Auf der Suche nach der Moderne: westlicher Einfluss und wahre Sichtlandschaft in koreanischer P..-

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Searching for Modernity: Western Influence and True-View Landscape in Korean P..
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ISBN
9780295993935
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
University of Washington Press
ISBN-10
0295993936
ISBN-13
9780295993935
eBay Product ID (ePID)
210265841

Product Key Features

Number of Pages
232 Pages
Language
English
Publication Name
Searching for Modernity : Western Influence and True-View Landscape in Korean Painting of the Late Choson Period
Publication Year
2015
Subject
Asian / General, Subjects & Themes / Landscapes & Seascapes, Asia / Korea
Type
Textbook
Author
Song-Mi Yi
Subject Area
Art, History
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
32.9 Oz
Item Length
10.1 in
Item Width
7.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2014-011493
Dewey Edition
23
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
759.9519
Synopsis
Korean painters participated in two major cultural trends of the late Choson period in the eighteenth and nineteenth centuries: inquiry into things Korean and investigation of things Western. Departing from Chinese sources long considered authoritative, they developed the distinctly Korean mode known as "true-view" landscape painting for depicting the scenery of their own country. Rooted in the documentary painting of the early Choson period and displaying special techniques developed to describe distinctive features of Korea's topography, true-view paintings portray the most exemplary and ideal landscapes of Korea, such as those of Mount Kumgang (Diamond Mountain). The same painters also drew on Western painting methods, which they learned from descriptions of Western paintings seen and recorded by Korean emissaries to Beijing as well as from actual paintings brought back. This knowledge inspired them to produce not only landscapes but also portraits, images of animals and other paintings based on firsthand observation of nature. Both trends, looking inward to Korea and outward to the West, represented Korean aspiration for something new -- for "modernity." Deftly weaving these two strands together as the unifying theme of Searching for Modernity, Yi Song-mi expands on her pioneering work on true-view landscape painting to reveal even more of the depth and complexity of this mature and fully Korean form of artistic expression., Korean painters participated in two major cultural trends of the late Choson period in the eighteenth and nineteenth centuries: inquiry into things Korean and investigation of things Western. Departing from Chinese sources long considered authoritative, they developed the distinctly Korean mode known as ?true-view? landscape painting for depicting the scenery of their own country. Rooted in the documentary painting of the early Choson period and displaying special techniques developed to describe distinctive features of Korea?s topography, true-view paintings portray the most exemplary and ideal landscapes of Korea, such as those of Mount Kumgang (Diamond Mountain). The same painters also drew on Western painting methods, which they learned from descriptions of Western paintings seen and recorded by Korean emissaries to Beijing as well as from actual paintings brought back. This knowledge inspired them to produce not only landscapes but also portraits, images of animals and other paintings based on firsthand observation of nature. Both trends, looking inward to Korea and outward to the West, represented Korean aspiration for something new ? for ?modernity.? Deftly weaving these two strands together as the unifying theme of Searching for Modernity, Yi Song-mi expands on her pioneering work on true-view landscape painting to reveal even more of the depth and complexity of this mature and fully Korean form of artistic expression.
LC Classification Number
ND1366.94.Y49 2014

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