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The Aesthetic Contract : Statutes of Art and Intellectual Work in Modernity • HC
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eBay-Artikelnr.:336262627215
Artikelmerkmale
- Artikelzustand
- Features
- Dust Jacket, Illustrated
- ISBN
- 9780804728423
Über dieses Produkt
Product Identifiers
Publisher
Stanford University Press
ISBN-10
0804728429
ISBN-13
9780804728423
eBay Product ID (ePID)
290394
Product Key Features
Number of Pages
336 Pages
Publication Name
Aesthetic Contract : Statutes of Art and Intellectual Work in Modernity
Language
English
Subject
General, Aesthetics
Publication Year
1997
Type
Textbook
Subject Area
Literary Criticism, Philosophy
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
97-012245
TitleLeading
The
Dewey Edition
21
Reviews
A rare achievement in an age when critical endeavor is still being consumed by theoretically and historically driven polemics. . . . Sussman's The Aesthetic Contract does us a great service by demonstrating the significant level to which critical understanding can rise when it does not reliquish historical specificity in the name of textal astuteness but, through this conbination, seeks to uncover what our more limited modernities have refused to think. In this respect, [the book] makes an extremely strong and convincing argument for the pervasive operation of the aesthetic as both an historically and theoretically significant category.|9780804728423|, A rare achievement in an age when critical endeavor is still being consumed by theoretically and historically driven polemics. . . . Sussman's The Aesthetic Contract does us a great service by demonstrating the significant level to which critical understanding can rise when it does not reliquish historical specificity in the name of textal astuteness but, through this conbination, seeks to uncover what our more limited modernities have refused to think. In this respect, [the book] makes an extremely strong and convincing argument for the pervasive operation of the aesthetic as both an historically and theoretically significant category., An extremely important work of criticism and historical synthesis. [Sussman's] deepest motivation is not just to get the story straight about Western culture since the sixteenth century, but to explain to himself and to his readers how we got to be the way we are today."—J. Hillis Miller,University of California, Irvine, "An extremely important work of criticism and historical synthesis. [Sussman's] deepest motivation is not just to get the story straight about Western culture since the sixteenth century, but to explain to himself and to his readers how we got to be the way we are today."—J. Hillis Miller,University of California, Irvine, "An extremely important work of criticism and historical synthesis. [Sussman's] deepest motivation is not just to get the story straight about Western culture since the sixteenth century, but to explain to himself and to his readers how we got to be the way we are today."--J. Hillis Miller,University of California, Irvine, "An extremely important work of criticism and historical synthesis. [Sussman's] deepest motivation is not just to get the story straight about Western culture since the sixteenth century, but to explain to himself and to his readers how we got to be the way we are today."-J. Hillis Miller,University of California, Irvine
Illustrated
Yes
Dewey Decimal
111/.85
Synopsis
Ambitious in scope and innovative in concept, this book offers an overview and critique of the conventions surrounding artistic creativity and intellectual endeavor since the outset of "the broader modernity", which the author sees as beginning with the decline of feudalism and the Church. As a work of intellectual history, it suggests that art and the conventions associated with the artistic constitute a secular institution that has supplanted pre-Reformation theology. From the perspective of the "subject," modernity has entailed a heightened sense of individuation, moral conflict, and pervasive loss and disaster. Yet the pitfalls that have earmarked personal experience have taken on positive value in an artistic enterprise that aspires to be a salutary replacement for externally imposed theological dogmas. Beginning with Luther, Calvin, and Shakespeare and culminating with the Kantian notion of the artist as an "original genius," the author reconstructs the steps by which art and creative activity were installed as the redemptive values of a modernity in which human beings were forced to define knowledge and establish authority according to their own devices. In the process, the author reads passages from Plato, Proust, Donne, Locke, Berkeley, Hume, Kleist, Rousseau, Melville, Wittgenstein, as well as Benjamin, as well as the graphic works of Holbein, Dürer, Mondrian, and Rothko. As a work of critical theory, The Aesthetic Contract posits an alternative model to Kant's "original genius." The author explores an understanding of art powered by the notion of the aesthetic contract, in which artists and intellectuals choose to operate within the parameters of certain explicit experiments until the contractual clauses that delimit these endeavors lose their currency or validity. As an intellectual analog to Rousseau's social contract, the aesthetic contract has allowed the modern artist to address issues of knowledge, authority, and experience once thought to fall within the domain of arbitrary, remote, and inaccessible agencies., Ambitious in scope and innovative in concept, this book offers an overview and critique of the conventions surrounding artistic creativity and intellectual endeavor since the outset of "the broader modernity", which the author sees as beginning with the decline of feudalism and the Church. As a work of intellectual history, it suggests that art and the conventions associated with the artistic constitute a secular institution that has supplanted pre-Reformation theology. From the perspective of the "subject," modernity has entailed a heightened sense of individuation, moral conflict, and pervasive loss and disaster. Yet the pitfalls that have earmarked personal experience have taken on positive value in an artistic enterprise that aspires to be a salutary replacement for externally imposed theological dogmas. Beginning with Luther, Calvin, and Shakespeare and culminating with the Kantian notion of the artist as an "original genius," the author reconstructs the steps by which art and creative activity were installed as the redemptive values of a modernity in which human beings were forced to define knowledge and establish authority according to their own devices. In the process, the author reads passages from Plato, Proust, Donne, Locke, Berkeley, Hume, Kleist, Rousseau, Melville, Wittgenstein, as well as Benjamin, as well as the graphic works of Holbein, Drer, Mondrian, and Rothko. As a work of critical theory, The Aesthetic Contract posits an alternative model to Kant's "original genius." The author explores an understanding of art powered by the notion of the aesthetic contract, in which artists and intellectuals choose to operate within the parameters of certain explicit experiments until the contractual clauses that delimit these endeavors lose their currency or validity. As an intellectual analog to Rousseau's social contract, the aesthetic contract has allowed the modern artist to address issues of knowledge, authority, and experience once thought to fall within the domain of arbitrary, remote, and inaccessible agencies., Ambitious in scope and innovative in concept, this book offers an overview and critique of the conventions surrounding artistic creativity and intellectual endeavor since the outset of "the broader modernity", which the author sees as beginning with the decline of feudalism and the Church., Ambitious in scope and innovative in concept, this book offers an overview and critique of the conventions surrounding artistic creativity and intellectual endeavor since the outset of "the broader modernity", which the author sees as beginning with the decline of feudalism and the Church. As a work of intellectual history, it suggests that art and the conventions associated with the artistic constitute a secular institution that has supplanted pre-Reformation theology. From the perspective of the "subject," modernity has entailed a heightened sense of individuation, moral conflict, and pervasive loss and disaster. Yet the pitfalls that have earmarked personal experience have taken on positive value in an artistic enterprise that aspires to be a salutary replacement for externally imposed theological dogmas. Beginning with Luther, Calvin, and Shakespeare and culminating with the Kantian notion of the artist as an "original genius," the author reconstructs the steps by which art and creative activity were installed as the redemptive values of a modernity in which human beings were forced to define knowledge and establish authority according to their own devices. In the process, the author reads passages from Plato, Proust, Donne, Locke, Berkeley, Hume, Kleist, Rousseau, Melville, Wittgenstein, as well as Benjamin, as well as the graphic works of Holbein, D rer, Mondrian, and Rothko. As a work of critical theory, The Aesthetic Contract posits an alternative model to Kant's "original genius." The author explores an understanding of art powered by the notion of the aesthetic contract, in which artists and intellectuals choose to operate within the parameters of certain explicit experiments until the contractual clauses that delimit these endeavors lose their currency or validity. As an intellectual analog to Rousseau's social contract, the aesthetic contract has allowed the modern artist to address issues of knowledge, authority, and experience once thought to fall within the domain of arbitrary, remote, and inaccessible agencies.
LC Classification Number
BH151.S97 1997
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- x***e (24)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufBooks arrived in 2 days, even though the shipping estimate was 5 days. The set of books packed very well and were in pristine condition. They came better than described. They were listed as very good, but are like new. I couldn't be happier. I would certainly buy from this seller again. This was a great value for the price. Thank you so much!!
- a***a (2)- Bewertung vom Käufer.Letztes JahrBestätigter KaufThe book came packaged extremely well, and left no chance of being damaged in shipping. The book sadly did not come with a dust cover I expected, but after contacting the seller and asking if they maybe forgot it or could find it lying around somewhere, they refunded me half of the price for the inconvenience. Extremely helpful and kind customer service. Thank you Nick!ONE PIECE All Faces Collector's Edition Volume 1 (Nr. 335866885387)
- e***o (54)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufItems arrived earlier than I expected. They were very carefully packed and in the condition described. A great value for two books in the series. Thank you for the high quality service. I would buy from this seller again!!