MOMENTAN AUSVERKAUFT

Writing Poetry to Save Your Life : How to Find the Courage to Tell Your Stories by Maria Mazziotti Gillan (2013, Trade Paperback)

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Product Identifiers

PublisherGuernica Editions, Incorporated
ISBN-101550717472
ISBN-139781550717471
eBay Product ID (ePID)27038659187

Product Key Features

Book TitleWriting Poetry to Save Your Life : How to Find the Courage to Tell Your Stories
Number of Pages203 Pages
LanguageEnglish
TopicInspiration & Personal Growth, General
Publication Year2013
GenreBody, Mind & Spirit, Poetry
AuthorMaria Mazziotti Gillan
Book SeriesPersonal Development Ser.
FormatTrade Paperback

Dimensions

Item Height0.5 in
Item Weight10.6 Oz
Item Length9 in
Item Width6 in

Additional Product Features

Intended AudienceTrade
Dewey Edition23
ReviewsPraise for THE PLACE I CALL HOME: "The Place I Call Home by Maria Mazziotti Gillan contains some of the most honest poems about marriage and family a reader is likely ever to come across. The craft is there, the well chosen word or phrase, but the power of these poems comes also from the truth in them that is moving and rare."--Marge Piercy Praise for ALL THAT LIES BETWEEN US: "These poems are powerful in their honesty, their passion and their grief. They take us deep into the labyrinth of our humanity and -- in the face of loss and death -- show us the paradox of love in the center of our being."--Diane di Prima
Series Volume Number1
Dewey Decimal808.1
Table Of ContentI. Exploring the Cave Inside You: How to Find the Stories You Have to TellChapter One: Finding the Poet inside YouChapter Two: Learning to Let GoChapter Three: Translating Our LivesChapter Four: Trusting YourselfII. Ways to Improve Your WritingChapter Five: Reading Poetry AloudChapter Six: Keeping a JournalChapter Seven: Go On a RetreatChapter Eight: Read, Read, Read, and Read Some MoreChapter Nine: Write It Down ImmediatelyIII. How to Make Your Writing Come AliveChapter Ten: Poetic VoiceChapter Eleven: SpecificityChapter Twelve: Don't Worry ? Form Doesn't MatterChapter Thirteen: SimplicityChapter Fourteen: Poetry by ExampleIV. Learning CourageChapter Fifteen: What Will People Say?Chapter Sixteen: Writing What You KnowChapter Seventeen: The Dangers of Concentrating on PublicationChapter Eighteen: The Tough SubjectsChapter Nineteen: Getting to the HeartChapter Twenty: Writing Poetry to Save Your LifeChapter Twenty-one: The Block Method of Unblocking Writer's BlockChapter Twenty-two: Prompts to Keep Your Writing FlowingChapter Fifteen: What Will People Say?Chapter Sixteen: Writing What You KnowChapter Seventeen: The Dangers of Concentrating on PublicationChapter Eighteen: The Tough SubjectsChapter Nineteen: Getting to the HeartChapter Twenty: Writing Poetry to Save Your LifeChapter Twenty-one: The Block Method of Unblocking Writer's BlockChapter Twenty-two: Prompts to Keep Your Writing Flowing
SynopsisWhat I hope to accomplish in this book is to give writing prompts that will help you to get past all the outside influences that keep you from believing in yourself and in your ability to write. In order to write, you need to get rid of notions about language, poetic form, and esoteric subject matter ? all the things that the poetry police have told you are essential if you are to write. I wanted to start from a different place, a place controlled by instinct rather than by intelligence. Revision, the shaping and honing of the poem, should come later, and, in revising, care always needs to be taken to retain the vitality and electricity of the poem. Anyone can learn to craft a capable poem, but it is the poems that retain that initial vitality that we remember; these are the poems that teach us how to be human., What I hope to accomplish in this book is to give writing prompts that will help you to get past all the outside influences that keep you from believing in yourself and in your ability to write. In order to write, you need to get rid of notions about language, poetic form, and esoteric subject matter -- all the things that the poetry police have told you are essential if you are to write. I wanted to start from a different place, a place controlled by instinct rather than by intelligence. Revision, the shaping and honing of the poem, should come later, and, in revising, care always needs to be taken to retain the vitality and electricity of the poem. Anyone can learn to craft a capable poem, but it is the poems that retain that initial vitality that we remember; these are the poems that teach us how to be human.