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Essays über Musik von Theodor W. Adorno und Richard Leppert Taschenbuch sehr guter Zustand-
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eBay-Artikelnr.:127147694054
Artikelmerkmale
- Artikelzustand
- Narrative Type
- Nonfiction
- ISBN
- 9780520231597
Über dieses Produkt
Product Identifiers
Publisher
University of California Press
ISBN-10
0520231597
ISBN-13
9780520231597
eBay Product ID (ePID)
2201409
Product Key Features
Book Title
Essays on Music
Number of Pages
760 Pages
Language
English
Topic
History & Criticism, Philosophy & Social Aspects, Ethnomusicology, Political
Publication Year
2002
Illustrator
Yes
Genre
Music, Philosophy
Format
Trade Paperback
Dimensions
Item Height
1.8 in
Item Weight
36.9 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2001-044601
Dewey Edition
21
Reviews
To understand the significance of music for the musicians who created it and the society in which it was produced is therefore a challenge to music-lovers. Perhaps no writer on music devoted more energy to this task than Theodor Wiesengrund Adorno, and the translations into English of his writings on philosophy and music and their diffusion have been multiplying in recent years while, at the same time, his ideas have become widely influential in the US and Europe.
Dewey Decimal
780
Table Of Content
Preface and Acknowledgments Translator's Note Abbreviations Introduction (by Richard Leppert) 1. LOCATING MUSIC: SOCIETY, MODERNITY, AND THE NEW Commentary (by Richard Leppert) Music, Language, and Composition (1956) Why Is the New Art So Hard to Understand? (1931) On the Contemporary Relationship of Philosophy and Music (1953) On the Problem of Musical Analysis The Aging of the New Music (1955) The Dialectical Composer (1934) 2. CULTURE, TECHNOLOGY, AND LISTENING Commentary (by Richard Leppert) The Radio Symphony (1941) The Curves of the Neddle (1927/1965) The Form of the Phonograph Record Opera and the Long-Playing Record (1969) On the Fetish-Character in Music and the Regression of Listening (1938) Little Heresy (1965) 3. MUSIC AND MASS CULTURE Commentary (by Richard Leppert) What National Socialism Has Done to the Arts (1945) On the Social Situation of Music (1932) On Popular Music [With the assistance of George Simpson] (1941) On Jazz (1936) Farewell to Jazz (1933) Kitsch (c. 1932) Music in the Background (c. 1934) 4. COMPOSITION, COMPOSERS, AND WORKS Commentary (by Richard Leppert) Late Style in Beethoven (1937) Alienated Masterpiece: The Missa Solemnis (1959) Wagner's Relevance for Today (1963) Mahler Today (1930) Marginalia on Mahler (1936) The Opera Wozzeck (1929) Toward an Understanding of Schoenberg (1955/1967) Difficulties (1964, 1966) Bibliography Source and Copyright Acknowledgments Index
Synopsis
Theodor W. Adorno (1903-1969), one of the principal figures associated with the Frankfurt School, wrote extensively on culture, modernity, aesthetics, literature, and-more than any other subject-music. To this day, Adorno remains the single most influential contributor to the development of qualitative musical sociology which, together with his nuanced intertextual readings of musical works, gives him broad claim as a continuing force in the study of music. This long-awaited collection of twenty-seven essays represents the full range of Adorno's music writing. Nearly half of the essays appear in English for the first time; all of the essays are fully annotated; and the previously translated essays have been corrected and missing text restored, making this volume the definitive resource on Adorno's musical thought., Theodor W. Adorno (1903-1969), one of the principal figures associated with the Frankfurt School, wrote extensively on culture, modernity, aesthetics, literature, and--more than any other subject--music. To this day, Adorno remains the single most influential contributor to the development of qualitative musical sociology which, together with his nuanced intertextual readings of musical works, gives him broad claim as a continuing force in the study of music. This long-awaited collection of twenty-seven essays represents the full range of Adorno's music writing. Nearly half of the essays appear in English for the first time; all of the essays are fully annotated; and the previously translated essays have been corrected and missing text restored, making this volume the definitive resource on Adorno's musical thought.
LC Classification Number
2001044601
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