Adlade Labille-Guiard: Künstler im Zeitalter der Revolution-

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Adlade Labille-Guiard: Artist in the Age of Revolution
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Artikelzustand
Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
Narrative Type
Nonfiction
Features
Illustrated, Dust Jacket
Original Language
English
Intended Audience
Adults
ISBN
9780892369546
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
089236954X
ISBN-13
9780892369546
eBay Product ID (ePID)
5038683575

Product Key Features

Book Title
Adélaïde Labille-Guiard : Artist in the Age of Revolution
Number of Pages
144 Pages
Language
English
Topic
Subjects & Themes / Portraits, Criticism & Theory, History / Baroque & Rococo
Publication Year
2009
Illustrator
Yes
Genre
Art
Author
Laura Auricchio
Format
Hardcover

Dimensions

Item Height
0.6 in
Item Weight
22.1 Oz
Item Length
9.2 in
Item Width
7.7 in

Additional Product Features

Intended Audience
Trade
LCCN
2008-039909
Dewey Edition
22
Reviews
 "A beautifully produced monograph. . . . Auricchio guides us securely through current theories and compellingly narrates the political events."- Apollo, "At last, Labille-Guiard receives her fair account in the history of women artists."-- HerStoria Magazine,  "During the Revolution [Labille-Guiard] cast her lot with neither party, which helped her to survive but caused her to fall between the cracks of history.  This book, the first in English on its subject, restores her to her proper place."- Art & Antiques,  "At last, Labille-Guiard receives her fair account in the history of women artists."-- HerStoria Magazine, "This concise study, written in lucid prose, offers a detailed biography and close analyses of the most important works."-- The Art Book, "A beautifully produced monograph. . . . Auricchio guides us securely through current theories and compellingly narrates the political events."-- Apollo,  "At last, Labille-Guiard receives her fair account in the history of women artists."- HerStoria Magazine, "During the Revolution [Labille-Guiard] cast her lot with neither party, which helped her to survive but caused her to fall between the cracks of history. This book, the first in English on its subject, restores her to her proper place."-- Art & Antiques,  "A beautifully produced monograph. . . . Auricchio guides us securely through current theories and compellingly narrates the political events."-- Apollo,  "This concise study, written in lucid prose, offers a detailed biography and close analyses of the most important works."-- The Art Book,  "During the Revolution [Labille-Guiard] cast her lot with neither party, which helped her to survive but caused her to fall between the cracks of history.  This book, the first in English on its subject, restores her to her proper place."-- Art & Antiques,  "This concise study, written in lucid prose, offers a detailed biography and close analyses of the most important works."- The Art Book
Dewey Decimal
759.4
Synopsis
Adélaïde Labille-Guiard (1749-1803), a remarkable portraitist, was among the small number of women ever granted membership in the French Royal Academy of Painting and Sculpture. Her work was sought out by such diverse figures as the aunts of Louis XVI and the future American president Thomas Jefferson. Yet, unlike her contemporary and fellow Academy member, Élisabeth-Louise Vigée-Le Brun, Labille-Guiard remained in France during the Revolution and participated in the reinvention of the country, its art, and its women. Tracing the fascinating story of her rise and fall in the context of her tumultuous times, Laura Auricchio fills major gaps in the scholarship on art in the age of the French Revolution, on women artists, and particularly on the intriguing figure of Labille-Guiard herself. The artist is represented in the J. Paul Getty Museum by one of her finest works, the 1779 pastel Delightful Surprise; her paintings are held in a number of important museums in America and Europe., Tracing the fascinating story of Adélaïde Labille-Guiard's rise and fall in the context of her tumultuous times, Laura Auricchio fills major gaps in the scholarship on art in the age of the French Revolution, on women artists, and in particular on the intriguing figure of Labille-Guiard herself., Adelaide Labille-Guiard (1749-1803), a remarkable portraitist, was among the small number of women ever granted membership in the French Royal Academy of Painting and Sculpture. Her work was sought out by such diverse figures as the aunts of Louis XVI and the future American president Thomas Jefferson. Yet, unlike her contemporary and fellow Academy member, Elisabeth-Louise Vigee-Le Brun, Labille-Guiard remained in France during the Revolution and participated in the reinvention of the country, its art, and its women. Tracing the fascinating story of her rise and fall in the context of her tumultuous times, Laura Auricchio fills major gaps in the scholarship on art in the age of the French Revolution, on women artists, and particularly on the intriguing figure of Labille-Guiard herself. The artist is represented in the J. Paul Getty Museum by one of her finest works, the 1779 pastel Delightful Surprise; her paintings are held in a number of important museums in America and Europe.", Adélaïde Labille-Guiard (1749-1803), a remarkable portraitist, was among the small number of women ever granted membership in the French Royal Academy of Painting and Sculpture. Her work was sought out by such diverse figures as the aunts of Louis XVI and the future American president Thomas Jefferson. Yet, unlike her contemporary and fellow Academy member, Élisabeth-Louise Vigée-Le Brun, Labille-Guiard remained in France during the Revolution and participated in the reinvention of the country, its art, and its women. Tracing the fascinating story of her rise and fall in the context of her tumultuous times, Laura Auricchio fills major gaps in the scholarship on art in the age of the French Revolution, on women artists, and particularly on the intriguing figure of Labille-Guiard herself. The artist is represented in the J. Paul Getty Museum by one of her finest works, the 1779 pastel Delightful Surprise ; her paintings are held in a number of important museums in America and Europe.
LC Classification Number
ND1329.L32A97 2009

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