Die Schöne und die Verdammten von Ann Summa ~ Text von Kristine Mckenna - Hardcover-

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The Beautiful and the Damned by Ann Summa ~ Text by Kristine Mckenna - Hardcover
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ISBN
9781935202271
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Product Identifiers

Publisher
D.A.P./Distributed Art Publishers
ISBN-10
1935202278
ISBN-13
9781935202271
eBay Product ID (ePID)
102809503

Product Key Features

Publication Year
2010
Topic
Genres & Styles / Punk, Individual Photographers / Monographs, Composers & Musicians, General
Book Title
Beautiful and the Damned
Number of Pages
112 Pages
Language
English
Illustrator
Yes
Genre
Music, Photography, Biography & Autobiography
Author
Kristine Mckenna
Format
Hardcover

Additional Product Features

TitleLeading
The
Photographed by
Summa, Ann
Number of Volumes
1 vol.
Synopsis
When photographer Ann Summa arrived in Los Angeles in 1978, the city's punk scene was still fresh, diverse, smart, utterly original-and fertile territory for a young photographer. The Beautiful & the Damned is a collection of her portraits of the musicians, artists and fans who made Los Angeles such a crucial part of the history of punk. Taken between 1978 and 1984, the images mostly revolve around L.A.'s first punk generation, and include portraits of the Germs, the Screamers, X, the Cramps and the Gun Club, among many others. From there, the book expands its scope to accommodate the cross-pollination that took place between L.A.'s punk scene and the fine art community, (at the time, the audience for avant-garde artists such as the Kipper Kids, Johanna Went and Laurie Anderson was primarily drawn from the underground music scene), and the two other cities-London and New York-that played a central role in the birthing of punk. Photographed during their first U.S. tours are U.K. groups the Clash, Magazine, the Fall, the Slits, Bow Wow Wow and the Pretenders, among others. Visiting dignitaries from New York include Television, James Chance, Lydia Lunch and Talking Heads. Also included are portraits of artists who served as an inspiration to L.A. punks-Captain Beefheart, Iggy Pop and David Bowie, among others-plus candid shots of unidentified audience members. Edited and with an introduction by Kristine McKenna, The Beautiful & The Damned includes 95 previously unpublished images. Ann Summa studied photography in Japan. Her work has been regularly published for the past 30 years in publications including Artnews , Rolling Stone and The Los Angeles Times ., When photographer Ann Summa arrived in Los Angeles in 1978, the city's punk scene was still fresh, diverse, smart, utterly original--and fertile territory for a young photographer. The Beautiful & the Damned is a collection of her portraits of the musicians, artists and fans who made Los Angeles such a crucial part of the history of punk. Taken between 1978 and 1984, the images mostly revolve around L.A.'s first punk generation, and include portraits of the Germs, the Screamers, X, the Cramps and the Gun Club, among many others. From there, the book expands its scope to accommodate the cross-pollination that took place between L.A.'s punk scene and the fine art community, (at the time, the audience for avant-garde artists such as the Kipper Kids, Johanna Went and Laurie Anderson was primarily drawn from the underground music scene), and the two other cities--London and New York--that played a central role in the birthing of punk. Photographed during their first U.S. tours are U.K. groups the Clash, Magazine, the Fall, the Slits, Bow Wow Wow and the Pretenders, among others. Visiting dignitaries from New York include Television, James Chance, Lydia Lunch and Talking Heads. Also included are portraits of artists who served as an inspiration to L.A. punks--Captain Beefheart, Iggy Pop and David Bowie, among others--plus candid shots of unidentified audience members. Edited and with an introduction by Kristine McKenna, The Beautiful & The Damned includes 95 previously unpublished images. Ann Summa studied photography in Japan. Her work has been regularly published for the past 30 years in publications including Artnews , Rolling Stone and The Los Angeles Times .

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