

Der Staatsfeind von Balio, Tino-
by Balio, Tino | PB | Good
US $9,87
Ca.EUR 8,90
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eBay-Artikelnr.:146544609836
Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- Binding
- Paperback
- Book Title
- The Public Enemy
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780299084646
Über dieses Produkt
Product Identifiers
Publisher
University of Wisconsin Press
ISBN-10
0299084647
ISBN-13
9780299084646
eBay Product ID (ePID)
94111
Product Key Features
Number of Pages
192 Pages
Language
English
Publication Name
Public Enemy
Publication Year
1981
Subject
Screenplays, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts
Series
Wisconsin / Warner Bros. Screenplays Ser.
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
11.7 Oz
Item Length
8.3 in
Item Width
5.6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
80-052292
Reviews
A notable collection of screenplays... All reproduce the film as shot, with extensive data... [and] full production credits. - American Cinematographer
TitleLeading
The
Dewey Edition
19
Illustrated
Yes
Dewey Decimal
791.43/72
Synopsis
The Public Enemy , a 1931 Warner Brothers gangster classic, is easily remembered as the movie in which James Cagney used Mae Clarke's nose as a grapefruit grinder. As Cagney recalls, it was just about the first time that "a woman had been treated like a broad on the screen, instead of like a delicate flower." The ambivalence toward women is just one of the many stylistic contradictions that make The Public Enemy worth studying, not only for its intrinsic merits but also as a creative expression bending under the constraints of censorship., The Public Enemy , a 1931 Warner Brothers gangster classic, is easily remembered as the movie in which James Cagney used Mae Clarke's nose as a grapefruit grinder. As Cagney recalls, it was just about the first time that a woman had been treated like a broad on the screen, instead of like a delicate flower. The ambivalence toward women is just one of the many stylistic contradictions that make The Public Enemy worth studying, not only for its intrinsic merits but also as a creative expression bending under the constraints of censorship., The Public Enemy , a 1931 Warner Brothers gangster classic, is easily remembered as the movie in which James Cagney used Mae Clarke's nose as a grapefruit grinder. As Cagney recalls, it was just about the first time that "a woman had been treated like a broad on the screen, instead of like a delicate flower." The ambivalence toward women is just one of the many stylistic contradictions that make The Public Enemy worth studying, not only for its intrinsic merits but also as a creative expression bending under the constraints of censorship. "
LC Classification Number
PN1997
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