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Gott, Gulliver und Völkermord: Barbarei und die europäische Phantasie, 1492 - 1945-
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- Features
- Dust Jacket, Illustrated
- ISBN
- 9780198184256
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0198184255
ISBN-13
9780198184256
eBay Product ID (ePID)
1834375
Product Key Features
Number of Pages
420 Pages
Language
English
Publication Name
God, Gulliver, and Genocide : Barbarism and the European Imagination, 1492-1945
Subject
Subjects & Themes / Religion, General, Humor, European / English, Irish, Scottish, Welsh
Publication Year
2001
Type
Textbook
Subject Area
Literary Criticism
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
21.2 Oz
Item Length
8.5 in
Item Width
5.4 in
Additional Product Features
Intended Audience
College Audience
LCCN
2001-033866
Dewey Edition
21
Reviews
'[Rawson's] important new book ... might at first blush seem to havecertain similarity to ... fashionable criticisms of Western values and actions,but it could not be more different from them in its freedom from ideologicalagendas, its refusal to cook the evidence, its ability to see moral nuance, andits steady sense of the complexity of historical causation. Rawson has long beenone of our most illuminating authorities on eighteenth-century English satireand on Swift in particular; but in his new book he casts a much wider net,exhibiting the same meticulous erudition in his treatment of Montaigne and Wildeand Shaw as he does in his discussion of the English Augustan writers.'The New Republic, "Rawson's excellent book analyses 'the spectrum of aggressions' that exists between such figurative use of the language of extermination and its actual fulfillment in historical genocides over the last six centuries."--The Guardian" "[An] erudite, passionate book...learned, wide-ranging and acute.... [Rawson is] one of the finest 18th-century specialists, who...is also a critic of striking flair and delicacy."--Terry Eagleton,London Review of Books "Never a scholar to be bound by conventions of periodization...Rawson has written a book of major importance for genres ranging from Renaissance encounter literature to modern Holocaust fiction. But his greatest gift has always been for torpedoing the prevailing assumptions of eighteenth-century studies, and in this bold new account of Swift, and the implications arising for other writers, he has done it, explosively, again."--The Times Literary Supplement "[Rawson's] important new book...might at first blush seem to have certain similarity to...fashionable criticisms of Western values and actions, but it could not be more different from them in its freedom from ideological agendas, its refusal to cook the evidence, its ability to see moral nuance, and its steady sense of the complexity of historical causation. Rawson has long been one of our most illuminating authorities on eighteenth-century English satire and on Swift in particular; but in his new book he casts a much wider net, exhibiting the same meticulous erudition in his treatment of Montaigne and Wilde and Shaw as he does in his discussion of the English Augustan writers."--The New Republic, reaffirm[s] Rawson's unassailable pre-eminence as Swift's most challenging, exciting, and erudite modern critic. ... It is a dazzling and disturbing account of the European imagination as it engages with alien tribes and races ... Rawson throws his net wide across the history of barbarism, colonialism, and oppression during a chronological span which the title modestly confines to 1492-1945, but which runs well beyond these dates at either end. ... Rawson's apparently effortlessmastery of the rich tapestry of modern and classical literature and history supplies a triumphantly affirmative tribute to the power of civilization., "Rawson's excellent book analyses 'the spectrum of aggressions' that exists between such figurative use of the language of extermination and its actual fulfillment in historical genocides over the last six centuries."--The Guardian""[An] erudite, passionate book...learned, wide-ranging and acute.... [Rawson is] one of the finest 18th-century specialists, who...is also a critic of striking flair and delicacy."--Terry Eagleton, London Review of Books"Never a scholar to be bound by conventions of periodization...Rawson has written a book of major importance for genres ranging from Renaissance encounter literature to modern Holocaust fiction. But his greatest gift has always been for torpedoing the prevailing assumptions of eighteenth-century studies, and in this bold new account of Swift, and the implications arising for other writers, he has done it, explosively, again."--The Times Literary Supplement"[Rawson's] important new book...might at first blush seem to have certain similarity to...fashionable criticisms of Western values and actions, but it could not be more different from them in its freedom from ideological agendas, its refusal to cook the evidence, its ability to see moral nuance, and its steady sense of the complexity of historical causation. Rawson has long been one of our most illuminating authorities on eighteenth-century English satire and on Swift in particular; but in his new book he casts a much wider net, exhibiting the same meticulous erudition in his treatment of Montaigne and Wilde and Shaw as he does in his discussion of the English Augustan writers."--The New Republic, "Rawson's excellent book analyses 'the spectrum of aggressions' that exists between such figurative use of the language of extermination and its actual fulfillment in historical genocides over the last six centuries."-- The Guardian" "[An] erudite, passionate book...learned, wide-ranging and acute.... [Rawson is] one of the finest 18th-century specialists, who...is also a critic of striking flair and delicacy."--Terry Eagleton, London Review of Books "Never a scholar to be bound by conventions of periodization...Rawson has written a book of major importance for genres ranging from Renaissance encounter literature to modern Holocaust fiction. But his greatest gift has always been for torpedoing the prevailing assumptions of eighteenth-century studies, and in this bold new account of Swift, and the implications arising for other writers, he has done it, explosively, again."-- The Times Literary Supplement "[Rawson's] important new book...might at first blush seem to have certain similarity to...fashionable criticisms of Western values and actions, but it could not be more different from them in its freedom from ideological agendas, its refusal to cook the evidence, its ability to see moral nuance, and its steady sense of the complexity of historical causation. Rawson has long been one of our most illuminating authorities on eighteenth-century English satire and on Swift in particular; but in his new book he casts a much wider net, exhibiting the same meticulous erudition in his treatment of Montaigne and Wilde and Shaw as he does in his discussion of the English Augustan writers."-- The New Republic, "Rawson's excellent book analyses 'the spectrum of aggressions' that exists between such figurative use of the language of extermination and its actual fulfillment in historical genocides over the last six centuries."--The Guardian" "[An] erudite, passionate book...learned, wide-ranging and acute.... [Rawson is] one of the finest 18th-century specialists, who...is also a critic of striking flair and delicacy."--Terry Eagleton, London Review of Books "Never a scholar to be bound by conventions of periodization...Rawson has written a book of major importance for genres ranging from Renaissance encounter literature to modern Holocaust fiction. But his greatest gift has always been for torpedoing the prevailing assumptions of eighteenth-century studies, and in this bold new account of Swift, and the implications arising for other writers, he has done it, explosively, again."--The Times Literary Supplement "[Rawson's] important new book...might at first blush seem to have certain similarity to...fashionable criticisms of Western values and actions, but it could not be more different from them in its freedom from ideological agendas, its refusal to cook the evidence, its ability to see moral nuance, and its steady sense of the complexity of historical causation. Rawson has long been one of our most illuminating authorities on eighteenth-century English satire and on Swift in particular; but in his new book he casts a much wider net, exhibiting the same meticulous erudition in his treatment of Montaigne and Wilde and Shaw as he does in his discussion of the English Augustan writers."--The New Republic, '[Rawson's] important new book ... might at first blush seem to have certain similarity to ... fashionable criticisms of Western values and actions, but it could not be more different from them in its freedom from ideological agendas, its refusal to cook the evidence, its ability to see moral nuance, and its steady sense of the complexity of historical causation. Rawson has long been one of our most illuminating authorities on eighteenth-century Englishsatire and on Swift in particular; but in his new book he casts a much wider net, exhibiting the same meticulous erudition in his treatment of Montaigne and Wilde and Shaw as he does in his discussion of theEnglish Augustan writers.'The New Republic, '[Rawson's] important new book ... might at first blush seem to have certain similarity to ... fashionable criticisms of Western values and actions, but it could not be more different from them in its freedom from ideological agendas, its refusal to cook the evidence, its ability to see moralnuance, and its steady sense of the complexity of historical causation. Rawson has long been one of our most illuminating authorities on eighteenth-century English satire and on Swift in particular; but in his new book he casts a much wider net, exhibiting the same meticulous erudition in histreatment of Montaigne and Wilde and Shaw as he does in his discussion of the English Augustan writers.'The New Republic
Illustrated
Yes
Dewey Decimal
809.9/33/55
Table Of Content
Texts and Editions UsedAcknowledgementsIntroduction1. Indians and Irish2. The Savage with Hanging Breasts: Gulliver, Female Yahoos, and 'Racism'3. Killing the Poor: An Anglo-Irish Theme?4. God, Gulliver, and GenocideEndnotesList of Works CitedIndex
Synopsis
We are obsessed with "barbarians." They are the "not us," who don't speak our language, or "any language," whom we despise, fear, invade and kill; for whom we feel compassion, or admiration, and an intense sexual interest; whose innocence or vigor we aspire to, and who have an extraordinary influence on the comportment, and even modes of dress, of our civilized metropolitan lives; whom we often outdo in the barbarism we impute to them; and whose suspected resemblance to us haunts our introspections and imaginings. This book looks afresh at how we have confronted the idea of "barbarism," in ourselves and others, from the conquest of the Americas to the Nazi Holocaust, through the voices of many writers, including Montaigne, Swift and Shaw., We are obsessed with 'barbarians'. They are the 'not us', who don't speak our language, or 'any language', whom we depise, fear, invade and kill; for whom we feel compassion, or admiration, and an intense sexual interest; whom we often outdo in the barbarism we impute to them; and whose suspected resemblance to us haunts our introspections and imaginings. This book looks afresh at how we have confronted the idea of 'barbarism', in ourselves and others, from the conquest of the Americas to the Nazi Holocaust, through the voices of many writers, including Montaigne, Swift and Shaw., We are obsessed with 'barbarians'. They are the 'not us', who don't speak our language, or 'any language', whom we depise, fear, invade and kill; for whom we feel compassion, or admiration, and an intense sexual interest; whose innocence or vigour we aspire to, and who have an extraordinary influence on the comportment, and even modes of dress, of our civilised metropolitan lives; whom we often outdo in the barbarism we impute to them; and whose suspected resemblance to us haunts our introspections and imaginings. They come in two overlapping categories, ethnic others and home-grown pariahs: conquered infidels and savages, the Irish, the poor, the Jews. This book looks afresh at how we have confronted the idea of 'barbarism', in ourselves and others, from 1492 to 1945, through the voices of many writers, chiefly Montaigne, Swift and, to a lesser extent, Shaw.
LC Classification Number
PR3724.G8R38 2001
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Rose of Sharon Books
100% positive Bewertungen•3.326 Artikel verkauft
Angemeldet als privater VerkäuferDaher finden verbraucherschützende Vorschriften, die sich aus dem EU-Verbraucherrecht ergeben, keine Anwendung. Der eBay-Käuferschutz gilt dennoch für die meisten Käufe. Mehr erfahrenMehr erfahren
Verkäuferbewertungen (1.397)
- a***u (1419)- Bewertung vom Käufer.Letzter MonatBestätigter KaufQuality used book in the condition as described in the listing. Though used, it is a good value with a fine appearance. Shipped unbelievably fast for media mail. Well packaged and protected in shipment.
- c***l (75)- Bewertung vom Käufer.Letztes JahrBestätigter KaufI would VERY HIGHLY reccomend this seller as she seems to be very motivated selling here on Ebay and seems to, through her selling, care about the people she is selling to on Ebay and most likely Sharon Books! The book was EXTRAORDINARILY well packaged when shipped and was shipped very promptly! The item came just as described and the value of the item was VERY well worth it!Sunday or Sabbath: Which Should Christians Observe? John R. Rice, 1943 (Nr. 126226004863)
- m***_ (372)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThe seller shipped the book quickly. The book was well protected (something I definitely appreciate). Shipping was tracked for added security. The book was in excellent (new like) condition just as advertised. I had no problem comunicating with the seller. All in all it was a terrific buying experience hence my positive feedback to the seller.Introduction to Simulation: Programming Techniques and Methods of Analysis (Nr. 126173170153)