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Clubland : The Fabulous Rise and Murderous Fall of Club Culture by Frank Owen (2003, Hardcover)

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Product Identifiers

PublisherSt. Martin's Press
ISBN-100312287666
ISBN-139780312287665
eBay Product ID (ePID)1968252

Product Key Features

Book TitleClubland : the Fabulous Rise and Murderous Fall of Club Culture
Number of Pages320 Pages
LanguageEnglish
Publication Year2003
TopicSociology / General, Popular Culture, Psychopathology / Addiction
FeaturesRevised
GenreSocial Science, Psychology
AuthorFrank Owen
FormatHardcover

Dimensions

Item Height1.3 in
Item Weight21.7 Oz
Item Length9.6 in
Item Width6.4 in

Additional Product Features

Intended AudienceTrade
LCCN2003-043116
Dewey Edition21
Dewey Decimal306/.1
Edition DescriptionRevised edition
SynopsisIn 1995, journalist Frank Owen began researching a story on "Special K," a new designer drug that fueled the after-midnight club scene. He went to buy and sample the drug at the internationally-notorious Limelight, a decrepit church converted into a Manhattan disco, where pulse-pounding music, gender-bending dancers, and uninhibited sideshows attracted long lines of hopeful onlookers. "Clubland is the story of Owen's six year journey behind the velvet ropes, into the cavernous clubs where any transformation was possible, every extreme permissible--even murder. At first, Owen found an unexpected common ground between very different people: stockbrokers danced with transvestites, pacifier-sucking "club kids" with celebrities, thick-necked jocks with misfits. But as money flowed into the clubs, the music darkened, the drugs intensified, and the carnival spiraled out of control. Four men defined the scene, all of them outsiders, who saw in clubland the chance to escape their pasts and reinventthemselves by making their own rules. Peter Gatien rose from a small Canadian milltown to become the most powerful club operator in America; Michael Alig, a gay misfit from the midwest, escaped to Manhattan where he won a legion of fashion-and-drug enamored followers; Lord Michael Caruso left Staten Island's bars for the rave parties of England, returning as clubland's leading drug dealer and techno music pioneer; and Chris Paciello began as a brutal Bensonhurst gang memb, This story of the nightclubs of the 1990s is the tale of the rise and fall of a decadent nocturnal empire that stretched over several American cities and spawned its own subculture of celebrities and wannabes., In 1995, journalist Frank Owen began researching a story on "Special K," a new designer drug that fueled the after-midnight club scene. He went to buy and sample the drug at the internationally-notorious Limelight, a decrepit church converted into a Manhattan disco, where pulse-pounding music, gender-bending dancers, and uninhibited sideshows attracted long lines of hopeful onlookers. Clubland is the story of Owen's six year journey behind the velvet ropes, into the cavernous clubs where any transformation was possible, every extreme permissible-even murder. At first, Owen found an unexpected common ground between very different people: stockbrokers danced with transvestites, pacifier-sucking "club kids" with celebrities, thick-necked jocks with misfits. But as money flowed into the clubs, the music darkened, the drugs intensified, and the carnival spiraled out of control. Four men defined the scene, all of them outsiders, who saw in clubland the chance to escape their pasts and reinvent themselves by making their own rules. Peter Gatien rose from a small Canadian milltown to become the most powerful club operator in America; Michael Alig, a gay misfit from the midwest, escaped to Manhattan where he won a legion of fashion-and-drug enamored followers; Lord Michael Caruso left Staten Island's bars for the rave parties of England, returning as clubland's leading drug dealer and techno music pioneer; and Chris Paciello began as a brutal Bensonhurst gang member, then recast himself as the glamorous prince of Miami Beach, partying with Madonna and Jennifer Lopez at the exclusive nightspots he created. Each of them had secrets that led them over the edge, and when when clubland fell, it left behind tragic human consequences: the disillusioned, the strung out, and the dead. A tour de force of investigative and participatory journalism, Clubland offers a dramatic exposé of a world built on illusion, where morality is ambiguous, identity changeable, and money the root of both ecstasy and evil.
LC Classification NumberHV5825.O94 2003