Pulping Fictions: Kultur konsumieren quer durch die englische/mediale Kluft (Film Ficti-

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Pulping Fictions: Consuming Culture Across the English/Media Divide (Film Ficti
MTW Youth
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Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Book Title
Pulping Fictions: Consuming Culture Across the English/Media Divi
Narrative Type
Nonfiction
Intended Audience
Adult
Inscribed
NO
ISBN
9780745310701
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Pluto Press
ISBN-10
0745310702
ISBN-13
9780745310701
eBay Product ID (ePID)
411877

Product Key Features

Number of Pages
160 Pages
Publication Name
Pulping Fictions : Consuming Culture Across the English/Media Divide
Language
English
Subject
Comparative Literature, General, Anthropology / Cultural & Social
Publication Year
1996
Type
Textbook
Subject Area
Literary Criticism, Social Science
Author
Heidi Kaye
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
8 Oz
Item Length
8.5 in
Item Width
5.3 in

Additional Product Features

Intended Audience
Scholarly & Professional
Number of Volumes
1 vol.
Illustrated
Yes
Table Of Content
Introduction: Pulping Fictions: Consuming Culture Across the English/Media Divide by Imelda Whelehan and Deborah Cartmell (de Montfort University, Leicester)1. 'Vanishing' Worlds: Film Adaptation and the Mystery of the Original by John O. Thompson (University of Wales, Cardiff)2. The Vampire Writes Back: Anne Rice and the (Re)Turn of the Author in the Field of Cultural Production by Ken Gelder (de Montfort University, Leicester)3. Is s/he or isn't s/he?: Screening Orlando by Nicola Shaughnessy (Worcester College of Higher Education)4. Feminist Sympathies Versus Masculine Backlash: Kenneth Branagh's Mary Shelley's Frankenstein by Heidi Kaye (de Montfort University) 5. The Henry V Flashback: Kenneth Branagh's Shakespeare by Deborah Cartmell (de Montfort University, Leicester)6. Consuming Middlemarch: the construction and consumption of nostalgia in Stamford by Jenny Rice and Carol Saunders (de Montfort University, Leicester)7. Pleasure and Interpretation: Film Adaptations of Angela Carter's Fiction by Catherine Neale (Worcester College of Higher Education)8. Capitalism Most Triumphant: Bill & Ted's Excellent History Lesson by I.Q. Hunter (de Montfort University) 9. Robin Hood: Men in Tights: fitting the Tradition Smugly by Stephen Knight (University of Cardiff10. Pulpmodernism: Tarantino's Affirmative Action by Peter Brooker (Nene College) and Will Brooker (West Kent College, Tonbridge)Index
Synopsis
Taking Quentin Tarantino's dictionary definition of 'pulp fiction' as its starting point, Pulping Fictions explores the unease with which film and television adaptations are often received.Branagh's film of Henry V, the filming of Mary Shelley's Frankenstein and Angela Carter's adaptability from book to screen are examined. The transference of the grand narratives of history into theme park youth culture is explored via Bill & Ted's Excellent Adventure and the folk-myth rendition of Mel Brooks's 'irreverent' Robin Hood: Men in Tights.The notion of 'planning' is examined in the evolution of Neil Jordan's film of Anne Rice's Interview with the Vampire and the exploitation of textual/cinematic strategies is revealed in Sally Potter's adaptation of Virginia Woolf's Orlando.The BBC's decision to film Middlemarch in Stamford is considered and, concluding the volume, charges against Tarantino for exploiting the banal and vulgar tastes of mass culture are refuted in a reading of his Pulp Fiction., Taking Tarantino's dictionary definition of "pulp fiction" as its starting point, this work explores the unease with which film and TV adaptations of books are often greeted. It looks at a range of adaptations and authors, including Branagh's film "Henry V," "Frankenstein," and the books of Angela Carter. The notion of "planning" in the evolution and filming of "Interview with the Vampire," and the exploitation of textual/cinematic strategies in the film "Orlando" are examined. The BBC's decision to film "Middlemarch" in Stamford is considered, and the book concludes with a defence of the charges against Tarantino that he exploits the banal and vulgar tastes of mass culture.

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