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Verzauberung: Über Charisma und Erhabenheit in den Künsten des Westens von C Stephen Jaeger 2014 PB-
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eBay-Artikelnr.:136530187657
Artikelmerkmale
- Artikelzustand
- Educational Level
- Adult & Further Education
- Features
- Illustrated
- Country/Region of Manufacture
- United States
- ISBN
- 9780812223354
Über dieses Produkt
Product Identifiers
Publisher
University of Pennsylvania Press
ISBN-10
0812223357
ISBN-13
9780812223354
eBay Product ID (ePID)
208782008
Product Key Features
Number of Pages
440 Pages
Publication Name
Enchantment : on Charisma and the Sublime in the Arts of the West
Language
English
Publication Year
2014
Subject
General, History / General
Type
Textbook
Subject Area
Literary Criticism, Art
Series
Haney Foundation Ser.
Format
Trade Paperback
Dimensions
Item Height
1.2 in
Item Weight
25.8 Oz
Item Length
8.9 in
Item Width
6 in
Additional Product Features
Intended Audience
College Audience
Dewey Edition
23
Reviews
Enchantment is, as usual with Jaeger's books, extremely rich in terms of fascinating hypotheses and cues for discussion. The style is always clear and eloquent, and the authors and the works discussed cover a very wide span of time, from Homer to Federico Fellini and Woody Allen., "C. Stephen Jaeger's magnificent, generous, and wide-ranging study has at its heart all that which is life-affirming. At every turn we encounter vigorous, eloquent, and intellectually consistent challenges to the division of art and experience. Readers in and between many disciplines will find this deeply perceptive account of the magical workings of enchantment, charisma, and the sublime in texts, images and bodies, empowering and uplifting. It cannot fail to influence the next generation of thought about the arts and media more generally."--Paul Binski, University of Cambridge, "An intelligent, thought-provoking, and compelling discussion of the phenomenon of personal charisma and its transformative effects. C. Stephen Jaeger takes the reader through a stunning series of examples from literature, the visual arts, and film across a very broad historical range, from classical antiquity to the present. Throughout, he presents his claims in highly communicative and inviting prose. A sheer pleasure to read."--John T. Hamilton, Harvard University, "In a wide-ranging and stimulating study, C. Stephen Jaeger argues that charisma is the sublime in human presence. . . . Jaeger makes a good case for the enchantment of the reader or spectator, a thread that enables him both to bring together very different cultural artefacts and to conclude with a plea that enchantment should be integral to education."-- Modern Language Review, Enchantment formulates a compelling theory of charismatic art as an alternative to our Western preoccupation with mimesis and hermeneutics. With the learning, passion, and verve familiar from his distinguished medieval scholarship, Jaeger's argument ranges magisterially from the body art of primitive cultures, through Classical epic, medieval sculpture, pedagogy and romance (the high point of charismatic culture in the West), all the way to Rilke and American cinema., Enchantment is, as usual with Jaeger's books, extremely rich in terms of fascinating hypotheses and cues for discussion. The style is always clear and eloquent, and the authors and the works discussed cover a very wide span of time, from Homer to Federico Fellini and Woody Allen., " Enchantment is, as usual with Jaeger's books, extremely rich in terms of fascinating hypotheses and cues for discussion. The style is always clear and eloquent, and the authors and the works discussed cover a very wide span of time, from Homer to Federico Fellini and Woody Allen."-- Philosophical Inquiries, In a wide-ranging and stimulating study, C. Stephen Jaeger argues that charisma is the sublime in human presence. . . . Jaeger makes a good case for the enchantment of the reader or spectator, a thread that enables him both to bring together very different cultural artefacts and to conclude with a plea that enchantment should be integral to education., " Enchantment formulates a compelling theory of charismatic art as an alternative to our Western preoccupation with mimesis and hermeneutics. With the learning, passion, and verve familiar from his distinguished medieval scholarship, Jaeger's argument ranges magisterially from the body art of primitive cultures, through Classical epic, medieval sculpture, pedagogy and romance (the high point of charismatic culture in the West), all the way to Rilke and American cinema."--Jane K. Brown, University of Washington, An intelligent, thought-provoking, and compelling discussion of the phenomenon of personal charisma and its transformative effects. C. Stephen Jaeger takes the reader through a stunning series of examples from literature, the visual arts, and film across a very broad historical range, from classical antiquity to the present. Throughout, he presents his claims in highly communicative and inviting prose. A sheer pleasure to read., C. Stephen Jaeger's magnificent, generous, and wide-ranging study has at its heart all that which is life-affirming. At every turn we encounter vigorous, eloquent, and intellectually consistent challenges to the division of art and experience. Readers in and between many disciplines will find this deeply perceptive account of the magical workings of enchantment, charisma, and the sublime in texts, images and bodies, empowering and uplifting. It cannot fail to influence the next generation of thought about the arts and media more generally., Enchantment formulates a compelling theory of charismatic art as an alternative to our Western preoccupation with mimesis and hermeneutics. With the learning, passion, and verve familiar from his distinguished medieval scholarship, Jaeger's argument ranges magisterially from the body art of primitive cultures, through Classical epic, medieval sculpture, pedagogy and romance (the high point of charismatic culture in the West), all the way to Rilke and American cinema.
Illustrated
Yes
Dewey Decimal
700.1
Table Of Content
Introduction Chapter 1. Charisma and Art Chapter 2. Living Art and Its Surrogates: The Genesis of Charismatic Art Chapter 3. Odysseus Rising: The Homeric World Chapter 4. Icon and Relic Chapter 5. Charismatic Culture and Its Media: Gothic Sculpture and Medieval Humanism Chapter 6. Romance and Adventure Chapter 7. Albrecht Dürer's Self-Portrait (1500): The Face and Its Contents Chapter 8. Book Burning at Don Quixote's Chapter 9. Goethe's Faust and the Limits of the Imagination Chapter 10. The Statue Changes Rilke's Life Chapter 11. Grand Illusions: Classic American Cinema Chapter 12. Lost Illusions: American Neorealism and Hitchcock's Vertigo Chapter 13. Woody Allen: Allan Felix's Glasses and Cecilia's Smile Conclusion Notes Index Acknowledgments
Synopsis
This book examines charisma as the force in art, literature, and film that engages the reader's or viewer's consciousness and inspires admiration and imitation. Thirteen chapters analyze the workings of charisma and its effects, ranging from Homer to Woody Allen., What is the force in art, C. Stephen Jaeger asks, that can enter our consciousness, inspire admiration or imitation, and carry a reader or viewer from the world as it is to a world more sublime? We have long recognized the power of individuals to lead or enchant by the force of personal charisma--and indeed, in his award-winning Envy of Angels , Jaeger himself brilliantly parsed the ability of charismatic teachers to shape the world of medieval learning. In Enchantment , he turns his attention to a sweeping and multifaceted exploration of the charisma not of individuals but of art. For Jaeger, the charisma of the visual arts, literature, and film functions by creating an exalted semblance of life, a realm of beauty, sublime emotions, heroic motives and deeds, godlike bodies and actions, and superhuman abilities, so as to dazzle the humbled spectator and lift him or her up into the place so represented. Charismatic art makes us want to live in the higher world that it depicts, to behave like its heroes and heroines, and to think and act according to their values. It temporarily weakens individual will and rational critical thought. It brings us into a state of enchantment. Ranging widely across periods and genres, Enchantment investigates the charismatic effect of an ancient statue of Apollo on the poet Rilke, of the painter Dürer's self-portrayal as a figure of Christ-like magnificence, of a numinous Odysseus washed ashore on Phaeacia, and of the black-and-white projection of Fred Astaire dancing across the Depression-era movie screen. From the tattoos on the face of a Maori tribesman to the haunting visage of Charlotte Rampling in a film by Woody Allen, Jaeger's extraordinary book explores the dichotomies of reality and illusion, life and art that are fundamental to both cultic and aesthetic experience., What is the force in art, C. Stephen Jaeger asks, that can enter our consciousness, inspire admiration or imitation, and carry a reader or viewer from the world as it is to a world more sublime? We have long recognized the power of individuals to lead or enchant by the force of personal charisma--and indeed, in his award-winning Envy of Angels , Jaeger himself brilliantly parsed the ability of charismatic teachers to shape the world of medieval learning. In Enchantment , he turns his attention to a sweeping and multifaceted exploration of the charisma not of individuals but of art. For Jaeger, the charisma of the visual arts, literature, and film functions by creating an exalted semblance of life, a realm of beauty, sublime emotions, heroic motives and deeds, godlike bodies and actions, and superhuman abilities, so as to dazzle the humbled spectator and lift him or her up into the place so represented. Charismatic art makes us want to live in the higher world that it depicts, to behave like its heroes and heroines, and to think and act according to their values. It temporarily weakens individual will and rational critical thought. It brings us into a state of enchantment. Ranging widely across periods and genres, Enchantment investigates the charismatic effect of an ancient statue of Apollo on the poet Rilke, of the painter D rer's self-portrayal as a figure of Christ-like magnificence, of a numinous Odysseus washed ashore on Phaeacia, and of the black-and-white projection of Fred Astaire dancing across the Depression-era movie screen. From the tattoos on the face of a Maori tribesman to the haunting visage of Charlotte Rampling in a film by Woody Allen, Jaeger's extraordinary book explores the dichotomies of reality and illusion, life and art that are fundamental to both cultic and aesthetic experience.
LC Classification Number
NX620.J34 2015
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