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Product Identifiers
PublisherPenguin Publishing Group
ISBN-100141393483
ISBN-139780141393483
eBay Product ID (ePID)175715089
Product Key Features
Original LanguageFrench
Edition6
Book TitleNight at the Crossroads : Inspector Maigret
Number of Pages160 Pages
LanguageEnglish
TopicClassics, Mystery & Detective / Police Procedural, Crime
Publication Year2014
GenreFiction
AuthorGeorges Simenon
Book SeriesInspector Maigret Ser.
FormatTrade Paperback
Dimensions
Item Height0.4 in
Item Weight4.4 Oz
Item Length7.8 in
Item Width5.1 in
Additional Product Features
Intended AudienceTrade
ReviewsPraise for Georges Simenon: "One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." -- The Washington Post "The matchless French crime novelist." --Adam Gopnik, The New Yorker "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -- People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "An astute observer of human nature, writing in a spare and vivid style." --Amor Towles "I never read contemporary fiction-with one exception: the works of Simenon." --T.S. Eliot "A writer as comfortable with reality as with fiction, with passion as with reason." --John Le Carré "One of the most important writers of our century." --Gabriel García Márquez "A favorite writer of mine." --Sigrid Nunez "A great writer of detail, of atmosphere." --Leïla Slimani "Feels incredibly modern...A great writer." --Ian Rankin "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . Unforgettable vividness." -- The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it." --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville "Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" Times (London) "Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." Margaret Atwood "One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." Financial Times "Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn." Stig Abell, The Sunday Times (London), Praise for Georges Simenon "One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." --The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." --People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . unforgettable vividness." -- The Independent (London) "Superb . . . the most addictive of writers . . . a unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . marvellously readable--lucid, simple, absolutely in tune with the work he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it." --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banvill, Praise for Georges Simenon "One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." -- The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -- People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . Unforgettable vividness." -- The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it." --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville, Praise for Georges Simenon: "One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." -- The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -- People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . Unforgettable vividness." -- The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it."lle --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville "Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" Times (London) "Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." Margaret Atwood "One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." Financial Times "Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell The Sunday Times (London)
TitleLeadingThe
Grade FromTwelfth Grade
Series Volume Number6
Synopsis"A writer as comfortable with reality as with fiction, with passion as with reason." --John Le Carré A sensational tale of deceit and back-stabbing in an isolated community in which only Inspector Maigret can intervene "She came forward, the outlines of her figure blurred in the half-light....'I gather you wish to talk to me, Inspector...but first of all please sit down...' Her accent was more pronounced than Carl's. Her voice sang, dropping on the last syllable of the longer words." Maigret has been interrogating Carl Andersen for seventeen hours without a confession. He's either innocent or a very good liar. So why was the body of a diamond merchant found at his isolated mansion? Why is his sister always shut away in her room? And why does everyone at Three Widows Crossroads have something to hide?, 'Compelling, remorseless, brilliant' John Gray 'She came forward, the outlines of her figure blurred in the half-light. She came forward like a film star, or rather like the ideal woman in an adolescent's dream. 'I gather you wish to talk to me, Inspector . . . but first of all please sit down . . .' Her accent was more pronounced than Carl's. Her voice sang, dropping on the last syllable of the longer words.' Maigret has been interrogating Carl Andersen for seventeen hours without a confession. He's either innocent or a very good liar. So why was the body of a diamond merchant found at his isolated mansion? Why is his sister always shut away in her room? And why does everyone at Three Widows Crossroads have something to hide? This novel has been published in previous translations as Maigret at the Crossroads and The Crossroad Murders . 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent, "One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian A sensational tale of deceit and back-stabbing in an isolated community in which only Inspector Maigret can intervene "She came forward, the outlines of her figure blurred in the half-light....'I gather you wish to talk to me, Inspector...but first of all please sit down...' Her accent was more pronounced than Carl's. Her voice sang, dropping on the last syllable of the longer words." Maigret has been interrogating Carl Andersen for seventeen hours without a confession. He's either innocent or a very good liar. So why was the body of a diamond merchant found at his isolated mansion? Why is his sister always shut away in her room? And why does everyone at Three Widows Crossroads have something to hide?
LC Classification NumberPQ2637.I53
