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Praktische Anfangstheorie: Ein grundlegender Arbeitstext 8. Auflage B R JACKSON NEU-
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eBay-Artikelnr.:113721871160
Artikelmerkmale
- Artikelzustand
- Educational Level
- College
- ISBN
- 9780697343970
- EAN
- 9780697343970
Über dieses Produkt
Product Identifiers
Publisher
McGraw-Hill Companies, T.H.E.
ISBN-10
0697343979
ISBN-13
9780697343970
eBay Product ID (ePID)
1053295
Product Key Features
Number of Pages
336 Pages
Language
English
Publication Name
Practical Beginning Theory: a Fundamentals Worktext
Subject
Instruction & Study / Theory
Publication Year
1999
Features
Revised
Type
Textbook
Subject Area
Music
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
25.2 Oz
Item Length
10.7 in
Item Width
8.4 in
Additional Product Features
Edition Number
8
Intended Audience
College Audience
LCCN
00-265538
Dewey Edition
21
Grade From
College Freshman
Illustrated
Yes
Dewey Decimal
781
Grade To
College Freshman
Edition Description
Revised edition
Table Of Content
PART I: The Musician's Raw Materials Chapter 1The Properties of Individual Sounds Chapter 2The Notation of Musical Sounds: Pitch Chapter 3Pitch and the Keyboard Chapter 4The Notation of Musical Sounds: Rhythm Chapter 5Other Notational Signs PART II: Combinations of Materials to Create Tonality, Scales, Key Signatures, Intervals, and Triads Chapter 6Introduction to the Tonal Center Chapter 7The Major Scale, Major and Minor Seconds Chapter 8Intervals: Unison, Octave, and Major and Minor Thirds Chapter 9The Major Triad and the Interval of the Perfect Fifth Chapter 10The Circle of Fifths and the Key Signatures of the Major Scales Chapter 11The Natural Minor Scale Chapter 12Intervals: Fourths, Fifths, and the Tritone Chapter 13The Minor Triad Chapter 14More Intervals: Major and Minor Sixths and Sevenths, and More Augmented and Diminished Intervals Chapter 15Harmonic and Melodic Minor Scales Chapter 16 Augmented and Diminished Triads, The Whole Tone Scale Chapter 17Inversion of Intervals, Compound Intervals PART III: Rhythm and Meter, Melody and Harmony Chapter 18Simple Duple, Triple, and Quadruple Meters Chapter 19Syncopation Chapter 20Triplets Chapter 21Compound Meters PART IV: Melody Chapter 22Movement and Rest in Melody Chapter 23Conjunct and Disjunct Motion, Melodic Direction Chapter 24Rhythmic and Melodic Motives, Melodic Repetition and Sequence PART V: Harmony Chapter 25Triad Arrangements Chapter 26Triads in Succession Chapter 27Nonharmonic Tones Chapter 28Harmonizing a Melody Chapter 29Further Harmonizations Using I, ii, ii7, IV, V, and V7 Chapter 30Chord Symbols and Their Application in Jazz, Blues, and Popular Music Appendix 1Introduction to Musical Forms Appendix 2Keyboard Harmony Supplement Appendix 3Fingerboard Harmony for Guitar Glossary Index to Musical Examples General Index
Synopsis
The phrase 'practical theory' may seem to be a contradiction, but it is a term that Practical Beginning Theory has, since it's first edition in 1963, sought to embody by providing a comprehensive introduction to basic level theory that can be used in any teaching situation, even if other resource materials are limited or unavailable. In the new edition, the text continues its mission to be an all-in-one coursebook for music fundamentals. A third author has been added to revise and update the exercises in popular music and to integrate new electronic supplements into the text. A new chapter has been added to address jazz, pop, and blues and a CD of ear-training examples is now included with each copy of the book. The software package of the prior edition has been coordinated to the new CD and mounted to the Internet and exercises throughout the text have been revised to further emphasize real music instead of artificial textbook examples. In all, Practical Beginning Theory prepares students completely for the first semester of major-level music theory. In can be used at two- and four- year colleges and it is appropriate for pre-college students who are preparing to enter a music major or for advanced high school music theory courses., The phrase '¬practical theory'¬" may seem to be a contradiction, but it is a term that Practical Beginning Theory has, since it'¬"s first edition in 1963, sought to embody by providing a comprehensive introduction to basic level theory that can be used in any teaching situation, even if other resource materials are limited or unavailable. In the new edition, the text continues its mission to be an all-in-one coursebook for music fundamentals. A third author has been added to revise and update the exercises in popular music and to integrate new electronic supplements into the text. A new chapter has been added to address jazz, pop, and blues and a CD of ear-training examples is now included with each copy of the book. The software package of the prior edition has been coordinated to the new CD and mounted to the Internet and exercises throughout the text have been revised to further emphasize real music instead of artificial textbook examples. In all, Practical Beginning Theory prepares students completely for the first semester of major-level music theory. In can be used at two- and four- year colleges and it is appropriate for pre-college students who are preparing to enter a music major or for advanced high school music theory courses.
LC Classification Number
MT6.B34 2000
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