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Color of Sound: Race, Religion & Music in Brazil_John Burdick_HCnoDJ
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eBay-Artikelnr.:267456780484
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780814709221
Über dieses Produkt
Product Identifiers
Publisher
New York University Press
ISBN-10
0814709222
ISBN-13
9780814709221
eBay Product ID (ePID)
114101582
Product Key Features
Number of Pages
237 Pages
Language
English
Publication Name
Color of Sound : Race, Religion, and Music in Brazil
Publication Year
2013
Subject
Discrimination & Race Relations, General, Anthropology / Cultural & Social, Americas (North, Central, South, West Indies)
Type
Textbook
Subject Area
Music, Social Science, History
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
19.3 Oz
Item Length
9.3 in
Item Width
6.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2012-027273
TitleLeading
The
Dewey Edition
23
Reviews
Reading John Burdicks The Color of Sound reminded me that the Queen of Gospel, Mahalia Jackson, sang the legendary hymn 'How I Got Over' just minutes after Dr. Martin Luther King Jr. delivered his 'I Have a Dream Speech' at the historic March on Washington for Jobs and Freedom in 1963. Burdick delivers an evocative book full of fresh insights, analyzing how religious music makers and black gospel have the potential to create deeply meaningful and positive new politically engaged black and Afro-Brazilian identities in Brazil., Burdick writes with an evocative clarity that allows the context and voices of his informants to shine through. His commitment to them and his passion for racial justice drive the account of his research., "Reveals the little-studied, but vast realm of transnational Christian popular music that circulates outside of mainstream channels. Burdick's evocative study of the vibrant scene of black evangelical music in São Paulo invites us to rethink notions of sonic performance, its relation to the body, and its reverberations in a modern urban society fraught by durable racial and social inequalities. Combining a richly textured ethnography with novel theoretical insights, this book points to new directions in the study of race, space, and faith in Brazilian culture." -Christopher Dunn,Tulane University, "Reveals the little-studied, but vast realm of transnational Christian popular music that circulates outside of mainstream channels. Burdick's evocative study of the vibrant scene of black evangelical music in So Paulo invites us to rethink notions of sonic performance, its relation to the body, and its reverberations in a modern urban society fraught by durable racial and social inequalities. Combining a richly textured ethnography with novel theoretical insights, this book points to new directions in the study of race, space, and faith in Brazilian culture." -Christopher Dunn,Tulane University, Reveals the little-studied, but vast realm of transnational Christian popular music that circulates outside of mainstream channels. Burdicks evocative study of the vibrant scene of black evangelical music in São Paulo invites us to rethink notions of sonic performance, its relation to the body, and its reverberations in a modern urban society fraught by durable racial and social inequalities. Combining a richly textured ethnography with novel theoretical insights, this book points to new directions in the study of race, space, and faith in Brazilian culture. , "Burdick writes with an evocative clarity that allows the context and voices of his informants to shine through. His commitment to them and his passion for racial justice drive the account of his research."- Pneuma, "It is well-composed and highly readable which will make it a friendly text to teach. A consistent argument is carried throughout that examines the interplay between race and religion. It contributes uniquely to the thriving anthropological interest in global Pentecostalism, particularly in Latin America. And, the focus on creativity is refreshing for construing religion as something generative, open-ended, resource rich, and packed with potential."- The Anthropology of Christianity Bibliographic Blog, "Reveals the little-studied, but vast realm of transnational Christian popular music that circulates outside of mainstream channels. Burdick's evocative study of the vibrant scene of black evangelical music in So Paulo invites us to rethink notions of sonic performance, its relation to the body, and its reverberations in a modern urban society fraught by durable racial and social inequalities. Combining a richly textured ethnography with novel theoretical insights, this book points to new directions in the study of race, space, and faith in Brazilian culture." -Christopher Dunn,Tulane University, "Reading John Burdick'sThe Color of Soundreminded me that the Queen of Gospel, Mahalia Jackson, sang the legendary hymn 'How I Got Over' just minutes after Dr. Martin Luther King Jr. delivered his 'I Have a Dream Speech' at the historic March on Washington for Jobs and Freedom in 1963. Burdick delivers an evocative book full of fresh insights, analyzing how religious music makers and black gospel have the potential to create deeply meaningful and positive new politically engaged black and Afro-Brazilian identities in Brazil."-Donna M. Goldstein,author of Laughter Out of Place, "Reading John Burdick's The Color of Sound reminded me that the Queen of Gospel, Mahalia Jackson, sang the legendary hymn 'How I Got Over' just minutes after Dr. Martin Luther King Jr. delivered his 'I Have a Dream Speech' at the historic March on Washington for Jobs and Freedom in 1963. Burdick delivers an evocative book full of fresh insights, analyzing how religious music makers and black gospel have the potential to create deeply meaningful and positive new politically engaged black and Afro-Brazilian identities in Brazil."-Donna M. Goldstein,author of Laughter Out of Place, "Reveals the little-studied, but vast realm of transnational Christian popular music that circulates outside of mainstream channels. Burdick's evocative study of the vibrant scene of black evangelical music in São Paulo invites us to rethink notions of sonic performance, its relation to the body, and its reverberations in a modern urban society fraught by durable racial and social inequalities. Combining a richly textured ethnography with novel theoretical insights, this book points to new directions in the study of race, space, and faith in Brazilian culture." -Christopher Dunn,Tulane University, "Burdick writes with an evocative clarity that allows the context and voices of his informants to shine through. His commitment to them and his passion for racial justice drive the account of his research."- Pneuma, "Reading John Burdick's The Color of Sound reminded me that the Queen of Gospel, Mahalia Jackson, sang the legendary hymn 'How I Got Over' just minutes after Dr. Martin Luther King Jr. delivered his 'I Have a Dream Speech' at the historic March on Washington for Jobs and Freedom in 1963. Burdick delivers an evocative book full of fresh insights, analyzing how religious music makers and black gospel have the potential to create deeply meaningful and positive new politically engaged black and Afro-Brazilian identities in Brazil." Donna M. Goldstein, author of Laughter Out of Place "Reveals the little-studied, but vast realm of transnational Christian popular music that circulates outside of mainstream channels. Burdick's evocative study of the vibrant scene of black evangelical music in Sao Paulo invites us to rethink notions of sonic performance, its relation to the body, and its reverberations in a modern urban society fraught by durable racial and social inequalities. Combining a richly textured ethnography with novel theoretical insights, this book points to new directions in the study of race, space, and faith in Brazilian culture." Christopher Dunn, Tulane University, "It is well-composed and highly readable which will make it a friendly text to teach. A consistent argument is carried throughout that examines the interplay between race and religion. It contributes uniquely to the thriving anthropological interest in global Pentecostalism, particularly in Latin America. And, the focus on creativity is refreshing for construing religion as something generative, open-ended, resource rich, and packed with potential."- The Anthropology of Christianity Bibliographic Blog ,
Illustrated
Yes
Dewey Decimal
782.25/40981
Table Of Content
Preface and Acknowledgments Introduction: Something 'Bout the Name of Jesus: Racial Meanings in Evangelical Musical Scenes 1 We Are the Modern Levites: Three Gospel Music Scenes 2 We Are All One in the Periferia: Blackness, Place, and Poverty in Gospel Rap 3 The Flags of Jesus and Brazil: Body, History, and Nation in Samba Gospel 4 A Voice So Full of Pain and Power: Black Gospel and Blackness 5 The Bible Is Full of Prophecies: Black Evangelical Musicians and Black Politics Conclusion: Evangelicalism, Blackness, and Music in Brazil Notes References Index About the Author
Synopsis
Throughout Brazil, Afro-Brazilians face widespread racial prejudice. Many turn to religion, with Afro-Brazilians disproportionately represented among Protestants, the fastest-growing religious group in the country. Officially, Brazilian Protestants do not involve themselves in racial politics. Behind the scenes, however, the community is deeply involved in the formation of different kinds of blackness-and its engagement in racial politics is rooted in the major new cultural movement of black music. In this highly original account, anthropologist John Burdick explores the complex ideas about race, racism, and racial identity that have grown up among Afro-Brazilians in the black music scene. By immersing himself for nearly a year in the vibrant worlds of black gospel, gospel rap, and gospel samba, Burdick pushes our understanding of racial identity and the social effects of music in new directions. Delving into the everyday music-making practices of these scenes, Burdick shows how the creative process itself shapes how Afro-Brazilian artists experience and understand their racial identities. This deeply detailed, engaging portrait challenges much of what we thought we knew about Brazil's Protestants,provoking us to think in new ways about their role in their country's struggle to combat racism., Throughout Brazil, Afro-Brazilians face widespread racial prejudice. Many turn to religion, with Afro-Brazilians disproportionately represented among Protestants, the fastest-growing religious group in the country. Officially, Brazilian Protestants do not involve themselves in racial politics. Behind the scenes, however, the community is deeply involved in the formation of different kinds of blackness--and its engagement in racial politics is rooted in the major new cultural movement of black music. In this highly original account, anthropologist John Burdick explores the complex ideas about race, racism, and racial identity that have grown up among Afro-Brazilians in the black music scene. By immersing himself for nearly a year in the vibrant worlds of black gospel, gospel rap, and gospel samba, Burdick pushes our understanding of racial identity and the social effects of music in new directions. Delving into the everyday music-making practices of these scenes, Burdick shows how the creative process itself shapes how Afro-Brazilian artists experience and understand their racial identities. This deeply detailed, engaging portrait challenges much of what we thought we knew about Brazil's Protestants,provoking us to think in new ways about their role in their country's struggle to combat racism., Explores the complex ideas about race, racism, and racial identity that have grown up among Afro-Brazilians in the black music scene, Throughout Brazil, Afro-Brazilians face widespread racial prejudice. Many turn to religion, with Afro-Brazilians disproportionately represented among Protestants, the fastest-growing religious group in the country. Officially, Brazilian Protestants do not involve themselves in racial politics. Behind the scenes, however, the community is deeply involved in the formation of different kinds of blackness--and its engagement in racial politics is rooted in the major new cultural movement of black music. In this highly original account, anthropologist John Burdick explores the complex ideas about race, racism, and racial identity that have grown up among Afro-Brazilians in the black music scene. By immersing himself for nearly a year in the vibrant worlds of black gospel, gospel rap, and gospel samba, Burdick pushes our understanding of racial identity and the social effects of music in new directions. Delving into the everyday music-making practices of these scenes, Burdick shows how the creative process itself shapes how Afro-Brazilian artists experience and understand their racial identities. This deeply detailed, engaging portrait challenges much of what we thought we knew about Brazil's Protestants, provoking us to think in new ways about their role in their country's struggle to combat racism.
LC Classification Number
ML3187.B85 2013
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