LIKE NEW - Guide to the Aria Repertoire by Clark, Mark Ross

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Artikelmerkmale

Artikelzustand
Neuwertig: Buch, das wie neu aussieht, aber bereits gelesen wurde. Der Einband weist keine ...
Binding
Paperback
Product Group
Book
Weight
1 lbs
IsTextBook
No
ISBN
9780253218100
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Indiana University Press
ISBN-10
0253218101
ISBN-13
9780253218100
eBay Product ID (ePID)
46827649

Product Key Features

Book Title
Guide to the Aria Repertoire
Number of Pages
624 Pages
Language
English
Publication Year
2007
Topic
Instruction & Study / Voice, Genres & Styles / General, Genres & Styles / Opera, Instruction & Study / Techniques
Genre
Music
Author
Mark Ross Clark
Book Series
Philanthropic and Nonprofit Studies
Format
Trade Paperback

Dimensions

Item Height
1.3 in
Item Weight
29.7 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Trade
LCCN
2006-032174
Dewey Edition
22
Reviews
"Clark... has compiled a guide to opera repertory for solo voice.... This work can be compared to Berton Coffin's Singer's Repertoire (2nd ed., 1962), which covers the art song in much the same manner.... Recommended." -- Choice, Clark . . . has compiled a guide to opera repertory for solo voice. . . . This work can be compared to Berton Coffin's Singer's Repertoire (2nd ed., 1962), which covers the art song in much the same manner. . . . Recommended., "Clark, director of opera and musical theater at the University of Louisiana at Monroe and author of 'Singing, Acting, and Movement in Opera' (CH, Mar'03, 40 -- 3914), has compiled a guide to opera repertory for solo voice. The arias are grouped by voice type (soprano, alto, tenor, and bass), with further subdivisions by character (spinto, dramatic, etc.). Each entry gives the title of the aria and its location within the work, along with the vocal range and duration. Clark discusses each briefly, touching on the dramatic setting and context, with interpretative suggestions for the performer. The location of the aria in a common piano -- vocal score is given, e.g., p. 135 (Schirmer), but this telegraphic reference to just one score is unsatisfactory, since not all singers will have the same score, and even the referenced score is not fully identified. Separate indexes for locating arias by title, opera, language, and historical period aid readers in locating works that fit certain repertory requirements. This work can be compared to Berton Coffin's 'Singer's Repertoire' (2nd ed., 1962), which covers the art song in much the same manner. Summing Up: Recommended. Lower -- level undergraduates through graduate students; professionals/practitioners. -- CHOICE December 2007" -- C. A. Kolczynski, Boston Public Library, "Clark . . . has compiled a guide to opera repertory for solo voice. . . . This work can be compared to Berton Coffin's Singer's Repertoire (2nd ed., 1962), which covers the art song in much the same manner. . . . Recommended."-- Choice "Clark, director of opera and musical theater at the University of Louisiana at Monroe and author of 'Singing, Acting, and Movement in Opera' (CH, Mar'03, 40--3914), has compiled a guide to opera repertory for solo voice. The arias are grouped by voice type (soprano, alto, tenor, and bass), with further subdivisions by character (spinto, dramatic, etc.). Each entry gives the title of the aria and its location within the work, along with the vocal range and duration. Clark discusses each briefly, touching on the dramatic setting and context, with interpretative suggestions for the performer. The location of the aria in a common piano--vocal score is given, e.g., p. 135 (Schirmer), but this telegraphic reference to just one score is unsatisfactory, since not all singers will have the same score, and even the referenced score is not fully identified. Separate indexes for locating arias by title, opera, language, and historical period aid readers in locating works that fit certain repertory requirements. This work can be compared to Berton Coffin's 'Singer's Repertoire' (2nd ed., 1962), which covers the art song in much the same manner. Summing Up: Recommended. Lower--level undergraduates through graduate students; professionals/practitioners. --CHOICE December 2007"--C. A. Kolczynski, Boston Public Library, "Clark... has compiled a guide to opera repertory for solo voice.... This work can be compared to Berton Coffin's Singer's Repertoire (2nd ed., 1962), which covers the art song in much the same manner.... Recommended." -Choice, Clark... has compiled a guide to opera repertory for solo voice.... This work can be compared to Berton Coffin's Singer's Repertoire (2nd ed., 1962), which covers the art song in much the same manner.... Recommended., Clark, director of opera and musical theater at the University of Louisiana at Monroe and author of 'Singing, Acting, and Movement in Opera' (CH, Mar'03, 40--3914), has compiled a guide to opera repertory for solo voice. The arias are grouped by voice type (soprano, alto, tenor, and bass), with further subdivisions by character (spinto, dramatic, etc.). Each entry gives the title of the aria and its location within the work, along with the vocal range and duration. Clark discusses each briefly, touching on the dramatic setting and context, with interpretative suggestions for the performer. The location of the aria in a common piano--vocal score is given, e.g., p. 135 (Schirmer), but this telegraphic reference to just one score is unsatisfactory, since not all singers will have the same score, and even the referenced score is not fully identified. Separate indexes for locating arias by title, opera, language, and historical period aid readers in locating works that fit certain repertory requirements. This work can be compared to Berton Coffin's 'Singer's Repertoire' (2nd ed., 1962), which covers the art song in much the same manner. Summing Up: Recommended. Lower--level undergraduates through graduate students; professionals/practitioners. --CHOICE December 2007 --C. A. Kolczynski, Boston Public Library, "Clark, director of opera and musical theater at the University of Louisiana at Monroe and author of 'Singing, Acting, and Movement in Opera' (CH, Mar'03, 40-3914), has compiled a guide to opera repertory for solo voice. The arias are grouped by voice type (soprano, alto, tenor, and bass), with further subdivisions by character (spinto, dramatic, etc.). Each entry gives the title of the aria and its location within the work, along with the vocal range and duration. Clark discusses each briefly, touching on the dramatic setting and context, with interpretative suggestions for the performer. The location of the aria in a common piano-vocal score is given, e.g., p. 135 (Schirmer), but this telegraphic reference to just one score is unsatisfactory, since not all singers will have the same score, and even the referenced score is not fully identified. Separate indexes for locating arias by title, opera, language, and historical period aid readers in locating works that fit certain repertory requirements. This work can be compared to Berton Coffin's 'Singer's Repertoire' (2nd ed., 1962), which covers the art song in much the same manner. Summing Up: Recommended. Lower-level undergraduates through graduate students; professionals/practitioners. -CHOICE December 2007" -C. A. Kolczynski, Boston Public Library
Grade From
College Graduate Student
Dewey Decimal
016.7821/143
Table Of Content
Acknowledgments Introduction Part I. Soprano Arias 1. Lyric ColoraturaNos. 114 2. SoubretteNos. 1525 3. LyricNos. 2658 4. Dramatic ColoraturaNos. 5973 5. Full LyricNos. 7487 6. SpintoNos. 8895 7. DramaticNos. 96106 Part II. Mezzo-Soprano Arias 8. Lyric ColoraturaNos. 118 9. LyricNos. 1954 10. DramaticNos. 5587 11. ContraltoNos. 8899 Part III. Tenor Arias 12. LeggieroNos. 120 13. LyricNos. 2181 14. SpintoNos. 82100 15. DramaticNos. 101102 Part IV. Baritone and Bass Arias 16. Lyric BaritoneNos. 139 17. Dramatic BaritoneNos. 4064 18. Bass-BaritoneNos. 6583 19. BassNos. 8499 Index A. Arias Listed Alphabetically Index B. Arias by Opera Index C. Arias by Language Index D. Arias by Historical Period
Synopsis
Full of detailed and insightful commentary from internationally renowned singers, directors, coaches, and other professionals--Regina Resnik, Sherrill Milnes, Carol Vaness, and Warren Jones, to name a few--this volume will be invaluable to the performer, student, and teacher of operatic repertoire throughout their developing careers., A long-awaited resource for the young operatic singer, this annotated guide brings together many sources to start the journey toward powerful, informed performance. An extensive discussion of fach and audition repertoire is followed by more than 400 arias organized by voice type, including canonical, contemporary, and obscure works from different languages. Each entry includes level of difficulty, voice/character type, special techniques, tessitura, and accompaniment. Full of detailed and insightful commentary from internationally renowned singers, directors, coaches, and other professionals--Regina Resnik, Sherrill Milnes, Carol Vaness, and Warren Jones, to name a few--this volume will be invaluable to the performer, student, and teacher of operatic repertoire throughout their developing careers.
LC Classification Number
ML128.O4C53 2007

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