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Brigitte Armenier Schubert / Brahms CD Digipak Piano Classical Brand New
US $3,99
Ca.EUR 3,46
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- Sofort-KaufenBrigitte Armenier Schubert / Brahms CD Digipak Piano Classical Brand New
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Standort: Umatilla, Oregon, USA
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eBay-Artikelnr.:123742739287
Artikelmerkmale
- Artikelzustand
- Type
- Album
- Features
- Digipak
- Number of Discs
- 1
- UPC
- 0884501094436
Über dieses Produkt
Product Identifiers
Record Label
Cdb, CD Baby
UPC
0884501094436
eBay Product ID (ePID)
4046045128
Product Key Features
Release Year
2009
Format
CD
Genre
Classical Artists
Artist
Brigitte Armenier
Release Title
Analogos
Dimensions
Item Height
0.33 in
Item Weight
0.16 lb
Item Length
5.66 in
Item Width
5.11 in
Additional Product Features
Number of Tracks
11
Number of Discs
1
Tracks
Sonata in B-Flat Major D. 960 - Molto Moderato, Sonata in B-Flat Major D. 960 - Andante Sostenuto, Sonata in B-Flat Major D. 960 - Scherzo: Allegro Vivace Con Del, Sonata in B-Flat Major D. 960 - Allegro Ma Non Troppo, Fantasien Op. 116 - Capriccio in D minor. Presto Energico, Fantasien Op. 116 - Intermezzo in A minor. Andante, Fantasien Op. 116 - Capriccio in G minor. Allegro Passionato, Fantasien Op. 116 - Intermezzo in E Major. Adagio, Fantasien Op. 116 - Intermezzo in E minor. Andante Con Grazia E, Fantasien Op. 116 - Intermezzo in E Major. Andantino Tenerament, Fantasien Op. 116 - Capriccio in D minor. Allegro Agitato
Notes
Excerpts from the 25 page interview "Between Music and Biodynamic Agriculture" included with the CD: Charles Sepos: Part of the proceeds from the sale of this CD go to non-profit Biodynamic Institutions, so anyone buying this CD is contributing not only to music but also to Biodynamic agriculture in the US. You are creating thereby a surprising link between music and agriculture! (...) But is there such a link? For they usually appear as a dichotomy, like science and spirituality, or spirit and matter. Brigitte Armenier: But what is our purity of intention in the sphere of knowledge? Is nature merely a larder or a pharmacy? Is music merely a source of likes and dislikes? At best!... Is this greed that looks to "make use of" how we approach beings we want to know? Is this to be the foundation of our theory of knowledge? We have inherited from the nineteenth century a very materialistic, mechanistic and atomistic approach to and understanding of the living world. The problem is that this vision actually originated from the study of the inorganic world. (...) Cold processes of analysis and breakdown of mechanisms. (...) So, the study of the protein for example will bring it's breakdown into the basic elements of carbon, oxygen, nitrogen, hydrogen and sulfur. Or the single note into it's series of overtones. Charles Sepos: And these analyses are true. Brigitte Armenier: Yes they are, but as corpses are true to living bodies! The breakdown of the protein is actually a decomposition process since we first have to kill it in order to study it. And you won't recreate life by bringing back together the elements found! In the living realm, the whole organizes itself in parts while, paraphrasing the quantum physicist David Bohm, fragmentation doesn't bring us back to wholeness and life. As for our single note, what happened to the counter-series of undertones? I know that Paul Hindemith wrote about them in his Treatise on Composition: "I consider it absurd to admit the existence of a force capable of producing a mirrored arrangement of the partial series. Such a force would suspend the efficacy of the force of gravity which expresses itself in the series of overtones. (...) No evidence is found in nature for an apparent mirroring of the series of overtones." No evidence in nature? What's true is that a mineral is subject to gravity only. But living plants aren't minerals: after the "gravity gesture," the downward gesture of the roots directed towards the centre of the earth, all plants grow in the opposite direction, showing "levity," an upward gesture. As Dr. Bott wrote: "Newton arrived intuitively at the idea of gravity on seeing the apple fall, but he does not seem to have asked himself about the no less mysterious matter of how the apple reached the end of the branch."... Or are we asked to still believe that living plants do not belong to nature since nature is to be grasped only through it's manifestations of death? Or that an "objective" study of tone is allowed to skip parts of what actually happens in space? But then again, although many levels of analysis can result from a piece of music, yet no tonal piece was ever born solely out of analytical theory! Charles Sepos: So, if we consider agriculture and music as part of the living sphere which you presented as "a becoming woven throughout movements and forms"... Brigitte Armenier: Yes! Now, Charles, we have what you will allow me to consider as a "valuable" angle of study, that is, what for example the philosopher Pierre Hadot, in the continuity of Goethe, has brought us back from his researches on ancient Greek philosophy: "le regard d'en haut," or the "vision from above." For when and where there is life, we can always observe a living web of movements in time and forms in space. When I say "time," I am not talking about our usual linear representation of it, for again, this is reductionist and dead. But of time which is actually lived, that is to say, this permanent
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