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Product Identifiers
PublisherRoutledge
ISBN-100415075122
ISBN-139780415075121
eBay Product ID (ePID)189383
Product Key Features
Number of Pages342 Pages
LanguageEnglish
Publication NameNarrative Comprehension and Film
Publication Year1992
SubjectMedia Studies, Screenplays, Rhetoric
TypeTextbook
Subject AreaPerforming Arts, Language Arts & Disciplines, Social Science
AuthorEdward Branigan
SeriesSightlines Ser.
FormatUk-B Format Paperback
Dimensions
Item Height0.8 in
Item Weight20.8 Oz
Item Length9.3 in
Item Width6.1 in
Additional Product Features
Intended AudienceCollege Audience
LCCN91-025883
Dewey Edition20
IllustratedYes
Dewey Decimal791.4375
SynopsisNarrative is one of the ways we organise and understnad the world. It is found everywhere: not only in films and books, but also in everday conversations and in the nonfictional discourses of journalists, historians, educators, psychologists, attorneys and many others. Edward Branigan presents a telling exploration of the basic concepts of narrative theory and its relation to film - and literary - analysis, bringing together theories from linguistics and cognitive science, and applying them to the screen. Individual analyses of classical narratives form the basis of a complex study of every aspect of filmic fiction exploring, for example, subjectivity in Lady in the Lake, multiplicity in Letter from and Unknown Woman, post-modernism and documentary in Sans Soleil., Narrative is one of the ways we organise and understnad the world. It is found everywhere: not only in films and books, but also in everday conversations and in the nonfictional discourses of journalists, historians, educators, psychologists, attorneys and many others. Edward Branigan presents a telling exploration of the basic concepts of narrative theory and its relation to film - and literary - analysis, bringing together theories from linguistics and cognitive science, and applying them to the screen. Individual analyses of classical narratives form the basis of a complex study of every aspect of filmic fiction exploring, for example, subjectivity in Lady in the Lake , multiplicity in Letter from and Unknown Woman , post-modernism and documentary in Sans Soleil ., Branigan provides a comprehensive introduction to the basic concepts of narrative theory and its relation to film - and literary - analysis. He brings together theories from both linguistics and cognitive science, and applies them to the screen.Narrative is one of the ways we organise and understnad the world. It is found everywhere: not only in films and books, but also in everday conversations and in the nonfictional discourses of journalists, historians, educators, psychologists, attorneys and many others.Edward Branigan presents a telling exploration of the basic concepts of narrative theory and its relation to film - and literary - analysis, bringing together theories from linguistics and cognitive science, and applying them to the screen. Individual analyses of classical narratives form the basis of a complex study of every aspect of filmic fiction exploring, for example, subjectivity in Lady in the Lake, multiplicity in Letter from and Unknown Woman, post-modernism and documentary in Sans Soleil.
LC Classification NumberPN1995.3.B73 1992
