German Expressionist Woodcuts (Dover Fine Art, History of Art)

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Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Release Year
1994
ISBN
9780486280691
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Dover Publications, Incorporated
ISBN-10
0486280691
ISBN-13
9780486280691
eBay Product ID (ePID)
548444

Product Key Features

Book Title
German Expressionist Woodcuts
Number of Pages
160 Pages
Language
English
Publication Year
1994
Topic
History / Modern (Late 19th Century to 1945), Collections, Catalogs, Exhibitions / General, Prints
Illustrator
Yes
Genre
Art
Author
Shane Weller
Book Series
Dover Fine Art, History of Art Ser.
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
19.2 Oz
Item Length
8.4 in
Item Width
11.2 in

Additional Product Features

Intended Audience
Trade
LCCN
94-022083
Dewey Edition
20
Dewey Decimal
769.943/09/041
Table Of Content
Introduction The Artists Ernst Barlach Max Beckmann Heinrich Campendonk Lyonel Feininger Conrad Felixmüller Erich Goldblum Erich Heckel Karl-Luis Heinrich-Salze Karl Jakob Hirsch Jerzey Hulewicz Franz M. Jansen Ernst Ludwig Kirchner César Klein Käthe Kollwitz Franz Marc Gerhard Marcks Georg Mathéy Edvard Munch Emil Nolde Max Pechstein Christian Rohlfs Wilhelm Rudolph Karl Schmidt-Rottluff Arthur Segal Marcel Slodki Jakob Steinhardt Georg Tappert Ines Wetzel Auguste von Zitzewitz Anonymous
Synopsis
Over 100 works by Max Beckmann, Heinrich Campendonk, Erich Heckel, Franz M. Jansen, Ernst Ludwig Kirchner, César Klein, Käthe Kollwitz, Georg Mathéy, Edvard Munch, Wilhelm Rudolph, Arthur Segal, Jakob Steinhardt, Georg Tappert, Ines Wetzel, and others. Distorted, stylized forms embody revolutionary mood of the early 20th century. Introduction. Captions. Notes on artists., German Expressionism was an extraordinarily vivid presence in the art of the early twentieth century, its violent colors and often distorted, stylized forms reflecting not only the rebellious spirit of its participants, but the revolutionary mood of the new century itself. One of the most popular media used by the German Expressionists was the woodcut, important in the history of German art from the time of Albrecht Dürer (1471-1528), and especially suited to Expressionism's bold graphics. This superb collection presents over 100 finely reproduced woodcuts from the work of nearly 30 major artists in the movement who worked in the woodcut medium. Among them are Ernst Barlach, Max Beckmann, Lyonel Feininger, Ernst Ludwig Kirchner, Käthe Kollwitz, Franz Marc, Emil Nolde, Max Pechstein, and many others. Most of the woodcuts reproduced here date from the first three decades of the twentieth century. They are powerful works, ranging in mood from Felix Müller's pensive portrait of Carl Sternheim (1925) to Franz Marc's electric Riding School (1913) and Ernst Barlach's profoundly moving Christ on the Mount of Olives (1920). Readers interested in the art of the woodcut as well as students and enthusiasts of twentieth-century art will find this volume ideal for browsing and study. Individual captions for each selection, notes on each artist, and an informative introduction to the art of the woodcut and the German Expressionist movement add to the book's value as a reference work., Over 100 works by Beckmann, Feininger, Kirchner, Kollwitz, Nolde, Marc, and others. Distorted, stylized forms embody revolutionary mood of the early 20th century. Introduction. Captions. Notes on artists., Over 100 works by Beckmann, Feininger, Kirchner, Kollwitz, Nolde, Marc, others. Distorted, stylized forms embody revolutionary mood of the early 20th-century. Introduction. Captions. Notes on artists., German Expressionism was an extraordinarily vivid presence in the art of the early twentieth century, its violent colors and often distorted, stylized forms reflecting not only the rebellious spirit of its participants, but the revolutionary mood of the new century itself. One of the most popular media used by the German Expressionists was the woodcut, important in the history of German art from the time of Albrecht D rer (1471-1528), and especially suited to Expressionism's bold graphics. This superb collection presents over 100 finely reproduced woodcuts from the work of nearly 30 major artists in the movement who worked in the woodcut medium. Among them are Ernst Barlach, Max Beckmann, Lyonel Feininger, Ernst Ludwig Kirchner, K the Kollwitz, Franz Marc, Emil Nolde, Max Pechstein, and many others. Most of the woodcuts reproduced here date from the first three decades of the twentieth century. They are powerful works, ranging in mood from Felix M ller's pensive portrait of Carl Sternheim (1925) to Franz Marc's electric Riding School (1913) and Ernst Barlach's profoundly moving Christ on the Mount of Olives (1920). Readers interested in the art of the woodcut as well as students and enthusiasts of twentieth-century art will find this volume ideal for browsing and study. Individual captions for each selection, notes on each artist, and an informative introduction to the art of the woodcut and the German Expressionist movement add to the book's value as a reference work.
LC Classification Number
NE1150.35.

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  • A text suitable for your art library

    The numerous examples of expressionist art is most compelling. Although there is only a short text on each artist shown.

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