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[un]framing the Bad Woman: Sor Juana, Malinche, Coyolxauhqui Gender Rebels PB-
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eBay-Artikelnr.:116794137613
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780292758506
Über dieses Produkt
Product Identifiers
Publisher
University of Texas Press
ISBN-10
0292758502
ISBN-13
9780292758506
eBay Product ID (ePID)
174948694
Product Key Features
Number of Pages
400 Pages
Publication Name
[un]framing the "Bad Woman" : Sor Juana, Malinche, Coyolxauhqui, and Other Rebels with a Cause
Language
English
Subject
Ethnic Studies / Hispanic American Studies, Personal Growth / General, Anthropology / Cultural & Social, Women's Studies
Publication Year
2014
Type
Textbook
Subject Area
Social Science, Self-Help
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
23.1 Oz
Item Length
9 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2013-038465
Dewey Edition
23
Reviews
With a convincing methodology and well-presented material, the book undoubtedly is a valuable contribution that increases the visibility of the variety of feminisms beyond the predominance of Western points of view. It is an innovative book and it is definitely recommended to students of Gender Studies and Cultural Studies.
Illustrated
Yes
Dewey Decimal
305.4
Table Of Content
Preface: Letter to Gloria Anzaldúa, in Gratitude for Your Tongues of Fire Acknowledgments Introduction: Activist Scholarship and the Historical Vortex of the "Bad Woman" 1. The Politics of Location of La Décima Musa: Prelude to an Interview Interview with Sor Juana Inés de la Cruz 2. Malinche's Revenge 3. There's No Place Like Aztlán: Homeland Myths and Embodied Aesthetics 4. Coyolxauhqui and Las "Maqui-Locas": Re-Membering the Sacrificed Daughters of Ciudad Juárez 5. Mapping the Labyrinth: The Anti-Detective Novel and the Mysterious Missing Brother 6. Devil in a Rose Bikini: The Inquisition Continues 7. The Sor Juana Chronicles Epilogue: To Your Shadow-Beast: In Memoriam Notes Bibliography Reprint Permissions Index
Synopsis
One of America?s leading interpreters of the Chicana experience dismantles the discourses that ?frame? women who rebel against patriarchal strictures as ?bad women? and offers empowering models of struggle, resistance, and rebirth., "What the women I write about have in common is that they are all rebels with a cause, and I see myself represented in their mirror," asserts Alicia Gaspar de Alba. Looking back across a career in which she has written novels, poems, and scholarly works about Sor Juana Ines de la Cruz, la Malinche, Coyolxauhqui, the murdered women of Juarez, the Salem witches, and Chicana lesbian feminists, Gaspar de Alba realized that what links these historically and socially diverse figures is that they all fall into the category of "bad women," as defined by their place, culture, and time, and all have been punished as well as remembered for rebelling against the "frames" imposed on them by capitalist patriarchal discourses. In Un]Framing the "Bad Woman," Gaspar de Alba revisits and expands several of her published articles and presents three new essays to analyze how specific brown/female bodies have been framed by racial, social, cultural, sexual, national/regional, historical, and religious discourses of identity--as well as how Chicanas can be liberated from these frames. Employing interdisciplinary methodologies of activist scholarship that draw from art, literature, history, politics, popular culture, and feminist theory, she shows how the "bad women" who interest her are transgressive bodies that refuse to cooperate with patriarchal dictates about what constitutes a "good woman" and that queer/alter the male-centric and heteronormative history, politics, and consciousness of Chicano/Mexicano culture. By "unframing" these bad women and rewriting their stories within a revolutionary frame, Gaspar de Alba offers her companeras and fellow luchadoras empowering models of struggle, resistance, and rebirth., "What the women I write about have in common is that they are all rebels with a cause, and I see myself represented in their mirror," asserts Alicia Gaspar de Alba. Looking back across a career in which she has written novels, poems, and scholarly works about Sor Juana Inés de la Cruz, la Malinche, Coyolxauhqui, the murdered women of Juárez, the Salem witches, and Chicana lesbian feminists, Gaspar de Alba realized that what links these historically and socially diverse figures is that they all fall into the category of "bad women," as defined by their place, culture, and time, and all have been punished as well as remembered for rebelling against the "frames" imposed on them by capitalist patriarchal discourses. In [Un]Framing the "Bad Woman," Gaspar de Alba revisits and expands several of her published articles and presents three new essays to analyze how specific brown/female bodies have been framed by racial, social, cultural, sexual, national/regional, historical, and religious discourses of identity--as well as how Chicanas can be liberated from these frames. Employing interdisciplinary methodologies of activist scholarship that draw from art, literature, history, politics, popular culture, and feminist theory, she shows how the "bad women" who interest her are transgressive bodies that refuse to cooperate with patriarchal dictates about what constitutes a "good woman" and that queer/alter the male-centric and heteronormative history, politics, and consciousness of Chicano/Mexicano culture. By "unframing" these bad women and rewriting their stories within a revolutionary frame, Gaspar de Alba offers her compañeras and fellow luchadoras empowering models of struggle, resistance, and rebirth.
LC Classification Number
HQ1166.G37 2014
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