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- Kurzbeschreibung<p>In 1967, Angela Carter published a novel about an adolescent female protagonist growing up in a patriarchal system. Published at a moment in history when significant change, not only for women, but all of the western world was about to take place, The Magic Toyshop illuminates the metamorphosing social dynamics. Angela Carter sensed this moment but did not know where it was going to lead and what it would offer women. Guiding the reader through these pending seismic changes is Melanie, the novel's protagonist. As opposed to the other female characters of the novel who occupy only a fixed role suiting patriarchal hierarchy, Melanie is constantly shifting roles. She can be read as representative of the rebelling female, challenging patriarchal order. Melanie realises that none of the potential roles society offers women will satisfy her. In the end, she has the chance to enter a new world and a relationship defined by equality.</p>
- AutorAnnemarie Kunz
- VerlagAnchor Academic Publishing
- Seiten48 Seiten
- Gewicht92 g
- LeseprobeTextprobe:<br>Chapter 6, The Representation of Women in The Magic Toyshop:<br>The novel is set in the swinging sixties, a time of decline of public morale and morals (Müller 86). Contrasting these changing times is Uncle Philip's toyshop, a dark cavern of a shop [ ] unwilling to let [the children] in (Carter, Toyshop 39). In this place, life is still structured in patriarchal terms. Uncle Philip prevents modernity from impairing on his toyshop: cheques are not accepted, fashion is immaterial, modern household items such as televisions are nowhere to be found. Day sees the toyshop as a ludicrous representation, not the essence of the way things are (31). After Melanie and her siblings arrive in London, the whole action takes place in the toyshop, besides for the shopping Melanie does for her aunt and one time she goes out with Finn.<br>As stated, Uncle Philip is the master of the household who rules as the incarnated patriarch. As Gamble puts it, he is less character than barely embodied principle, his puppets are life-size and his family reduced to the status of marionettes. He is both one-dimensional and contradictory, as his control is threatening and deflating at the same time. Therefore, patriarchy becomes a puppet show and is undermined throughout the book by the rest of the family, apart from Jonathon, who appears to be the only person Uncle Philip has some kind of affection for, and Victoria, who is too young to really realize what is going on around her ( Writing 71-72). Uncle Philip s superiority is merely an illusion grounded on his aggressiveness and the money he possesses.<br>Simon discovers that patriarchs are easily subverted in Carter s fiction. Uncle Philip is revealed to be a pathetic creature whose power is illusory (190). The reason of his power is that he is never conquered by another adult male. When he talks to Melanie about her father he speaks with disgust of him, calling him a soft bastard (Carter, Toyshop , 144). He obviously could not cope with his brother-in-law s intelligence and was jealous of him. Now, he sees himself as superior as he has got his children, to make into little Flowers (144). Lastly, Finn makes funny gestures behind his back, secretly ridiculing him in front of the rest of the family.<br>Both men and women are trapped in a vicious circle of submission and domination (Müller 8) and are negatively affected by patriarchy (Day 23). However, The Magic Toyshop introduces an adolescent female trying to resists these structures
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