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eBay-Artikelnr.:116483591736
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780618007011
Über dieses Produkt
Product Identifiers
Publisher
HarperCollins
ISBN-10
0618007016
ISBN-13
9780618007011
eBay Product ID (ePID)
1801711
Product Key Features
Book Title
Three Pigs : a Caldecott Award Winner
Number of Pages
40 Pages
Language
English
Topic
Fantasy & Magic, Fairy Tales & Folklore / General, Animals / Pigs, General
Publication Year
2001
Illustrator
Yes
Genre
Juvenile Fiction
Format
Library Binding
Dimensions
Item Height
0.4 in
Item Weight
15.9 Oz
Item Length
9 in
Item Width
11.2 in
Additional Product Features
Intended Audience
Juvenile Audience
LCCN
00-057016
Dewey Edition
21
Reviews
Wiesner has created a funny, wildly imaginative tale that encourages readers to leap beyond the familiar; to think critically about conventional stories and illustration, and perhaps, to flex their imaginations and create wonderfully subversive versions of their own stories. Booklist, ALA, Starred Review "Children will delight in the changing perspectives...and the whole notion of the interrupted narrative...fresh and funny...Witty dialogue and physical comedy abound in this inspired retelling of a familiar favorite. School Library Journal, Starred As readers have come to expect from the inventive works of Wiesner, nothing is ever quite as it seems in his picture books. This version of the pigs' tale starts off traditionally enough --warm, inviting watercolor panels show in succession the tiny houses, their owner-builders and their toothy visitor. But when the wolf begins to huff and puff, he blows the pigs right out of the illustrations. Though Wiesner briefly touched on this theme in his Free Fall (fans may note a strong resemblence between the dragon in that volume and the one featured in these pages), he takes the idea of 3-D characters operating independently of their storybooks to a new level here. The three pigs land in the margins, which open out onto a postmodern landscape hung with reams of pages made for climbing on, crawling under and folding up for paper airplane travel. Together the pigs visit a book of nursery rhymes and save the aforementioned dragon from death at the hands of the knight. When they get the dragon home, he returns their kindness by scaring the wolf off permenantly. Even the book's younger readers will understand the distinctive visual code. As the pigs enter the confines of a storybook page, they conform to that book's illustrative style, appearing as nursery-rhyme friezes or comic-book line drawings. When the pigs emerge from the storybook pages into the meta-landscape they appear photographically clear and crisp, with shadows and three dimensions. Wiesner's (Tuesday) brillant use of white space and perspective (as the pigs fly to the upper right-hand corner of a spread on their makeshift plane, or as one pig's snout dominates a full page) evokes a feeling that the characters can navigate endless possibilities --and that the range of story itself is limitless. Publishers Weekly, Starred With this inventive retelling, Caldecott Medalist Wiesner (Tuesday, 1991) plays with literary conventions in a manner not seen since Scieszka's The Stinky Cheese Man and Other Fairly Stupid Tales (1993). The story begins with a traditional approach in both language and illustrations, but when the wolf huffs and puffs, he not only blows down the pigs' wood and straw houses, but also blows the pigs right out of the story and into a parallel story structure. The three pigs (illustrated in their new world in a more three-dimensional style and with speech balloons) take off on a postmodern adventure via a paper airplane folded from the discarded pages of the traditional tale. They sail through several spreads of white space and crash-land in a surreal world of picture-book pages, where they befriend the cat from "Hey Diddle Diddle" and a charming dragon that needs to escape with his cherished golden rose from a pursuing prince. The pigs, car and dragon pick up the pages of the original story and return to that flat, conventional world, concluding with a satisfying bowl of dragon-breath-broiled soup in their safe, sturdy brick house. The pigs have braved the new world and returned with their treasure: the cat for company and fiddle music, the dragon's golden rose for beauty, and the dragon himself for warmth and protection from the wolf, who is glimpsed through the window, sitting powerlessly in the distance. On the last few pages, the final wqords of the text break apart, sending letters drifting down into the illustrations to show us that once we have ventured o, Artwork explodes off the page and the layout pushes bookmaking convention as the porcine siblings and their pals explore new literary territory., Wiesner has created a funny, wildly imaginative tale that encourages readers to leap beyond the familiar; to think critically about conventional stories and illustration, and perhaps, to flex their imaginations and create wonderfully subversive versions of their own stories. -- Booklist (starred review) "Children will delight in the changing perspectives...and the whole notion of the interrupted narrative...fresh and funny...Witty dialogue and physical comedy abound in this inspired retelling of a familiar favorite." -- School Library Journal (starred review) "Wiesner... evokes a feeling that the characters can navigate endless possibilities --and that the range of story itself is limitless." -- Publishers Weekly (starred review) "With this inventive retelling, Caldecott Medalist Wiesner (Tuesday, 1991) plays with literary conventions in a manner not seen since Scieszka's The Stinky Cheese Man and Other Fairly Stupid Tales (1993)." -- Kirkus Reviews "David Wiesner's postmodern interpretation of this tale plays imaginatively with traditional picture book and story conventions and with readers' expectations of both. . . .Wiesner explores the possibility of different realities within a book's pages. . . . Wiesner may not be the first to thumb his nose at picture-book design rules and storytelling techniques, but he puts his own distinct print on this ambitious endeavor. There are lots of teaching opportunities to be mined here--or you can just dig into the creative possibilities of unconventionality." -- Horn Book Magazine, Once upon a time three pigs built three houses, out of straw, sticks, and bricks. Along came a wolf, who huffed and puffed... So, you think you know the rest? Think again. With David Wiesner at the helm, it's never safe to assume too much. When the wolf approaches the first house, for example, and blows it in, he somehow manages to blow the pig right out of the story frame. The text continues on schedule--"...and ate the pig up"--but the perplexed expression on the wolf's face as he looks in vain for his ham dinner is priceless. One by one, the pigs exit the fairy tale's border and set off on an adventure of their own. Folding a page of their own story into a paper airplane, the pigs fly off to visit other storybooks, rescuing about-to-be-slain dragons and luring the cat and the fiddle out of their nursery rhyme. Wiesner, Caldecott Medal recipient for Tuesday , and Caldecott Honor winner for both Sector 7 and Free Fall , prefers not to wait around until pigs fly. He gives them wings (or paper airplanes) and sets them on their way! In his latest flight of fancy, Wiesner uses shifting illustration styles and fonts to startle complacent readers into an imaginary world even as they ponder the conventional structure of story. His trademark crafty humor and skewed perspectives will tickle readers pink (even the nonporcine variety)! (Ages 4 and older), As readers have come to expect from the inventive works of Wiesner, nothing is ever quite as it seems in his picture books. This version of the pigs' tale starts off traditionally enough -warm, inviting watercolor panels show in succession the tiny houses, their owner-builders and their toothy visitor. But when the wolf begins to huff and puff, he blows the pigs right out of the illustrations. Though Wiesner briefly touched on this theme in his Free Fall (fans may note a strong resemblence between the dragon in that volume and the one featured in these pages), he takes the idea of 3-D characters operating independently of their storybooks to a new level here. The three pigs land in the margins, which open out onto a postmodern landscape hung with reams of pages made for climbing on, crawling under and folding up for paper airplane travel. Together the pigs visit a book of nursery rhymes and save the aforementioned dragon from death at the hands of the knight. When they get the dragon home, he returns their kindness by scaring the wolf off permenantly.Even the book's younger readers will understand the distinctive visual code. As the pigs enter the confines of a storybook page, they conform to that book's illustrative style, appearing as nursery-rhyme friezes or comic-book line drawings. When the pigs emerge from the storybook pages into the meta-landscape they appear photographically clear and crisp, with shadows and three dimensions. Wiesner's (Tuesday) brillant use of white space and perspective (as the pigs fly to the upper right-hand corner of a spread on their makeshift plane, or as one pig's snout dominates a full page) evokes a feeling that the characters can navigate endless possibilities -and that the range of story itself is limitless., With this inventive retelling, Caldecott Medalist Wiesner (Tuesday, 1991) plays with literary conventions in a manner not seen since Scieszka's The Stinky Cheese Man and Other Fairly Stupid Tales (1993). The story begins with a traditional approach in both language and illustrations, but when the wolf huffs and puffs, he not only blows down the pigs' wood and straw houses, but also blows the pigs right out of the story and into a parallel story structure. The three pigs (illustrated in their new world in a more three-dimensional style and with speech balloons) take off on a postmodern adventure via a paper airplane folded from the discarded pages of the traditional tale. They sail through several spreads of white space and crash-land in a surreal world of picture-book pages, where they befriend the cat from "Hey Diddle Diddle" and a charming dragon that needs to escape with his cherished golden rose from a pursuing prince. The pigs, car and dragon pick up the pages of the original story and return to that flat, conventional world, concluding with a satisfying bowl of dragon-breath-broiled soup in their safe, sturdy brick house. The pigs have braved the new world and returned with their treasure: the cat for company and fiddle music, the dragon's golden rose for beauty, and the dragon himself for warmth and protection from the wolf, who is glimpsed through the window, sitting powerlessly in the distance. On the last few pages, the final wqords of the text break apart, sending letters drifting down into the illustrations to show us that once we have ventured out into the wider worl, out stories never stay the same., Wiesner has created a funny, wildly imaginative tale that encourages readers to leap beyond the familiar; to think critically about conventional stories and illustration, and perhaps, to flex their imaginations and create wonderfully subversive versions of their own stories., David Wiesner's postmodern interpretation of this tale plays imaginatively with traditional picture book and story conventions and with readers' expectations of both. . . .Wiesner explores the possibilty of different realities within a book's pages. . . . Wiesner may not be the first to thumb his nose at picture-book design rules and storytelling techniques, but he puts his own distinct print on this ambitious endeavor. There are lots of teaching opportunities to be mined here-or you can just dig into the creative possibilities of unconventionality., Even the book's younger readers will understand the distinctive visual code. As the pigs enter the confines of a storybook page, they conform to that book's illustrative style, appearing as nursery-rhyme friezes or comic-book line drawings. When the pigs emerge from the storybook pages into the meta-landscape, they appear photographically clear and crisp, with shadows and three dimensions. Wiesner's (Tuesday) brilliant use of white space and perspective (as the pigs fly to the upper right-hand corner of a spread on their makeshift plane, or as one pig's snout dominates a full page) evokes a feeling that the characters can navigate endless possibilities--and that the range of story itself is limitless. Ages 5-up. , Children will delight in the changing perspectives...and the whole notion of the interrupted narrative...fresh and funny...Witty dialogue and physical comedy abound in this inspired retelling of a familiar favorite.|9780618007011|
TitleLeading
The
Grade From
Preschool
Dewey Decimal
[E]
Grade To
Third Grade
Synopsis
"Clever, whimsical and sophisticated." -- New York Times Book Review Taking visual narrative to a new level, this picture book from the creator of Tuesday and Flotsam begins a seemingly familiar tale of three pigs preparing to build houses of straw, sticks, and bricks. But when the Big Bad Wolf comes looking for a snack, he huffs and puffs the first little pig right out of the story . . . and into the realm of pure imagination! Dialogue balloons pepper a wide variety of illustration styles taking readers through a dazzling fantasy universe to the surprising and happy ending. You will never look at "The Three Little Pigs"--or artwork--the same way again! "A funny, wildly imaginative tale that encourages readers to leap beyond the familiar; to think critically about conventional stories and illustration, and perhaps, to flex their imaginations and create wonderfully subversive versions of their own stories." -- ALA Booklist , Starred Review, The Caldecott-winning reinvention of "The Three Little Pigs" delights, amazes, and slyly explores the nature of storytelling itself in a bold and satisfying tale from master artist and three-time Caldecott Medalist, David Wiesner., This Caldecott Medal-winning picture book begins placidly (and familiarly) enough, with three pigs collecting materials and going off to build houses of straw, sticks, and bricks. But the wolf's huffing and puffing blows the first pig right out of the story . . . and into the realm of pure imagination. The transition signals the start of a freewheeling adventure with characteristic David Wiesner effects--cinematic flow, astonishing shifts of perspective, and sly humor, as well as episodes of flight. Satisfying both as a story and as an exploration of the nature of story, The Three Pigs takes visual narrative to a new level. Dialogue balloons, text excerpts, and a wide variety of illustration styles guide the reader through a dazzling fantasy universe to the surprising and happy ending. Fans of Tuesday's frogs and Sector 7's clouds will be captivated by old friends--the Three Pigs of nursery fame and their companions--in a new guise.
LC Classification Number
PZ7.W6367Th 2001
Artikelbeschreibung des Verkäufers
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hhsdrew
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Verkäuferbewertungen (777)
- -***u (72)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThis item was stolen in the post never received it. Put through the door of a crook around the corner where I live. I have told the seller about my predicament he is looking out for a replacement for me very good seller I welcome his kind approach to this matter as he seems very understanding.THE PROFUMO-CHRISTINE KEELER AFFAIR uncensored and Unabridged Lord Denning (Nr. 205337296739)
- 2***s (726)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufFast shipping! Excellent packaging! Item as described! Fantastic value! Great seller!
- l***l (374)- Bewertung vom Käufer.Letzter MonatBestätigter KaufExtremely fast shipping, excellent packaging, item in very good condition - exactly as described - happy with value and overall purchase! A+ seller...
Produktbewertungen & Rezensionen
Relevanteste Rezensionen
- 23. Okt. 2018
Love love love this book!
Bestätigter Kauf: JaZustand: GebrauchtVerkauft von: discover-books
- 25. Jun. 2025
Love this cute book! Great shape. ...
Bestätigter Kauf: JaZustand: GebrauchtVerkauft von: zbkinternational
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