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TWO MEN AND MUSIC: NATIONALISM IN THE MAKING OF AN INDIAN By Janaki Bakhle good
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eBay-Artikelnr.:266884907166
Artikelmerkmale
- Artikelzustand
- Type
- Paperback
- Publication Name
- Oxford University Press
- ISBN-10
- 0195166116
- ISBN
- 9780195166118
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195166116
ISBN-13
9780195166118
eBay Product ID (ePID)
43434624
Product Key Features
Book Title
Two Men and Music : Nationalism in the Making of an Indian Classical Tradition
Number of Pages
360 Pages
Language
English
Topic
Philosophy & Social Aspects, Asia / India & South Asia
Publication Year
2005
Illustrator
Yes
Genre
Music, History
Format
Perfect
Dimensions
Item Height
0.8 in
Item Weight
17.7 Oz
Item Length
6.1 in
Item Width
9.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2004-020776
Dewey Edition
22
Reviews
"Using classical music as a case study, the author offers a provocative account of how the emergence of an "Indian" cultural tradition reflected exclusionary colonial practices." --Bookshelf, "Two Men and Music stands out in describing a specifically Indian modernity and the place of indigenous musical traditions in it. Joining insightful historical research to dexterous cultural theory, Bakhle reminds us that modernity, like music itself, needs ever to be thought of in the plural.She offers an Indian case-in-point of the broader lesson that "classical" musics the world over have taken shape from the refracting of earlier traditions through multiple modernities."--Gary Tomlinson, author of Metaphysical Song: An Essay on Opera, "A brilliantly researched book that adds a new dimension to the inventionof tradition. Two Men and Music is required reading not only for historians ofSouth Asian modernity, but for all interested in the sociology of the politicsof identity."--Gayatri Chakravorty Spivak, author of A Critique of PostcolonialReason, "Janaki Bakhle makes a major, pioneering contribution to the history of Indian classical music. Classical music in India is generally viewed as an expression of successful cultural resistance to colonialism. Bakhle demonstrates in this telling critique that, to the contrary, the world ofclassical music advanced the exclusionary tendencies of the colonialist and nationalist projects. There is simply no history quite like this."--Gyan Prakash, author of Another Reason, "Janaki Bakhle makes a major, pioneering contribution to the history ofIndian classical music. Classical music in India is generally viewed as anexpression of successful cultural resistance to colonialism. Bakhle demonstratesin this telling critique that, to the contrary, the world of classical musicadvanced the exclusionary tendencies of the colonialist and nationalistprojects. There is simply no history quite like this."--Gyan Prakash, author ofAnother Reason, "Janaki Bakhle's book opens up a completely new area of research in modern South Asian history. This pioneering history of the making of modern North Indian classical music is exemplary for the very fine sense of balance with which it holds together both respect and criticism for the past itso brilliantly restores."--Dipesh Chakrabarty, author of Habitations of Modernity, "A brilliantly researched book that adds a new dimension to the invention of tradition. Two Men and Music is required reading not only for historians of South Asian modernity, but for all interested in the sociology of the politics of identity."--Gayatri Chakravorty Spivak, author of ACritique of Postcolonial Reason, "Using classical music as a case study, the author offers a provocative account of how the emergence of an "Indian" cultural tradition reflected exclusionary colonial practices." --Bookshelf"Using classical music as a case study, the author offers a provocative account of how the emergence of an "Indian" cultural tradition reflected exclusionary colonial practices." --Bookshelf, "A brilliantly researched book that adds a new dimension to the invention of tradition. Two Men and Music is required reading not only for historians of South Asian modernity, but for all interested in the sociology of the politics of identity."--Gayatri Chakravorty Spivak, author of A Critique of Postcolonial Reason "Janaki Bakhle makes a major, pioneering contribution to the history of Indian classical music. Classical music in India is generally viewed as an expression of successful cultural resistance to colonialism. Bakhle demonstrates in this telling critique that, to the contrary, the world of classical music advanced the exclusionary tendencies of the colonialist and nationalist projects. There is simply no history quite like this."--Gyan Prakash, author of Another Reason "Two Men and Music stands out in describing a specifically Indian modernity and the place of indigenous musical traditions in it. Joining insightful historical research to dexterous cultural theory, Bakhle reminds us that modernity, like music itself, needs ever to be thought of in the plural. She offers an Indian case-in-point of the broader lesson that "classical" musics the world over have taken shape from the refracting of earlier traditions through multiple modernities."--Gary Tomlinson, author of Metaphysical Song: An Essay on Opera "Janaki Bakhle's book opens up a completely new area of research in modern South Asian history. This pioneering history of the making of modern North Indian classical music is exemplary for the very fine sense of balance with which it holds together both respect and criticism for the past it so brilliantly restores."--Dipesh Chakrabarty, author of Habitations of Modernity, "Two Men and Music stands out in describing a specifically Indianmodernity and the place of indigenous musical traditions in it. Joininginsightful historical research to dexterous cultural theory, Bakhle reminds usthat modernity, like music itself, needs ever to be thought of in the plural.She offers an Indian case-in-point of the broader lesson that "classical" musicsthe world over have taken shape from the refracting of earlier traditionsthrough multiple modernities."--Gary Tomlinson, author of Metaphysical Song: AnEssay on Opera
Dewey Decimal
780/.954
Table Of Content
Introduction1. The Prince and the Musician2. Music Enters the Public Sphere: Colonial Writing, Marathi Theater, Music Appreciation Societies3. Vishnu Narayan Bhatkhande: The Contradictions of Music's Modernity4. The Certainty of Music's Modernity: Pandit Vishnu Paluskar (1872-1931)5. Music in Public and National Conversation: Conferences, Institutions, and Agendas, 1916-19286. The Musician and Gharana Modern: Abdul Karim Khan and Hirabai BadodekarConclusion: A Critical History of Music: Beyond Nostalgia and CelebrationBibliographyIndex
Synopsis
A provocative account of the development of modern national culture in India using classical music as a case study. Janaki Bakhle demonstrates how the emergence of an "Indian" cultural tradition reflected colonial and exclusionary practices, particularly the exclusion of Muslims by the Brahmanic elite, which occurred despite the fact that Muslims were the major practiti oners of the Indian music that was installed as a "Hindu" national tradition. This book lays bare how a nation's imaginings--from politics to culture--reflect rather than transform societal divisions.
LC Classification Number
ML338.B23 2005
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