocrisy, and became known as the Pandora in Blue Jeans. ""If I'm a lousy writer,"" she said, ""then an awful lot of people have got lousy taste."" Reporters could not resist the story: A wife and mother of three had written this sensational exposé. Her own affairs, her personal excesses, her outspokenness, continually shocked and fascinated America. Emily Toth has given us a complete and sympathetic portrait of Grace: the idealistic young scribbler, the partier, the sometimes reluctant wife and mother. Tracing the television shows, the films, the Peyton Place sequels and later novels, Toth shows Grace plagued by periods of self-doubt and loneliness, striving desperately and feeling pressured to create another ""hit."" Grace Metalious's life is the material modern novels are made of. Inside Peyton Place is the story of a woman out of step with her times, a poignant tale of a strong yet vulnerable individual who dreamed of having everything -- and then unfortunately found it. Emily Toth, a professor of English and Women's Studies at Louisiana State University, is the author or editor of ten books, including Unveiling Kate Chopin (University Press of Mississippi) and Ms. Mentor's Impeccable Advice for Women in Academia., The juicy biography of the scandalous novelist who lifted the lid off a New England town Indian summer is like a woman. Ripe, hotly passionate, but fickle, she comes and goes as she pleases so that one is never sure whether she will come at all, nor for how long she will stay. . . . So begins Peyton Place by Grace Metalious (1924-1964). In September, 1956, it burst onto the American scene as the most controversial novel of the century. Its publication was also an extraordinary story of personal triumph. Grace Metalious, an unpretentious housewife from the wrong side of the tracks, had written an explosive bestseller. From a ramshackle cottage in a small New England milltown, she zoomed to national stardom. She met movie stars, famous writers, and the hangers-on who gravitate to those who achieve sudden wealth. She partied with the glamorous; she traveled; always a generous friend, she entertained lavishly. It was a Cinderella dream. But it did not last. Grace refused to be confined by the fifties' notions of a woman's place. In her struggle to find herself, she lifted the lid off sex and violence, power and powerlessness, truth and hypocrisy, and became known as the Pandora in Blue Jeans. "If I'm a lousy writer," she said, "then an awful lot of people have got lousy taste." Reporters could not resist the story: A wife and mother of three had written this sensational expos . Her own affairs, her personal excesses, her outspokenness, continually shocked and fascinated America. Emily Toth has given us a complete and sympathetic portrait of Grace: the idealistic young scribbler, the partier, the sometimes reluctant wife and mother. Tracing the television shows, the films, the Peyton Place sequels and later novels, Toth shows Grace plagued by periods of self-doubt and loneliness, striving desperately and feeling pressured to create another "hit." Grace Metalious's life is the material modern novels are made of. Inside Peyton Place is the story of a woman out of step with her times, a poignant tale of a strong yet vulnerable individual who dreamed of having everything -- and then unfortunately found it. Emily Toth, a professor of English and Women's Studies at Louisiana State University, is the author or editor of ten books, including Unveiling Kate Chopin (University Press of Mississippi) and Ms. Mentor's Impeccable Advice for Women in Academia ., "Indian summer is like a woman. Ripe, hotly passionate, but fickle, she comes and goes as she pleases so that one is never sure whether she will come at all, nor for how long she will stay." So begins Peyton Place by Grace Metalious (1924-1964). In September 1956, it burst onto the American scene as the most controversial novel of the century. Its publication was also an extraordinary story of personal triumph. Metalious, an unpretentious housewife from the wrong side of the tracks, had written an explosive bestseller. From a ramshackle cottage in a small New England mill town, she zoomed to national stardom. She met movie stars, famous writers, and the hangers-on who gravitate to those who achieve sudden wealth. She partied with the glamorous; she traveled; always a generous friend, she entertained lavishly. It was a Cinderella dream. But it did not last. Metalious refused to be confined by the fifties' notions of a woman's place. In her struggle to find herself, she lifted the lid off sex and violence, power and powerlessness, truth and hypocrisy, and became known as the Pandora in Blue Jeans. "If I'm a lousy writer," she said, "then an awful lot of people have got lousy taste." Reporters could not resist the story: A wife and mother of three had written this sensational exposé. Her own affairs, her personal excesses, her outspokenness, continually shocked and fascinated America. Emily Toth has given us a complete and sympathetic portrait of Metalious: the idealistic young scribbler, the partier, the sometimes-reluctant wife and mother. Tracing the television shows, the films, the Peyton Place sequels and later novels, Toth shows Metalious plagued by periods of self-doubt and loneliness, striving desperately and feeling pressured to create another "hit." Grace Metalious's life is the material modern novels are made of. Inside "Peyton Place" is the story of a woman out of step with her times, a poignant tale of a strong yet vulnerable individual who dreamed of having everything--and then unfortunately found it.
LC Classification NumberPS3525.E77Z89 2000

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